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**Edition of 300** Konstrukt has made contact with both Alexander Hawkins and Alan Wilkinson during their presence at Konfrontationen Festival in Nickelsdorf in 2013 where the band performed for the second time in Austria after Saalfelden Jazz Festival with Marshall Allen in 2011. All three parts were excited and have agreed to get together sometime in the future.The result was a night of music with high energy and a wide musical perspective. From drum&bass to ethnic funk vibes, from straight fr…
Sofie Herner (Enhet För Fri Musik, Neutral) returns with Neuter, the first proper album since the Gitarrmusik III-X LP released on Förlag För Fri Musik back in 2017. Neuter was recorded between 2018 and 2021 and is the culmination of a very distinctive and unmistakable sound Sofie has developed and refined during close to 10 years now. The music of Leda is based on primitive guitar loops of various lenghts, loops that intervenes and creates peculiar rhythms and subtle harmonies. Slow-burning pro…
The much anticipated sophomore solo album from Hugo Randulv (Enhet För Fri Musik, Amateur Hour, Makthaverskan etc). Following up the praised Radio Arktis that was released on Förlag För Fri Musik back in 2021, Drunkna I Ljus was composed and recorded mainly during 2024 and consists of two sidelong epics based entirely on electric cello with a sparse use of controlled guitar feedback. The overall ambience and cold yet weirdly encouraging harmonies from Radio Arktis are recognizable and still pres…
One of the most striking and enigmatic works to appear on Discreet Music in recent years. There is a long tradition of artists who have tried to set scripture to music and failed magnificently - the failure itself becoming the subject, the wound becoming the work. Carrie DeCunzo Mirande's debut album belongs to this lineage. In the twenty-four days before Christmas 2024, she read the twenty-four chapters of the Book of Luke and attempted to respond in sound. Two piano pieces emerged - one inspir…
Biggest Tip Possible! Audiophile vinyl edition, pressed at RTI, includes a 12-page booklet containing liner notes penned by Jack Denton and a plethora of unseen archival photographs . The Invisible Road: Original Recordings, 1985–1990 compiles an unheard, previously unreleased body of recordings by Sussan Deyhim and Richard Horowitz, dissidents from diametric backgrounds who met during the heady days of Downtown New York in the 1980s. This collection reveals the creative and life partners’ radic…
* 300 copies, 180 gr black vinyl * Among the many ones who left their band to pursue a solo career in the '70s we find Ivano Fossati. In 1972 his group Delirium had become very popular, thanks to 'Jesahel,' the song they presented at the Sanremo Festival in February: it became a real chart-hit 45 RPM, a very unusual thing for a progressive rock band. But commercial success didn't stop Fossati from leaving Delirium and releasing in 1973 his debut album, under the name of Alberto Ivano Fossati - I…
Big tip! Beyond Rare! These historical recordings of a 1967 concert at Hope College in Michigan involving John Cage, Toshi Ichiyanagi and David Tudor, performing compositions by Ichiyanagi and Alvin Lucier, were recently discovered in an archive in Japan. The Lucier piece, "Music for Solo Performer", was the first musical composition to utilize human brainwaves; this 1967 performance, released here for the first time, is an early realization of the piece, featuring Tudor, Ichiyanagi and Lowell C…
Tip! Limited LP, black vinyl, pressed at RTI and housed in a heavy-duty jacket. Available from Blank Forms for the first time since its original 1980 release on ALM-Uranoia, New Sense of Hearing documents a collaboration between Takehisa Kosugi and Akio Suzuki, two luminaries of Japanese experimental music in the lineage of Fluxus. Blank Forms’s high-quality reissue of the sought-after, long out of print LP, is produced by musician-artist Aki Onda and mastered from the original tapes recorded o…
For almost ten years, Ruben Machtelinckx has followed an extraordinary path in Belgian and European improvised music. As a guitarist, but equally as a composer. It began in 2013, when the quartet Machtelinckx/Badenhorst/Jensson/Wouters released their debut, ‘Faerge’. The album was praised by international press and was listed ‘Best Belgian jazz release’ by Knack magazine. In 2020 he won the Klara Award for Best Belgian Jazz release for his latest record: Porous Structures (Aspen 009). In between…
A split album is a marriage of autonomous partners. On each side of the vinyl, one artist presents a limited selection of music. Both sides relate to each other, but they do not intertwine. On Aspen’s first split, guitar brothers Ruben Machtelinckx and Frederik Leroux each contribute twenty minutes of solo performance. Both Machtelinckx and Leroux make use of the oating sounds of the banjo, but in a quite distinct way. While the former presents a determined and solid selection of music, the latt…
Tip! *200 copies limited edition* In 2019, ‘porous structures’ was released, the first album by the quartet Machtelinckx/Badenhorst/Cools/Gouband. The album won the Klara for ‘Best Belgian Jazz CD’. In September 2024, ‘porous structures II’ will be released, a new album by a quartet led by Ruben Machtelinckx, this time in the company of Fredrik Rasten, Frederik Leroux and again Toma Gouband. What remains is the choice for acoustic and fragile sounds, comprehensible to the listener but with an u…
The distinctive sound of Linus is born from a delicate balance between folk, jazz, minimalism, chamber music and free improvisation. Starting as a duo, Ruben Machtelinckx and Thomas Jillings have always tried to infuse their compositions, which tend towards poetry and simplicity, with the ungraspable spirit of true open-minded improvisation. In the search of new stories to tell, it therefore did not come as a surprise that they chose to expand their palette by including both an eclectic mix of i…
The singular Norwegian percussionist Ingar Zach, a long-time member of paradigm-shifting experimental ensembles like Huntsville and Dans les arbes, delivers his eighth solo recording, and his first on the superb Belgian imprint Aspen Edities. The percussionist digs even deeper into his sonic research, transforming a massive bass drum used in orchestral music, as a resonant surface for otherworldly, texture-rich excursions that mix-and-match rhythm and color in ever-shifting combinations.
A supreme soundscape! The world's first recording of a work released in 1997 by a composer/guitarist who has left his mark on the contemporary Mexican music scene. The latest release from SRRD label! Eblen Macari has been actively developing his unique musical style for 40 years, from the 1980s to the present. Eblen Macari has been developing his unique musical style for the past years. Eblen Macari was inspired by the sound of the guitar as well as the ecology of the trees used for the guitar. …
Returning to Die Schachtel with his fourth full-length with the label, the Genoa born, Bologna based, guitarist and electroacoustic composer, Stefano Pilia, delivers “Lacinia”, a new, immersive cycle of compositions, delving deeper into the realm of metaphysical, spiritual, and divine meaning, weaving astounding arrangements of sonority from a palette of synths, strings, brass, organ, various electroacoustic instruments, and percussion. Resting at a refined intersection of the acoustic and elect…
Traveling extensively across Asia and Africa between 1974-1985 to study music, Roberto made many field recordings and collected many instruments on his travels which he would then combine with synthesizers and electronics back in Italy
Recorded in Paris in 1965, Don Cherry’s Togetherness is a five‑part live suite where pocket‑trumpet chants, Gato Barbieri’s searing tenor, vibes and a dancing rhythm section turn early free jazz into something fiercely open yet strangely joyful.
"Hyperrealist Music, 2011-2015" is a selection of late masterpieces by Noah Creshevsky, a proponent of "Hyperreal Music," which opened a new door to cyber-human music.
**Blue tape Limited Edition to 90 numbered copies ** Carlos Casas has spent years documenting the edges of human experience - from the oil fields of Azerbaijan to the remote reaches of Patagonia - and his work as a filmmaker and sound artist reflects a deep engagement with landscape, isolation, and the uncanny. The Mont Aigu Tapes 2 continues his exploration of the French countryside estate that has become a recurring site of inspiration, a place where Casas has set up temporary studios and reco…
** mini LP replica with obi & Japanese insert ** Masterpiece!!!!!! An unbeatable mix of dark psychedelic themes with heavy jazz drums, exotic percussions, obsessive piano bits, creepy harpsichord, free jazz to wah-drenched psychedelia, stiff funk, and abstract avant-gardism with atonal sounds and tonal passages that are in full-bloom here. "In December 1973 the recordings of the soundtrack for 'L'Uomo Dagli Occhiali A Specchio' took place in the historic Fonorama Studios. This is an album that c…