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*2024 stock* Clamor rethinks the notion of 'women's work' as a space for both collaboration and singular voice. Just as our ensemble is limited and enabled by the written score, so might be individual enunciations of how gender norms limit agency. Clamor utilizes a collective, improvisational vision that prioritizes an intentionally fluid style by employing indeterminacy, navigated by the performers via time-based scores. These principles are balanced with metered notation to shape the overall f…
Tip! *300 copies limited edition* Gregory T.S. Walker’s Minstrels & Minimoogs was self-published by a young, nomadic composer and virtuoso in 1988 to accompany an immersive multimedia performance at the University of Colorado Boulder’s Fiske Planetarium. Created with this outer, and other, world setting in mind, the four tracks find Walker stretching toward an ancient-to-future vision where Egyptian myths and Hieronymus Bosch-ian tableaus are rendered in a screaming three dimensional circuitry o…
Hard cover Edition, large format. Long out of print. One of the pioneers of performance and multimedia work, constantly cited as key to the burgeoning postwar genres now considered standard fare in art galleries and museums, Robert Whitman's work of the 1960s and 1970s has long been inaccessible because of its ephemeral nature. This publication and the exhibition it accompanies are the first to reexamine his seminal early work, begun under the influence of Allan Kaprow in the late 1950s. Early p…
The LP release presents the reissue of a little-known, but extremely beauty, Post-Minimalism album composed by Wayne Siegel when he was mid-twenties. Moved from US to Denmark, between 1979 and 1980, he began to investigate possibilities of a very personal language, contributing to mould the heterogeneous kaleidoscope of Post-Minimalism results. These works are constructed around a relentless musical process that consists of delaying and repeating every element in a certain measure, without inten…
Peter Brötzmann - tenor saxophone, tarogatoToshinori Kondo - trumpet, electronicsSabu Toyozumi - drums
Recorded live on October 2nd, 2016 at Roppongi Super Deluxe, Tokyo, Japan by Kunimitsu TsuburaiAll music by Peter Brötzmann, Toshinori Kondo and Sabu ToyozumiMastered by Arūnas Zujus at MAMAstudiosDesign by Oskaras AnosovasPhotos by Moto UeharaCover art by Sabu Toyozumi
The Mill Pond was originally released in 1997 as a double 7' that went immediately out of print. For it's 10th aniversary we're issuing it on compact disc housed in a deluxe letterpressed jacket and including an extensive booklet collecting John Fahey's paintings for the very first time. Limited edition. The Mill Pond is all over the place stylistically, so it should confuse those who try to pigeonhole Fahey into any one category. The Mill Pond further proves that there is only one category into…
Irene Bianco is an Italian-born percussionist, free improviser and composer based in Copenhagen. Starting playing drum-kit at an early age and then trained as a classical percussionist, her music influences span from baroque and orchestral music to 90s rock and club music. Other than in solo, she is an active freelancer and a member of Damkapellet collective and Wolfskin Ensemble. Now Permanent Draft, London based all-female label run by Valentina Magaletti with Fanny Chiarello, is making this d…
*500 copies limited 'indian green' color vinyl* City of Light is the sixth solo album by American composer Bill Laswell, released on July 29, 1997. While it may appear an anachronism in his catalog, fans of Bill Laswell will find City of Light an extension of ideas he has explored throughout his career. His strong interest in Eastern music and religion resulted in this 1997 collaboration with Janet Rienstra. Part sacred, spoken word, part meditative soundscape, City of Light takes as its inspir…
Melancholic. Intense. Deep. Epic. “Voltæ (Chthulucene)” is a tribute to electricity and telluric forces, a complete celebration of life, a symbiosis for an epistemic shift.
Featuring the last recording of the organ in Phipps Hall before it was moved to a church in Ripon.Recorded at James Creed's Living Room, Phipps Hall HuddersfieldThomas Carroll - reed organ, pipe organ, decoupled organ pipes, electronicsMia Windsor - piano, decoupled organ pipes, electronics
**Limited editions of 300 copies. Ultra clear vinyls in gatefold sleeve. Includes download card.** Matière mémoire éditions presents Treatments by Giovanni Di Domenico, Eiko Ishibashi, Jim O'Rourke, Joe Talia and Tatsuhisa Yamamoto. Recorded in studio W (Brussels), Atelier Eiko, Steamroom, Completamente TAZ (Tokyo), Good Mixture (Berlin). Mixed by Jim O’Rourke at Steamroom (side A & B), Joe Talia at Good Mixture (side C), Tatsuhisa Yamamoto at Completamente TAZ (side D). Mastering & cut by Frédé…
Reissue of one of the most in demand Brij Bhushan Kabra LPs finally available. Remastered. In the 1920s, Tau Moe (pronounced "mo-ay"), a Hawaiian musician, arrived in India and introduced Hawaiian music to the sub-continent. After settling in Calcutta in the early 1940s, Moe and his family performed, taught and introduced Hawaiian music by building and selling guitars to the local musicians. Indian filmmakers and composers quickly fell under the spell of these instruments and sounds and made the…
You Never End is the third album from Valentina Magaletti, Tom Halstead and Joe Andrews (Moin) out via AD 93 on the 25th October. Its title alone expresses the teetering and shifting nature of both the album and band. This record marks the Moin’s shift into a new phase with vocal collaborations across the album from Olan Monk, james K, Coby Sey and Sophia Al-Maria.
The album’s collaborators all have voices that are alluring in their own right whilst hard to pin down: from james K’s ethereal, rev…
Recorded live on 25th February 1979, Teatro Cristallo, Milan, Italy. Second of two performances. Previously unreleased. Stereophonic sound. Elton Dean - saxophones, Keith Tippett - piano, Harry Miller - double bass, Louis Moholo-Moholo - drums. All tracks composed by Elton Dean.
Original event organised by Riccardo Bergerone. Very special thanks to: Marino Dean, Roberto Ottaviano, Sergio Balletti, Carlo Verri, Aymeric Leroy.
Executive producer: Riccardo Bergerone.
Restored and produced by Matt…
London-based experimentalists Kinkajous have announced their new studio album, Nothing Will Disappear, set for release on October 18th via Nottingham's Running Circle label. Maximalism at its most subtle and tender – ambient music at its most rejuvenated. There are echoes of Sam Shepherd's collaborative work with Pharoah Sanders as Floating Points, and the subtle timbre shifts of Jon Hopkins and James Holden more so than their capital-"J" jazz contemporaries. A marked step-up from their previous…
*250 copies limited edition* Originally released on cassette only in 1984, Iguzki Hauskara by Pascal Gaigne, combines Basque Folk oral tradition, Spanish guitar and Contemporary Classical minimal compositions in equal parts. Beautifully haunting, wondrous and expansive, this record speaks to the spirit. A timeless document that befits situations and sceneries that existed long before this record was made. A pivotal moment in Pascal’s career, highest possible recommendation for fans of 80’s count…
Recorded live in London before a studio audience on the 24th August 1961. Previously unissued. By the time this EP is released 60 years will have elapsed since the recordings contained within it were made, and nearly 50 years since the untimely death of pioneering West Indian free jazz altoist Joe Harriott on the 2nd January 1973, aged 42. Only in the very recent past has Harriott started to receive anything approaching the accolades he undoubtedly deserved during his lifetime. For those new to …
2nd Volume of the perfect pairing Brötzmann & Nilssen-Love! Recorded at Zuiderpershuis in Antwerp, August 2015. Liner notes-transcription of an interview with Peter Brötzmann.