Best sellers
Moonshine
Maurice Louca and his Elephantine Band commit a live, raw, collective sound to record. One of Egypt's most adventurous experimental figures pulls cosmic jazz, African and global musics and modal traditions into long stretches of hard-grooving, hypnotic intensity and avant-jazz abandon. Red and black vinyl mix.
Foliage
Foliage is a long-form graphic music score by Elliott Sharp, consisting of eighty risograph prints offered as abstract instructions open to any number of realisations by any instrumentalist or ensemble. Sharp works in the lineage of post-1945 graphic notation but with a contemporary twist: the score was produced by routing his own conventionally written music through graphics editing software, distorting, layering, inverting and blurring it until notation explodes into retinal artwork.
Focus Intensity Power
BJ Nilsen's first LP for the label, departing from his field-recording practice. Recorded during a Fall 2017 residency at Willem Twee Electronic Music Studio in Den Bosch, the five pieces document improvised sessions on modular synthesizers, tone generators and laboratory test instruments. The flâneur's ear, normally trained on wind or city traffic, is here turned on machine-generated material: analogue pulse, droning waves and subtle noise arranged with the same patient sense of texture.
The Human Race Was Restored To Life Repeatedly / Yoshinotsune / Hadayro (3LP Bundle)
Across three decades of uncompromising sound, this series of vinyl reissues traces a raw and evolving lineage within Japanese noise. From the mid-1980s underground to the turn of the millennium, these works capture a continuous process of transformation—where noise is not only pushed to its limits, but constantly redefined.
Beginning with Solmania and the 1985 cassette H·A·D·A·Y·R·O, we encounter a foundational moment: a fiercely physical and experimental approach where self-built instruments, t…
Kajang
Four previously unreleased pieces (2015-2020) by Otto Sidharta, pioneer of Indonesian electronic music. Built from environmental sound and a deep love of sealed-off traditional musics, the album takes its name from a closed community in Sulawesi and works as a contemplation of the self, made "with no calculation". White vinyl.
Uzed
The fourth Univers Zero album (1984) and a turning point: the Belgian chamber-rock group plug in, adding synthesizer, electric cello and a heavier, almost rock-leaning attack to their dark instrumental world. Composed and arranged by founder Daniel Denis, remastered in 2024 for greater depth and dynamics.
Various Weights
First collaboration between Frans de Waard and Martijn Comes, deliberately built without an underlying concept. Each artist supplied the other with a pool of source sounds: de Waard sent Comes Korg MS20 and Koma Field FX recordings and field material; Comes sent de Waard a processed stylophone, a loop and recordings from the University of Twente's web Software-Defined Radio. Two epic pieces result: Comes's harmonic deep-sonority drone, de Waard's quieter acousmatic-minimalist hover.
Forza G
Mariachi parodies, experimental jazz, lounge cues for party scenes, and a main theme that returns in five different versions. Composed in 1972 for Duccio Tessari's aviation comedy, the score to Forza "G" is one of the least visited corners of Ennio Morricone's busiest year, and now arrives on vinyl for the first time, as part of Cinevox's new Hidden Gems series.
Colofon & Compendium 1991-1994
500 Copies. Gatefold double LP version. Telephone terrorism tactics and voyeuristic ambience from the Scanner archive 1991-1994. Exclusive unreleased material. An eavesdropper's delight. Scanner is Robin Rimbaud, the British artist who took his name from the most notorious tool of his early practice: the radio scanner he used to intercept private mobile phone conversations and fold them, uninvited, into his music. Colofon & Compendium 1991-1994 gathers the raw material of exactly that period, dr…
It Deel I
First album in IT DEEL, a multi-year project by the Kleefstra Bros (Jan Kleefstra on poetry, Romke Kleefstra on guitar) with Popfabryk, addressing the ecological degradation of Frisian nature. Each volume is composed in residency at the Thomaskerk in Katlijk and presented live before pressing. Volume I is built with Polish composer Michał Jacaszek, whose electro-acoustic vocabulary surrounds Jan Kleefstra's Frisian-language spoken word with ambient and drone landscapes.
The Crack In The Cosmic Egg (Book)
30th anniversary edition. Revised and expanded printed book edition of The Crack In The Cosmic Egg. Thirty years after its original publication, Steve Freeman and Alan Freeman return to print with an anniversary edition of their encyclopaedic work on Krautrock - the most comprehensive and authoritative ever published on the subject. A long-awaited return: previous printed editions have been out of print for years and are now collector's items.
This new edition - A4, perfect-bound, 404 pages - is…
It Deel II
Second volume in the IT DEEL project. The Kleefstra Bros invited Norwegian duo Streifenjunko (Eivind Lønning on trumpet/electronics, Espen Reinertsen on sax/electronics) into the Thomaskerk in Katlijk, composing between improv, jazz and sound art. Streifenjunko brought field recordings from the forests around Oslo, brought into dialogue with the Frisian forests around the church and Jan Kleefstra's Frisian-language spoken word. A meditation on how we treat our local forests.
Orphax Reworked (4CD Box)
Four-CD box collecting reworks of Orphax's 44 Sketches of 44 Seconds, in which Sietse van Erve handed forty-four short source sounds to friends with an open brief to take them outside their usual practice. The contributing artists - TVO/Ruaridh Law, Modelbau, Fani Konstantinidou, Machinefabriek, Jos Smolders, Elif Yalvaç, Siavash Amini and Orphax himself - produce over four hours of new music, each retaining their compositional fingerprint while submitting to a constrained shared palette.
Gravest Gravy
Recorded at Ardent Studios in October 1977 as part of the sessions that birthed Gravest Hits, the tracks on Gravest Gravy were contained on seven 1/4 inch reels. The tapes were transferred by Brian Kehew, the tracks were selected for inclusion by Henry Rollins, engineered by Ian MacKaye and Don Zientara at Inner Ear Studios and mastered by Pete Lyman at Infrasonic Sound.
Originators of a mutant and primal, stripped-down sound with its roots in the primordial soup of Rock 'n Roll - The Cramps cra…
Lac Noir - La Serpente 1992
Unreleased material composed by Bernard Parmegiani in 1992
Leg End
* Remastered repress. Comes with printed inner sleeve. * Leg End is the debut of Henry Cow, recorded at Virgin's Manor studios in May and June 1973 and released that summer. The band had formed five years earlier around two Cambridge students, Fred Frith and Tim Hodgkinson, and had spent the intervening time building a reputation in London's experimental margins, running their own concert series under names like Cabaret Voltaire and Explorers' Club, sharing stages with Lol Coxhill and Derek Bail…
War Milk
Debut by Pangea de Futura, a Montreal octet led by Eric Quach with members of Godspeed You! Black Emperor and more. Three drummers, brass and electronics build massive textural shapes and droning, tribal post-rock that rises out of flux toward entropy. For the Constellation faithful. Purple vinyl.
A Distracted God
For more than six decades, Beatriz Ferreyra has been building worlds out of sound. Born in Córdoba in 1937 and based in France since the early 1960s, the Argentine composer entered the GRM at the invitation of Pierre Schaeffer in 1963, contributing alongside him to the foundational texts and recordings that would define an entire discipline of listening, among them the Solfège de l'Objet Sonore. From 1970 onward she has worked independently, composing in absolute fidelity to her own ear. Issued …
Saxophone Studies
Two long drone pieces built around recordings of improvised saxophone. The first is a seventeen-minute work derived from material James Fella sent Orphax in 2006: multi-layered and roughly cut, with non-harmonic multitones colliding in the room and ear to produce a piercing psychedelic effect. The second, recorded with his father in late 2017, is bass-heavy and centred on baritone, working through multi-layering and phasing into a slow form from which melodic fragments quietly emerge.
Majestic Noise Made in Beautiful Rotten Iran
It's an all electronic affair, harmonically maximalist, predominantly symphonic synthetic, requiring active listening. Some pieces function as challengers of musical structural habits, provoking the short attention span culture, others present
a problem-solution scenario, collectively via
a neoteric noise aesthetic and detailed melodic weaving. Ultimately, the objective was to engineer an assortment of works full of sound, euphonic and vivid in nature.