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Domotic − the alias used by musician Stéphane Laporte − composed and mixed this new album, Palazzo, at the invitation of Ina GRM, and it is a wonderful addition to a career full of projects and numerous releases. Recorded with his favorite analog synth, the SH01, his four-track MT4X and a Copicat tape echo unit, this electronic piece was subsequently mixed in binaural and stereo
*Limited edition of 300 copies.* Face is a synthbathed meditation on decay and acceptance and shows the typical Jogging House sound in which warm soundscapes are mingled with soft and playful melodies. Boris Potschubay is a German musician based in Frankfurt am Main. Besides his own music, Potschubay curates his own label, Seil Records which forms a home for Hainbach, KMRU among others. Jogging House debuted in 2011 and brought us more than a dozen releases in the meantime. Listening to all the…
Julien Sénélas, Jérôme Vassereau and Soia present a new version of "In C", Terry Riley's seminal work: a musical interpretation with two modular synthesizers (11 oscillators) and a graphic interpretation of the original score.
"It’s unfortunately rare for an improviser, especially in a solo context, to concentrate on one idea, a single angle of attack, and to work that idea deeply, to discover hidden jewels within a relatively “narrow” range and further, to surprise the listener with unexpected divergencies. Agnas, in the three selections from a live event presented here, does this beautifully. On ‘1992’, he places his guitar on his lap and approaches it as a kind of dulcimer, generating a strong and captivating rhyth…
*2023 stock* "In joy / In grief / I’ve been so fucking lonely / In the bars, on the streets / In detox / At treatment centers / In the hospital / In custody / In psychiatric wards. Also at the royal art academies. But now I am finally free." - Roosen
The endlessly prolific and unpredictable Richard Youngs returns to Black Truffle with Modern Sorrow. As any Youngs fan knows, one of the great pleasures of following his career comes from not being able to predict what the next entry in his inexhaustible string of releases will bring: Unaccompanied voice? Country songs? Shakuhachi? Guitar pieces played with his feet? Shredding fuzz bass over the top of hyper-speed distorted drum machine beats?
Continuing in the grand Youngs tradition of explorin…
"We must show social conditions, not just songs." a wise music ethnologist once said. But how to transport environments into song sonics? The enigmatic duo Greymouth found a creative answer and sent their conceptions to Berlin Neukölln, right at the steps of the bustling Kashual Plastik office, where an unclear corpus of operative's fashion new sounding crypto currencies 24/7. Four tranquilized speed ballads waxed on 7inch vinyl, carrying drunken melodies, kraut-intoxicated grooves, and outlandi…
Aclod is the first fruit of the telekinetic long distance collaboration between Juho Toivonen and Loren Chasse. The artists shared environmental recordings from Coyote Wall, Washington and Pori, Finland to create music for an implied landscape that is located neither here nor there. Toivonen and Chasse began working together in 2021 after Toivonen reissued Chasse`s seminal field-recording based album “Synthesis Of Neglected Places” on his label Akti. Working on the reissue, the artists noticed t…
A vibrant, wry, and engaging account of life as an adventurous, queer young person in late 1970s London discovering themselves as an artist, and an individual. While working as a photographer's model, gallery usher, and exotic dancer, Dorothy “Max” Prior witnessed the births of Adam and the Ants, The Monochrome Set, The Sex Pistols, and Throbbing Gristle, as well as drumming in her own cult band Rema Rema and recording with Industrial Records. Her exuberant commentaries, each presented as a sta…
Edition of 250 copies. Two pieces written by Éliane Radigue at the same period (2014-2018), one instrumental (recorded at the Philharmonie de Paris by Ensemble Dedalus) and the other for analog synthesizer (performed by Ryoko Akama).
In Eliane Radigue's work, we oppose electronic works (composed until the early 2000s) to those written for acoustic instruments. From 2002, the artist began a series of compositions, Occam, orally transmitted living music. In her own words, she fully realized what s…
*Edition of 100 numbered copies * Fabrizio Testa (Milan 1981) is an Italian musician and experimenter. His records are often a bizarre juxtaposition of different kinds chewed and vomited and finally transformed into "other" music. "Even the stylistic choice of the artwork - a precious and limited homemade cloth bag with a button and cd-r inside - speaks of a lateral approach to the already subterranean dynamics of reference. Stuff (almost) homemade for an intimate, careful, in-depth dimension of…
Mixtape of music made with sound design and other discarded sounds samples, demo tracks from older keyboards and samplers and radio stingers and promos. Edition of 100.
Ancient greek black metal recalling the evil spirit of the early 90’s scene. trend proof, bombastic and mystic. the crawling riffs and billowing vocals of sorcery call all the elements together under the moonlight graveyard to resurrect this cult horde infamous from their rare unisound records cd.
It's rare that an actual jazz date makes an appearance on the Random Acoustics label, so when one does rise up from the noisy improv ether, listeners are sure to pay attention. The Gerry Hemingway Quintet was an under-recorded unit chock-full of masterful players: Mark Dresser bass; Ernst Reijseger, cello; Michael Moore, saxophones and clarinet; Wolter Wierbos, trombone; and of course Hemingway, the man behind the kit. This disc is culled from a trio of performances from 1991 to 1993. While exce…
Konrad Zuse, who built the first programmable computer (the Z3, in 1941), suggested that the universe is a computer: underlying the known laws of physics is an algorithmic system like a cellular automaton whose computational output is the matter and energy that make up the universe. In this theory, the world is computed through the interaction of billions of simple elements, and the directional time and 3D space that we experience are emergent properties of this computation. The computation is d…
2019 release ** Zachary Paul's debut album for Touch, A Meditation On Discord, compiles two live recordings from 2018 and a short film score, showcasing his expressive range and unique playing style. Both live recordings -- "Premonition" and "Slow Ascent" -- were fully improvised on his violin ("The Duke," 1878), with a minimal assortment of pedals (Earthquaker Afterneath, Diamond Memory Lane Jr, and Boss RC-30) and looped vocals. Artwork and photography by Jon Wozencroft. Edition of 500.
CD Digipack. In a handful of improvised albums circumnavigating the troubled waters of the contemporary Mediterranean -Greece, with the eponymous Oiseaux-Tempête (2013), Turkey and Sicily for Ütopiya? (2015), Lebanon with Al-'An! (2017) - the collective Oiseaux-Tempête has stretched its electric arc over musical genres and borders, imposing itself in a river of tours and releases like a wild UFO within the hexagonal indie scene. Navigating instinct, as attracted by disorder, the music of Oiseaux…
Tip! This fourth release by Great Waitress titled back, before was recorded before the pandemic and lockdowns in 2018, and has taken four years to get to production. A live set was beautifully recorded by Peter Farrar at the Annandale Creative Arts Centre in Sydney and mixed and mastered by Joe Talia.
In the elegant liner notes, Chris Abrahams writes of Great Waitress transcending “ ...the individual contributions of Mayas, Altman and Brooks. It's an identity made from a multi-dimensional count…
CD Edition. From its opening notes, it is apparent that Keith Tippett's first solo recording in fifteen years is something very special indeed. Tippett has always been a player with a talent for musical pyrotechnics, cascades of notes—triplets, trills, mordants and arpeggios-colliding with mighty tone clusters. But equally, he has also been an artist of great emotional subtlety and depth. Both these qualities are in evidence here. For much of the record, the sense is less that of Rachmaninov, mo…
Jim Denley and Dutch musician Cor Fuhler first met at the Taklos Festival in Switzerland in the early 1990s and Cor's frequent visits to Australia over the years gave them the opportunity to occasionally play. In 2012 Cor moved to Sydney, allowing them to ramp up the duo - this is their first release together.Over 7 weeks at the end of 2013 they recorded weekly in Cor's backyard studio, eventually choosing take 9 and 12, titling them Skive and Wag. Their imaginative preparations and inventions …