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Alma De Nieto presents Habituons Nous à la Pluie by Thomas Barriére. All music composed and played by Thomas Barrière. Mastering: Anthony Laguerre at Shadyn Studio Artwork: Bertrand Monboisset.
Alma De Nieto presents Live Concerts 1990 - 2006 by Ruggero Tajé, Italian electronic composer, drummer and guitarist, and Ahmed Ben Dhiab,Tunisian painter, poet, author, composer, art teacher and singer born in Tunis. Live performance featuring: Nabil Khalidi: oud (Marocco), Raul Barboza: accordeon (Argentina), Carlo Rizzo: percussion (France), Michel Doneda: saxophone (France).
Alma De Nieto presents A Dangerous Method by Extrema Ratio. .xlaidox. : Voice, Effects, Alessandro Cartolari: Baritone Sax, Voice, Valdjau Kathportha: Electronics, Diego Rosso: Drums. Recorded by Dano Battochio: 30th November & 1st December 2019 at Mediaducks Studio Perosa Canavese (TO). Mixed By Dano Battochio: June 2020 Deepest Sea Torino. Mastered by James Plotkin: October 2020, Bethlehem,PA, USA.
"A Dangerous Method is a fascinating album that yields more with each listen. At times it feels …
* 2021 Stock. Re-cut as double LP for improved sound, includes download with bonus tracks. Housed in gatefold sleeve* Reissue of Brian Eno’s 1992 album dedicated to Russian artist and friend Sergei Shutov, and a continuation of the atmospheric ambient work found on records such as On Land and Thursday Afternoon. Eno had discovered that Shutov often painted to his music but was unable to obtain many of his records in then-communist Russia. He resolved to collate a tape of previously unreleased …
* Deluxe Hardbound Edition. 2021 stock * Bit of a forgotten classic this one; the 2001 Warp debut from maverick film-maker, producer, actor and musician Vincent Gallo, who defied expectations by releasing this set of hugely memorable, beautifully produced and evergreen songs for the electronic label of choice back at the turn of the century. The notion of it alone was oddly captivating at the time, Gallo had past musical form as part of cult New York band Gray alongside Jean-Michel Basquiat and…
The legendary singer-songwriter and one-time teen idol re-emerges with his first album in 11 years. Anyone expecting conventional rock or pop should look elsewhere, however, as it is even more challenging than previous release 'Tilt.' It's always worth considering the route Scott Walker could have taken following his flirtation with the charts back in the sixties - an endless procession of 'farewell' tours, some dodgy dance collaborations and a slew of moribund chat-show appearances. He might …
Evocations of experimental and improvised jazz, chansonesque songs, bluesy folk, and outsider music from Klimperei and David Fenech using everything from music boxes and walkie-talkies down to plastic straws, various stringed instruments such as the charrango and banjo, kazoos and snake-charmer ocarina and flutes, all the way through the sweet accordion and melodica, found and traditional tuned percussion. The pieces presented on Rainbow de Nuit treat the ears to a carousel ride waltzing through…
Archeophony takes us on a journey through time and space where traditional instruments and voices meet experimental electronic sounds in the most unique way. Raed Yassin has created the soundtrack to a psychedelic science-fiction movie that will unravel in your brain like a time travel machine from the future looking into the past. In a similar vein to an archeologist, Raed Yassin’s new album Archeophony takes us on a journey through sounds and voices excavated from collected sonic archives from…
** 2021 Stock ** Jac Berrocal is a 1946-born musician (trumpet player), poet and sometime film actor who came of age in the ‘70s Paris improv scene, where the boundaries between music, art and theatre were porous and begging to be breached. Inspired by bebop, chanson, free jazz, beat poetry, early rock ‘n roll and myriad Eastern influences, and with an iconoclastic, anything-goes approach to instrumentation and technique that would later align him with post-punk sensibilities, Berrocal blazed an…
** 2021 Stock ** Meeting at GOK Sound studio in Kichijoji, Japan in front of a small audience, Swedish baritone saxophonist Mats Gustafsson (The Thing, Fire!) also performing on flutephone and live electronics, and Otomo Yoshihide (Ground-Zero, Regenorchester) performing on guitar, turntable and banjo, recorded these eight amazing improvisations of unusual and unique attitudes and timing. After 2 years it materialized on CD work at all. Mats Gustafsson's strongest baritone saxophone, self-made i…
Making up 1 part of 4 to his ‘Pedlar’ boxset, ‘An Air Swept Clean of All Distance’ was recorded in 2014 at Blank Studios, Newcastle, and exec produced by folk chief Richard Dawson, and adorned by a continuing series of artwork by Anna Peaker. It skips back along the timeline to what sounds like happy times, where Davies’ playing fizzes with typically inventive, optimistic, and timeless beauty, which, if you shut your eyes and try a little, could almost hail from any point in the past half millen…
Another piece of the puzzle to his 4-part ‘Pedlar’ boxset, this one was thrown down in 2011 at Newcastle’s legendary Morden Tower, a C.13th, grade-listed turret on the West Walls of the city’s ancient defences against curious Mackems and Durham scunners, that was also previously and notably site of seminal recordings by The New Blockaders, a.o. In that vein, Davies gets raw to the bone in ‘Wound Response’, using Lap harp fed thru transducer, read by contact microphone, and pushed to seething lim…
A singular record, measured with a mastery of self and patience that’s utterly arresting in its stoic elegance and sound sensitivity. Keiji Haino plays Gamelan...
“Born in Tokyo in 1971, this artist, composer and performer has been living in Germany for some years, mainly in Dusseldorf, where she studied at the prestigious Kunstakademie, and in Cologne, where she first seriously started working with sounds (small sounds, as she calls them). Lastly, she has accentuated the more visual aspects of her research, which by now is characterized by the use of diverse – yet complementary – “media” such as sound itself, drawing, the written word, silence... Yui tur…
This recording was designed by Yasushi Utsunomiya, a brilliant engineer, using the newly proposed "Autonomulti" method. The DVD contains eight independent channels: the sound of the duo Nanaentai performing on the third floor of the building Shin-Imamiya Nichiuchi Building, Osaka (4 channels), the sound on the second floor below where they perform (2 channels), and the environmental sound on the roof of the building (2 channels). The interleaved 8-channel data DVD contains 8 independent channels…
2026 stock, reduced price ** Original Single Sided, Numbered **
月蝕 - lunar eclipse. The title is apt for a cassette that arrived in 1991, was heard by almost no one, and vanished almost entirely from the record. Vehiyd was a four-member noise and psychedelic band comprising 博子 on bass, 真由美 on drums, 界 on guitar, and Piaa on vocals - and this Vanilla Records cassette, single-sided and numbered in the label's characteristic manner, is the only recorded document the group left behind.
The genre ta…
2026 stock, reduced price ** Original Single Sided, Numbered **
Recorded live at Maya in Kobe on 15 September 1991 - with only Mayuko Hino on electronics and voice and Hiroshi Hasegawa on synthesizer and electronics - Reflexive Universe strips C.C.C.C. to its core and finds, in that reduction, something more concentrated and more volatile than the full ensemble.
The choice of John C. Lilly's CCCC as a name pointed toward a practice in which sound was genuinely conceived as a system of feedback …
2026 stock, reduced price ** Original Single Sided, Numbered **
Nagoya produced a noise and improvisation scene that ran largely parallel to the Osaka-Tokyo axis - less documented, less exported, but no less intense. Dislocation was one of its legendary formations, a collective comprising Toyohiro Okazaki, Yoshimei Yanagawa, Keishi Kiyokawa, Fujio Kimura, and others, whose name appeared alongside Merzbow, C.C.C.C., Masonna, Monde Bruits, Solmania, Incapacitants, and Violent Onsen Geisha on the …
2026 stock, reduced price ** Original Single Sided, Numbered **
The name comes from the French for "noise world" - Monde Bruits, the project of Shohei Iwasaki (岩崎昇平, 1962-2005), a figure whose significance to the entire architecture of Japanese noise exceeds what the relatively small scale of his recorded output might suggest. It was Iwasaki who organized Masami Akita's first Merzbow concert in Osaka - a founding act of the network that would, over the following years, connect Japanese noise to…
2026 stock, reduced price ** Original Single Sided, Numbered **
The name means "mercury lamp" - 水銀ランプ - and the industrial implications are entirely intentional. Suigin-Lamp was a trio: Kumiko Yamamoto on bass and sampler, Kazuhide Kawata on guitar, vocals, and sampler, and Kosei Yatani on violin and guitar. Flamenco Party, their only recording, was captured live at Shinjuku Ongakukan in April 1991 and released on Vanilla Records the same year - six tracks on a single-sided C62 cassette, number…