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Featuring Natsuki Tamura on trumpet, Satoko Fujii on piano & compositions, Takeharu Hayakawa on electric bass and Tatsuya Yoshida (from RUINS!) on drums & voice. What I find most fascinating about this quartet is that although Satoko & Natsuki come from a mostly diverse jazz background, those crazed Ruins dudes have created their own progressive/punk world. Quite an odd combination of extremes which grows stronger with each disc by challenging each member and the audience as well. Once more Sato…
The second of two releases of this trio recorded live in Krakow in 2016 finds Chicago reedist Vandermark, German drummer Kugel and Ukranian bassist Tokar blowing holes in walls. There are occasional respites, say when Tokar takes one his fascinating, focused solos. But generally this is tough stuff. Vandermark is a master of taking a phrase and working it repeatedly, wringing out the last drops as he modulates his ideas to the boiling point. His clarinet playing brings to mind what Artie Shaw mi…
This album was inspired by the music coming out of Jamaica in the mid 1970s, in particular the use of drum machines by Lee Perry and Aston Family Man Barrett (and Sly Stone in the USA) but also the instrumentals and dubs by Keith Hudson and Im & Count Ossie etc. Searching out, buying and listening to those records had a deep and profound effect on me and became a big influence on me as a musician, which continues to this day.
Followers of our Quarterly will recall, about 6 years back, Woodbury's inspired arrangement of 'Shenandoah', which managed to embrace the whole of America history in under 10 minutes. Since then he has been working on completing this collection, his first full ensemble instrumental CD. The interest starts with the ensemble itself, half as expected for Latin, Jazz and Big band arrangements and half traditional American: pedal steel, banjo, accordion and fiddles. One thinks of Van Dyke Parks', and…
Released on LP in 1987-8 these are composed rock/contemporary/experimental pieces for electric guitar quartet and drums, complex and enegetic. Both LP's are now on one CD, omitting the Fred Frith guitar quartet extracts, which have now been released separately.
Tip! Behind the deceptive veneer of the demure monotone artwork, something unassuming lies within this long-play waiting to be explored. Intrigued by the ironic title, enticed by the elegant text positioned alone on the beautifully tactile matte canvas, the listener will experience musical wonderment at odds with the presentation and discover that the 1976 album Colours is a powerful yet sophisticated set of electric soul-jazz. An inspired recording that bursts with warmth and texture, the pivot…
Two gigs by a loose ensemble of nomads, hybrids, tech-heads and agitators gravitating around Porto, Portugal. ANTIFLUFFY is the pop cousin of Autodigest, both dedicated to a critique of the current culture of entertainment and the paradoxical labyrinths of late consumerism. While Autodigest takes the cerebral, strategic route, Antifluffy gets down and dirty, visceral in the face of fluff. Whether disemboweling magnetic tape or analogue photographs, delivering impassioned manifestos or crooning a…
Tip! The trio of Japanese Saxophone legend Akira Sakata with the scandinavian rhythm section presents already his fifth album! While the trio was on a Japan tour in 2019, Sakata arranged for a handful of special collaborations, with some of Japan’s most important artistic figures. Featuring the avantgarde dancer Min Tanaka, the pianist Yuji Takahashi and a heavyweight veteran of Japanese experimental music - drummer Takeo Moriyama. Moriyama was playing with Sakata in the Yosuke Yamashita Trio an…
*2024 stock* The new ONJQ (Otomo Yoshihide New Jazz Quintet), with new members Shinpei Ruike (Tp) and Osamu Imagome (Tb), will release their first album, "Hat and Beard," featuring a selection of songs and edits from live recordings from their 2018 tour. Mixed & mastered by Soichiro Nakamura (Peace Music). Includes songs by Ornette Coleman, Eric Dolphy, and Wayne Shorter, plus self covers and new originals, for a total of 6 songs over 70 minutes.
*2024 stock* The cliffhanger collaboration by Masataka Fujikake and Takeharu Hayakawa, which has been going on since 2007, is now complete with a live performance of the May 2011 session with Jim O'Rourke as a guest. The trio's bold arrangements are a powerful work centered on a solitary guitar sound that only Jim O'Rourke could express.
Souffle Continu records is thrilled to present Byard Lancaster – Us, Mother Africa, Exactement and Funny Funky Rib Crib. His all 4 legendary albums released on Jef Gilson’s Palm Records in the 1970s. At the beginning of the 1960s, at the Berklee College of Music, Byard Lancaster met some feisty friends: Sonny Sharrock, Dave Burrell and Ted Daniel. It is easy to see why he rapidly became involved in free jazz. Once he was settled in New York, he appeared on Sunny Murray Quintet, recorded under th…
Souffle Continu records is thrilled to present Byard Lancaster – Funny Funky Rib Crib, one of his 4 legendary albums released on Jef Gilson’s Palm Records in the 1970s. At the beginning of the 1960s, at the Berklee College of Music, Byard Lancaster met some feisty friends: Sonny Sharrock, Dave Burrell and Ted Daniel. It is easy to see why he rapidly became involved in free jazz. Once he was settled in New York, he appeared on Sunny Murray Quintet, recorded under the leadership of the drum crazy …
Souffle Continu records is thrilled to present Byard Lancaster – Exactement, one of his 4 legendary albums released on Jef Gilson’s Palm Records in the 1970s. At the beginning of the 1960s, at the Berklee College of Music, Byard Lancaster met some feisty friends: Sonny Sharrock, Dave Burrell and Ted Daniel. It is easy to see why he rapidly became involved in free jazz. Once he was settled in New York, he appeared on Sunny Murray Quintet, recorded under the leadership of the drum crazy colleague …
Souffle Continu records is thrilled to present Byard Lancaster – Mother Africa, one of his 4 legendary albums released on Jef Gilson’s Palm Records in the 1970s. At the beginning of the 1960s, at the Berklee College of Music, Byard Lancaster met some feisty friends: Sonny Sharrock, Dave Burrell and Ted Daniel. It is easy to see why he rapidly became involved in free jazz. Once he was settled in New York, he appeared on Sunny Murray Quintet, recorded under the leadership of the drum crazy colleag…
In 1975, the lead album "Fragment" by the acclaimed UK jazz pianist John Taylor, which was previously only released on cassette tape and hailed as a gem of UK jazz.
Tip! Souffle Continu records is thrilled to present Byard Lancaster – Us, one of his 4 legendary albums released on Jef Gilson’s Palm Records in the 1970s. At the beginning of the 1960s, at the Berklee College of Music, Byard Lancaster met some feisty friends: Sonny Sharrock, Dave Burrell and Ted Daniel. It is easy to see why he rapidly became involved in free jazz. Once he was settled in New York, he appeared on Sunny Murray Quintet, recorded under the leadership of the drum crazy colleague of…
Tip! *Japan import with Obi Strip* From the opening tune “The Vamp” to the final “Head Rock”, this album is a dazzling jazz rock showcase with dreadnought songs that are filled with ideas and passion. This is a masterpiece that has an overwhelming presence in the history of jazz in Japan, as an heresy left on the prestigious jazz label Takt.
Tip! *Japan import with Obi Strip* This is the first and long-awaited vinyl reissue of this Jiro Inagaki & Soul Media jazz rock masterpiece! With vocals by Sammy and Yasushi Sawada. Backed by Masahiko Sato, Kimio Mizutani, Hiro Yanagida. Essential!
Tip! *Japan import with Obi Strip* Hiromasa Suzuki is a legendary composer and arranger, and a key player who has been active in the Japanese music world, including jazz as well as movies, television and commercials. In the late ‘60s and mid-’70s, he was deeply involved in the works of Terumasa Hino, Akira Ishikawa and Jiro Inagaki in their most radical times. The album “High-Flying,” recorded in 1976, showed his innovativeness, which was always one step ahead of the times. This is an essential …
Tip! *Japan import with Obi Strip* In 1967, drummer Takeo Moriyama joined pianist Yosuke Yamashita’s group, later forming a legendary trio together with saxophonist Seiichi Nakamura in 1969. This group consisting of Moriyama, Yamashita, and Nakamura became known worldwide as one of Japan's leading free jazz combos. Moriyama left the group in 1975 and later returned to the scene in 1977 with the Flush Up live album, where he evolved and deepened his musicality in a more melodic and rhythmic direc…