Jazz /
la nuit circonflexe
Benoît Kilian, horizontal big drum. Jean-Luc Petit, contrabass clarinet, alto and sopranino saxophones. Recorded by Antonin Rayon, 2016.
Dans les courbes
Xavier Camarasa : piano. Jean-Marc Foussat : AKS Synthi, voice. 2017.
Schraubenlieder
Trost present Schraubenlieder, unreleased songs by Sven-Ake Johansson and Alexander von Schlippenbach from 1988, recorded by Radio DRS Bern. Personnel: Sven-Ake Johansson - vocals; Alexander von Schlippenbach - piano.
Léandre - Minton
Joëlle Léandre : doublebass, voice. Phil Minton : voice. Recorded by Jean-Marc Foussat in Paris on October 2016. Incredible concert of these two great improvisers!
Gris-Gris
2022 repress, green vinyl. "1968 debut album from the king of the psychedelic bayou -- the hypnotic, mystical and powerful sound of the swamp coming to life. As he became Dr. John (real name Mac Rebennack), it was his LA session work with musicians like Sonny & Cher, Canned Heat, and Zappa that allowed him to start conjuring up his visions of guitar psych-pop to walk alongside his authentic New Orleans upbringing. While Gris Gris contains moments that make it a type stamped symbol of its era, it…
Labyrinth (2Lp+7
For this heavy duty reissue of Koivistoinen’s 1977 album we went back to the original multitrack tapes and discovered a heap of alternate takes that were left unmixed at the time. Koivistoinen selected the best and most interesting alternate versions of each track and a new, fresh mix was prepared specifically for this release. The first LP in this package is the original studio album (Love Records 1977), remastered for vinyl at Finnvox. The second LP contains the alternate takes, and there’s ev…
Asakusa Follies
Asakusa Follies is a luminous scene of interplay between melody, breath, and the shakuhachi flute. Following on from the initial triptych of electro-acoustic releases on the Cuspeditions imprint, Clive Bell’s Asakusa Follies shifts the listener away from the studio and toward the player himself. Breath is a central theme in the album where a punctuation of purring, spitting, flicking and gasping intersects the tones, overtones and noise of the shakuhachi. The opening composition Ultramoder…
Live in New York, 2010
"Live in New York, 2010 presents a tremendous one-night engagement by saxophone colossus David S. Ware and his latter day Trio in an intimate club setting -- the Blue Note on October 4, 2010. Featuring his perennially steadfast musical partner William Parker on bass, and equally incomparable Warren Smith on drums, they were celebrating the recent release of the studio album, Onecept (2010). Having played an electrifying set at Vision Festival in June, this extended night in October was the third…
Meditation / Resurrection
"Meditation / Resurrection is a double-album presenting a bounty of beautiful new William Parker compositions performed by two of his flagship ensembles, the Quartet -&- In Order To Survive. It was recorded & mixed live during a one-day studio session in late 2016. With the tone of the pieces & performances reflecting our current moment, this is Parker & the groups' follow-up to 2013's epic Wood Flute Songs box (2013). At the core of both groups is Parker's foundational bass together with rhythm…
Magnetism(s)
"The music takes on short, fleeting forms: fading here, held and moody there, as though the improvisation encouraged skepticism of firm certitudes. The tightness of the discourse, however, demands enlightening energy and lucid tautness." (Jean-François Abert, excerpt from the liner notes)"We have already seen that in the history of the universe, such a spiral nucleus of sounds that subsides on itself and grows dense, that softens and dilates, that provides its exceptional energy of cohesion even…
Wild Red Yellow
The culmination of 11 years working on music for this band, Wild Red Yellow was recorded in 2011 by an expanded version of Larry Ochs Sax & Drumming Core. With very critical help from engineer Philip Perkins, Ochs then slowly mixed and edited the two soundscapes on this new 2017 release, dedicated to film-makers Julie Taymor and David Cronenberg. The Sax & Drumming Core was originally a trio of Ochs on saxophones and two drummers – Scott Amendola and Don Robinson. They released two CDs and toure…
Rome
To date, celebrated Chicago musician Rob Mazurek’s solo endeavors have focused on his modular synthesizer and keyboard musings. On “Rome,” Mazurek’s sensitivity on cornet is at the fore, but we also find him using various electronics, and seated at a piano. Here the presence of the piano is expanded. He plays it conventionally, with preparation, with direct manipulation of the piano’s interior, and as a resonator for his cornet to create ethereal, otherworldly overtones. “Rome” was recorded and …
Last Kind Words
There’s a good side in the present day global dimension and that’s called “cultural syncretism”. Roots Magic is an Italian band who’s gradually building up a repertoire between Deep Blues and Creative Jazz, and this is their second effort. As in their previous release, the track list consists of personal renditions of Delta Blues classics (mostly Charlie Patton) played with an overtly exploratory attitude derived from the Free Jazz tradition, as well as a number of pieces composed by some chosen…
Coming Home (Original Ghanaian Highlife & Afrobeat Classics 1967
This Fall, Strut is proud to present the first full career retrospective release for Ghanaian highlife master and “The Golden Voice Of Africa,” Pat Thomas, covering his late ‘60s big band highlife recordings through to the “burger highlife” movement of the early ‘80s. With Thomas currently wowing audiences on the road in support of last year’s incredible album with Kwishibu Area Band, Coming Home offers listeners a chance to get to know Thomas’ singular career. One of Thomas’ earliest tracks, wi…
Mine
Le Très Jazz Club present a reissue of Kosuke Mine Quintet's first release, Mine, originally released on Three Blind Mice in 1970. Fuzati (Klub Des Loosers), producer and die-hard crate digger, has teamed up with Modulor to launch the Le Très Jazz Club label, dedicated to jazz vinyl reissues. For the first two releases, Mine, presented here, and Green Caterpillar (LTJC 002LP), Le Très Jazz Club has chosen to celebrate Japan. Japanese jazz is sadly one of the best-kept secrets in music. But, it w…
Improvisie
Bamboo present the first ever reissue of Paul Bley's Improvisie, originally released in 1971. Recorded Live March 26th, 1971 at Club B14 in Rotterdam, Netherlands, Improvisie is a part of the 1971 trilogy of Paul Bley and Annette Peacock's combined experimental recorded work. Together with recent reissues of 1971's The Bley Synthesizer Show and 1972's Dual Unity, Improvisie is taken from a compelling period for two iconic figures of the free jazz movement, and their pioneering use of the first-e…
Distinction Without A Difference
A reissue of the long out-of-print first solo record by American violinist Billy Bang (1947-2011), recorded at Gaku Gallery in New York on August 12, 1979. Originally released on Hat Hut Records in 1980. Distinction Without A Difference features Bang's own compositions, extrapolated at length in an intimate live concert, as well as traditional and improvised material. Remastered from original tapes and augmented by newly discovered recordings from the same concert. Part of the large cache of his…
Bonobo
A reissue of the second album in the catalog of German guitarist and instrument inventor Hans Reichel (1949-2011), Bonobo, originally released by FMP in 1976. A program of microtonal string investigations that is still beguiling and fresh four decades later. Like Reichel's debut, Wichlinghauser Blues (1973), Bonobo is a super-rare slice of musical otherness. Includes the hilarious cover by Reichel himself. First ever release on CD. Remastered from original tapes; Packaged with gatefold and tip-o…
Wichlinghauser Blues
A reissue of Wichlinghauser Blues the debut album by legendary German guitar improviser and instrument inventor Hans Reichel (1949-2011), originally released on FMP in 1973. Wichlinghauser Blues is a resonant and hilarious document of the nascent genius recording his peculiar and wondrous music alone in a studio. Acoustic and unfiltered electric guitars turned back into the supremely malleable instruments they were before they'd been firmly encoded as tools for rock or pop or jazz. Reichel uses …
King Alcohol
A reissue of King Alcohol, recorded for the German FMP label in 1972. King Alcohol is one of the landmark recordings of free jazz in Europe, a mind-blowing studio session featuring Rüdiger Carl on tenor saxophone, Günter Christmann on trombone, and the astonishing Detlef Schönenberg on drums. Volatile and precise, anticipating much of the future sound of free music in Europe but also paying homage to American antecedents like Roswell Rudd and Archie Shepp, King Alcohol is truly a lost jewel. Fir…