★Mode
Harawi
**Deluxe 2LP set with gatefold cover** "Harawi is a cycle of twelve songs scored for soprano and piano composed in 1945. Harawi (known to Spanish speakers as yaraví) designates a song about a fated love that ends in the death of both lovers. Olivier Messiaen remarked that “it is the story of Tristan and Isolde.”The surrealistic text of Harawi is Messiaen’s own. Using the musical structures Messiaen had created for Harawi, he built massive phrases in these songs, expanding space and time, creatin…
Lokale Musik
Despite having an undeniable canon, the minimalist music movement which developed during the 1960s and continues to flourish and evolve today, is defined by a remarkable breadth in ideas and compositional approach. Particularly in Europe, it rapidly took on a diverse number of influences and became very much its own thing. Of the composers who proposed an alternate reality for this territory of sound, there have been few more accomplished than the German composer, Walter Zimmermann.All too often…
Works with Guitar
Like his near contemporary Franco Donatoni, Aldo Clementi (b.1925) is an Italian composer who has had a very fruitful association with that most Italian of instruments, the guitar. Both Clementi and Donatoni shared similar paths in their compositional development: the early influences of major early 20th-century composers through the adoption and later rejection of serialism and the Darmstadt courses they both attended, culminating in their very individual mature styles. Clementi's recent pieces…
Dream, American Music for Electric Guitar
“Dream” is a musical journey through the sound of the electric guitar in American concert music, based on sonic research and on the simplicity and beauty of the electric guitar timbre and colors.Sorrentino’s transcription of Dream by John Cage opens the program. This version demonstrates the pure beauty of the electric guitar’s clean sound with only the addition of light reverb. This is the first CD release for the lost electric guitar composition by Morton Feldman, The Possibility of a New Work…
Complete Early Percussion Works
Stockhausen’s early percussion music is among the most visionary of the percussion repertoire. This unique collection features some works which are almost impossible to find elsewhere. Zyklus was not only a novel composition in terms of its treatment of time and structure, it was also the first percussion solo ever performed. Kontakte, a masterpiece for piano and percussion with 4-channel tape, challenges to performers to play together and to make the maximum number of “contacts” with the tape. …
The Orchestral Works 2
"The first recording of his 32-minute grand cantata 'La Nascita del Verb.' Steeped in chromaticism, with hints of Scriabin and a sea of percussion, 'Nascita' boasts a vast double fugue (one of the most imposing in the history of music) and a forty-seven voice canon in twelve keys. This work, 'truly written in blood,' left Scelsi 'in a deplorable state, afterwards he stopped composing for several years. One of Giacinto Scelsi's infamous pieces are the 'Quattro Pezzi (su una nota sola).' Ear piece…
A Cage of saxophones 1
Between 1983 and 1991 John cage wrote three pieces specifically for saxophones, Four5, Five4 and Hymnkus, which are combined here for the first time on CD. In addition, Cage authorized Ulrich Krieger's arrangement for saxophone of Ryoanji. Krieger also made a saxophone arrangement of Five, one of the few compositions from this period performable on any instruments. This unique disc concentrates on Cage's late works for saxophone. A CAGE OF SAXOPHONES VOL.2 (mode 160), features a combination of…
Ascension to Purgatory
This is Pape's third monographic CD with Mode Records. Whereas his last Mode CD ("Electro-acoustic Chamber Works", released in 1998) presented his ground breaking works of 1993-1996, this new CD presents a selection of his more recent pieces composed from 1998 to 2004. While Pape continues his fascination with composing with chaotic sound in Le Fleuve du Désir IV and Weaveworld Prologue, it is his new approach to composing with packets of granular time that predominates on this CD. In La Na…
Music For High Winds
Clarinetist Carol Robinson had the unique opportunity to work directly with Giacinto Scelsi on his music: "I discovered this music in 1981. Captivated, I began including pieces in concerts the following year. A friend of the composer who attended a concert gave him a recording of my performance. As a result, Scelsi invited me to Rome. In his apartment overlooking the Roman forum... On numerous occasions we worked in detail on all his music for clarinet, an instrument particularly important…
Musica Da Camera
Luigi Dallapiccola's Quaderno Musicale di Annalibera for piano, Tartiniana Seconda and Parole di S.Paolo; Goffredo Petrassi's Sestina d'autunno "Veni Creator Igor", Seconda Serenata Trio, Dialogo Angelico for 2 flutes; Ensemble Dissonanzen.
1 = Petrassi: Sestina d'autunno "Veni Creator Igor", for mandolin, guitar, viola, cello, double-bass & percussion (1981-82).2-12 = Dallapiccola: Quaderno Musicale di Annalibera, for piano (1952).13 = Petrassi: Seconda Serenata Trio, for mandolin, guitar & har…
Mexico: New Music For Strings
Recorded at: April 1-3, 2002 (Irvine Arditti) and April 10-12, 2002 (Arditti Quartet) in Sala Nezuhualcóyotl, Mexico City.
Complete Music For Violin & Piano
Here, collected for the first time, are all of Morton Feldman's compositions for violin and piano. It is also a kind of walk through his compositional development, from the Webernesque early Piece for Violin and Piano (1950); through the experiments with graphic notation in Projection 4 (1951); followed by an excursion into the jungle-like density of David Tudor's energy in Extensions 1 (1951); to the cryptic notational riddles of Vertical Thoughts 2 (1963); from the dry carpet-dusting Spring …
Music from the Ether
This disc is full of discoveries, including Martinu's Fantasia, and Grainger's graphically notated Free Music #1, along with other "period" works by Schillinger (known for his writings on music and as a guru to composers from Gershwin to Earle Brown) and Isidor Achron (the accompanist to Heifetz). Modern works are represented by Kavina herself, Brazilian Jorge Antunes (with electronic tape) and Russian Vladimir Komarov, whose work also incorporates the inventor's voice and a rendition of Glinka'…
The Orchestral Works 1: Hymnos, Hurqualia, Konx-Om-Pax
Volume 2 in Mode's Scelsi Edition presents three of his rarely heard and recorded orchestral works, vividly captured in outstanding sound. Hymnos' large orchestra is divided antiphonally into two almost identical groups, symmetrically placed on each side of a central axis made up of the organ, timpani, and percussion. About halfway through the piece, as a result of accumulated pedal tones and their harmonics, the aura of a phantom choir miraculously appears-or so it seems-in a spine-tingli…
The Number Pieces 2: Five³
During the last few years of his life, John Cage wrote many pieces in the same general vein as Five3. They are often referred to as "the number pieces." This references the titles of the pieces, which are all simply the number of the performers. Superscripts are added as necessary to distinguish the individual pieces (this is the third quintet, for example). These works are also called "the time-bracket pieces," a reference to the notation of the pieces. Each event in the piece consists of…
Tilbury Pieces
At 65-years old in 1999, Christian Wolff is enjoying a renewed interest in his work, with many performances of his music worldwide. The works on this disc, volume 3 of Mode's Christian Wolff Edition, belong to his minimalist, and open-form, styles. The Tilbury pieces (1969-70) are named for the pianist John Tilbury, whom Wolff had recently met at that time. Snowdrop (1970), from the same period, was named for the snowdrops among the earliest Spring flowers found in the Vermont countryside w…
Volume 2: Electronics Works
Multi-channel electronic works in Surround Sound. Morton Subotnick was a phenomenon in the late '60s, the first composer to write substantial works for synthesizer that had a wide audience. He has been mentor to generations of composers, and his influence is so pervasive that it would be impossible to trace completely - the electronica movement, for one, reveres him. This release brings together two of his classic analog electronic works which were previously only available on LP.
The DVD includ…
String Quartet No. 1
The Flux Quartet follow their acclaimed, best selling recording of Feldman’s monumental 6-hour String Quartet No. 2 (mode 112, 5-CDs or 1-DVD) with this release, thus completing their cycle of Feldman’s string quartets. String Quartet No. 1 is one of Feldman’s earliest long-scale pieces. Unlike other recordings of String Quartet No.1, the FLUX recording respects Feldman’s tempo and all of the repeats, making it the longest recording of the piece.
The set also contains Feldman’s two quartets f…
Trio
The expansive length of Morton Feldman’s Trio (1 hr., 45 min., 22 sec.) requires a new approach to listening, which takes scale, the physical experience of sound, and novel uses of musical memory into consideration. With his delicate manipulation of musical materials, Feldman blurs the listener’s sense of time as their musical memory struggles to distinguish between past and present sounds - listeners are free to lose themselves in the beauty of each musical moment. Aki Takahashi and Rohan…
Njinga: The Queen King – The Return of a Warrior
Written and Directed by IONE Original music and Sound by Pauline Oliveros Traditional Congolese Music by Titos Sompa Set and Costume Design by Valerie Maynard, Dance and Movement by Carol Chappell, Nego Gato, Biza Sompa and Titos Sompa, Traditional Brazilian Music and Dance by Nego Gato.
Njinga the Queen King is a collaborative effort between writer/director Ione and composer Pauline Oliveros, which they refer to as “a play with music and pageantry.” It is based on historica…