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Pogus Productions

phase/transitions
Triple Point is an improvising trio whose core instrumentation is soprano saxophone, greis/electronics and V-accordion. The name refers to the point of equilibrium on a phase plot, which acts as metaphor for our improvisational dialogue. Their musical interaction is centered around an interplay between acoustics, physically-modeled acoustics (v-accordion) and electronics. Van Nort captures the sound of the other performers on-the-fly, either transforming these in the moment to create blended tex…
Ways Of The Voice
Rezas Populares do Brasil, Anamak, Amkéa and Annazone, are vocal works. All the sounds on this disc originate with the Brazilian singer Anna Maria Kieffer. Two works, Anamak and Amkéa, have an "orchestral accompaniment", composed of tropical bird songs. Making use of elements of electroacoustic music and sound poetry, the music expresses wonder at Brazil's tropical beauty and, ultimately, an intense love of the abstraction of words and musical forms.
Quartet For The End Of Space
This recording consists of 8 electro-acoustic compositions - 2 pieces by each of the 4 composers. The works span a vast sonic terrain, challenging listener and performer alike through a seamless blend of Deep Listening and Absolute Noise, moving between ever-fluid improvisation and carefully controlled sound manipulation. The quartet convened for two improvisational sessions between February and May of 2010, with López sitting in on a Triple Point (Oliveros/Van Nort/Braasch) recording session an…
Rounded With A Sleep
Electroacoustic music. Active in electronic composition since 1971, Noah Creshevsky delights in presenting extreme and unpredictable juxtapositions in which the integration of electronic and acoustic sources and processes creates virtual "superperformers" by using the sounds of traditional instruments pushed past human capacities. Creshevsky uses the term Hyperrealism to describe his electroacoustic language constructed from found sounds, handled in ways that are exaggerated or intense. Creshevs…
All Known All White
2024 stock. "My intention … was to explore those situations in which a loss of orientation leads us more deeply into the moment itself. There is a certain aquatic feel to the music, in which the performers are joined with a complex and sonorous fabric of computer generated sound. […] The work is twenty minutes long, divided into three roughly equal sections. In the first, the primary aim of the performers is to match, submit to and intensify the taped sounds. The second, in which the synthesized…
Process And Passion
2024 stock. This is a recording that explores the "extra"- ordinary potential of the CD not only as a carrier of traditionally recorded instrumental sound (CD 1), but also offering a different view through binaural encoding of the same materials spatialized (CD 2). - Please note: the binaural recording is only available as part of the 2 cd set. not as a downloadFirst you are presented with two solo compositions-Kokoro and Focus a beam, emptied of thinking, outward…-and the duo Process and Passio…
Well I Fell in Love With the Eye at the Bottom of the Well
Pogus presents Well I Fell in Love With the Eye at the Bottom of the Well by id m theft able. Idm says: "The initial idea for "Well I Fell in Love with the Eye at the Bottom of the Well" was actually to attempt to make a doo wop song with that as the title. I kept adding more and more ideas and those ideas blossomed into other ideas to the extent that there's only the faintest hint of that initial doo wop impulse on the album but a whole other sort of garden grew up around it and through it. It …
Travels of the Spider
Seven electroacoustic works by five young Argentinian composers: Daniel Schachter, Tiempo Quebrado (1993); Ricardo Dal Farra, …Due Giorni Dopo (1988) and Ashram (1991), with Joseph Celli on mukha veena; Martín Alejandro Fumarola, Callejuelas (1996) and El peregrinar de la araña (1995); Alejandro Iglesias-Rossi: Ascención (1998); and Teodoro Cromberg, Marimbágenes (1996), with Angel Frette, marimba.
The Complete Gramavision Session (1989)
Pogus Productions is proud to release The Complete Gramavision Session by The World Casio Quartet, composer David First’s 1980s microtonal group. The members of the group were David First, Esther Sandrof, and Brian Charles, all playing Casio CZ-1000’s and Kevin Sparke on a Casio CZ-101. I had the opportunity to see them perform once or twice back then, and it was indeed a magical and mind-bending thing to experience. Now, finally, with this release, everyone can have a listen as well.Here’s what…
Silentium
Silentium is an electroacoustic piece based on sounds of bells and church organs that where recorded during a residency at gallery Školská 28 in Prague, in December 2015. The title was inspired by the “Silentium” signs that were regularly displayed in the churches where these recordings were made. Entering the temple requires the visitor to be quiet, to keep the noise down. This thoughtful silence is an intense and active condition essential for profound listening. It creates a liminal state bet…
City of vorticity
Track 1: City of Vorticity (with soloists): Al Margolis, violin; Alan Zimmerman, percussion, prepared hammer dulcimer; Peter Zummo, trombone, didgeridoo; Tom Hamilton, electronic sound environment.Track 2: City of Vorticity (electronic sound environment): for listening alone or as an accompaniment.The Wire has described Hamilton’s music as “colourful and seductive,” and Gramophone has noted that “the results bubble with energy, a veritable counterpoint of indeterminacy.” These brief descriptions…
4 contemporary sound poets
Pogus and the IMRC Center of the University of Maine at Orono are very proud to release this 5.1 surround sound disc 4 Contemporary Sound Poets. The technology embraced here is on two levels, the immersive technology of surroundsound, which now fifty years later is still struggling to move beyond its origins in cinema, and the powerful transformations availed by digital audio signal processing. These technologies combine to form a new frontier, a place to explore and expand the vocabulary of con…
Sable
Marta Sainz: voice, dan bau; If, Bwana (Al Margolis): amplified detritus box, recorder, clarinet.Marta Sainz and Al Margolis (If, Bwana) met and performed together in Madrid, Spain for the first time in October 2014. That initial performance - she on voice performance and he on laptop, was such a joy, that they both determined that they would work together again as soon as possible. That opportunity arose again in June 2015, when the duo did a brief tour in Spain, as well as going into the studi…
Thirty
Originally released as a 3 CDr set on Inyrdisk to commemorate 30 years of If, Bwana, and now available on manufactured CDs, this triple disc gracefully spans 3 and 1/4 hours of riveting musique concrète and refined experimentation from Al Margolis. These recent recordings come to you re-mastered and repackaged from the self-released tapes sold in a nearly invisible edition during a brief tour, sub-titled within Thirty as Blue Two, Green Three and Yellow Four. Thirty captures If, Bwana championi…
Winters In The Abyss
Winters in the Abyss are the first five pieces of Ulrich Krieger’s Deep-Sea cycle, which compromises a total of 14 pieces. Each movement of Winters in the Abyss can stand on its own and be performed as an independent piece. Numbered in order of their composition, the movements from V to I follow the sinking of this material from light flooded, warm near-surface waters to high pressure, pitch black and extreme cold deep-sea trenches. Winters in the Abyss takes the fictional undertone seri…
Atom bomb becomes folk art
Pogus is very pleased to release this 2 CD set of Australian composer Ron Nagorcka's work, covering almost 40 years of his compositions. Atom Bomb (1977) (Golden Fur: Samuel Dunscombe, Judith Hamann & James Rushford, with cassette tape recorders, toy instruments and various other devices) In a music critique for The Australian newspaper in 1977 entitled Atom Bomb becomes Folk Art, Paul Utiger described one of Atom Bomb's performances from the late 1970s: 'The most important instruments were the …
Red One
After the last If, Bwana (Al Margolis) release on Pogus the large-scale double cd E (and Sometimes Why), this brand new If, Bwana recording is a little more intimate. This release consists of six smaller works for one or at most two instruments - with the instruments all being multi-tracked for a denser, deeper sound. Red One features performances by stalwart experimental/avant musician/composers such as Nate Wooley, trumpet, on Toys for Al (with Al Margolis on toy trumpet); Ellen Band's vocals …
Zones of Influence
David Rosenboom (b.1947) is considered a pioneer in American experimental music. This release of his Zones of Influence (1984-85) documents for the first time the complete version of a major composition for percussion and computer electronics that introduced new virtuoso performance techniques along with significant developments in real-time algorithmic composition and advanced interactive linking of percussion instruments with software. Few solo percussion works exist with the scope of this com…
Secluded in Jersey City
Well talk about your long gestations for a project. Secluded in Jersey City, by Secluded Bronte was recorded live on WFMU in November of 2002. And we spoke about releasing this on Pogus pretty quickly after that. So to take twelve years to release a CD is a pretty long time. But it was most certainly worth the wait. This trio features Jonathan and Adam Bohman with the added experimental irreverence of Richard Thomas. The Bohman Brothers are known for their unique live performances mixing theatre…
Kaleidoscope
The idea for the Kaleidoscope works came from the composers' memories of playing with the prismatic toy of the same name as a child. The toy, of course, consists of colored beads in a tube of mirrors, whose reflections generate complex symmetrical patterns that change dramatically in density and texture as the tube is turned. With these pieces the aim was to emulate such dynamic spatial activity through sound, distributing fragmentary materials in space and immersing the listener in a rich and e…
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