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The works on this recording are: Viaggio Interiore [Awakening of Alice] (2009) for soprano, percussion, harp, 2 recorders and electronic tape; Equanimity of Old (2008) for mechanical organ and two players; Different Equations of Hesitation (2008) for prepared piano, harpsichord, percussion, 2 harps, trumpet, oboe, 2 recorders and 8-channel electronic tape; The Garden of Earthly Delights (2011) for solo accordion; ...in the stillness between two waves of the sea... (2010) electronic tape composit…
Shadow Machine is the first CD by Tom Hamilton and Bruce Eisenbeil, who began playing music together in 2007. Coherence without predictability, speed without tempo, direction without a roadmap - an unlikely foray into the world of out-jazz and free improvisation.
It's a duo that thwarts expectations of its specific instrumentation. The artists hybridize the language of electronic sound through Eisenbeil's guitar and Hamilton's virtual analog synthesizer, and the live-in-the-studio tracks insure …
Trios is a collaboration between five musicians, over time, and over space. It combines instrumental and electronic improvisation with non-real-time computer processing and editing. Chris Mann, Douglas Repetto, and Larry Polansky recorded several hours of live improvised material in one session. Months later Repetto, Polansky, and Christian Wolff recorded some more.
The recordings were then sent off to Tom Erbe, who culled interesting sections from both sessions and then processed, edited, and m…
Binaural motion recordings composed as a dialogue of distances. Live recordings of music for electronic network music ensemble juxtaposed with location recordings of traditional music and environmental soundscapes. Made in Bali, the Philippines, Turkey, Europe, Cuba and America 1991-99. - Chris Brown
This recording is exactly what it says it is - drums and drones - based on Just Intonation tuning theory: A tuning system modeled after a naturally occurring acoustic phenomenon known as overtones, the subsidiary tones which exist in an ordered series from an established primary tone. Stemming from this single primary tone an infinite amount of overtones can be derived.
1996 release ** "In deference to this age of “environmental consciousness”, “Breathing”, says the insert, is “recycled and/or scavenged” pieces that once inhabited another form. The composer is Al Margolis, who appears on electronics, tapes, effects, piano, sampled flute, vocals, wind, cello and strings. He is joined by didjeridu, oboe and organ. The album beds itself in deep wind or breath like sounds, with an electronic, industrial, and dark edge."
Triple Point is an improvising trio whose core instrumentation is soprano saxophone, greis/electronics and V-accordion. The name refers to the point of equilibrium on a phase plot, which acts as metaphor for our improvisational dialogue. Their musical interaction is centered around an interplay between acoustics, physically-modeled acoustics (v-accordion) and electronics. Van Nort captures the sound of the other performers on-the-fly, either transforming these in the moment to create blended tex…
Rezas Populares do Brasil, Anamak, Amkéa and Annazone, are vocal works. All the sounds on this disc originate with the Brazilian singer Anna Maria Kieffer. Two works, Anamak and Amkéa, have an "orchestral accompaniment", composed of tropical bird songs. Making use of elements of electroacoustic music and sound poetry, the music expresses wonder at Brazil's tropical beauty and, ultimately, an intense love of the abstraction of words and musical forms.
This recording consists of 8 electro-acoustic compositions - 2 pieces by each of the 4 composers. The works span a vast sonic terrain, challenging listener and performer alike through a seamless blend of Deep Listening and Absolute Noise, moving between ever-fluid improvisation and carefully controlled sound manipulation. The quartet convened for two improvisational sessions between February and May of 2010, with López sitting in on a Triple Point (Oliveros/Van Nort/Braasch) recording session an…
Electroacoustic music. Active in electronic composition since 1971, Noah Creshevsky delights in presenting extreme and unpredictable juxtapositions in which the integration of electronic and acoustic sources and processes creates virtual "superperformers" by using the sounds of traditional instruments pushed past human capacities. Creshevsky uses the term Hyperrealism to describe his electroacoustic language constructed from found sounds, handled in ways that are exaggerated or intense. Creshevs…
2024 stock. "My intention … was to explore those situations in which a loss of orientation leads us more deeply into the moment itself. There is a certain aquatic feel to the music, in which the performers are joined with a complex and sonorous fabric of computer generated sound. […] The work is twenty minutes long, divided into three roughly equal sections. In the first, the primary aim of the performers is to match, submit to and intensify the taped sounds. The second, in which the synthesized…
2024 stock. This is a recording that explores the "extra"- ordinary potential of the CD not only as a carrier of traditionally recorded instrumental sound (CD 1), but also offering a different view through binaural encoding of the same materials spatialized (CD 2). - Please note: the binaural recording is only available as part of the 2 cd set. not as a downloadFirst you are presented with two solo compositions-Kokoro and Focus a beam, emptied of thinking, outward…-and the duo Process and Passio…
Pogus presents Well I Fell in Love With the Eye at the Bottom of the Well by id m theft able. Idm says: "The initial idea for "Well I Fell in Love with the Eye at the Bottom of the Well" was actually to attempt to make a doo wop song with that as the title. I kept adding more and more ideas and those ideas blossomed into other ideas to the extent that there's only the faintest hint of that initial doo wop impulse on the album but a whole other sort of garden grew up around it and through it. It …
Seven electroacoustic works by five young Argentinian composers: Daniel Schachter, Tiempo Quebrado (1993); Ricardo Dal Farra, …Due Giorni Dopo (1988) and Ashram (1991), with Joseph Celli on mukha veena; Martín Alejandro Fumarola, Callejuelas (1996) and El peregrinar de la araña (1995); Alejandro Iglesias-Rossi: Ascención (1998); and Teodoro Cromberg, Marimbágenes (1996), with Angel Frette, marimba.
Pogus Productions is proud to release The Complete Gramavision Session by The World Casio Quartet, composer David First’s 1980s microtonal group. The members of the group were David First, Esther Sandrof, and Brian Charles, all playing Casio CZ-1000’s and Kevin Sparke on a Casio CZ-101. I had the opportunity to see them perform once or twice back then, and it was indeed a magical and mind-bending thing to experience. Now, finally, with this release, everyone can have a listen as well.Here’s what…
Silentium is an electroacoustic piece based on sounds of bells and church organs that where recorded during a residency at gallery Školská 28 in Prague, in December 2015. The title was inspired by the “Silentium” signs that were regularly displayed in the churches where these recordings were made. Entering the temple requires the visitor to be quiet, to keep the noise down. This thoughtful silence is an intense and active condition essential for profound listening. It creates a liminal state bet…
Track 1: City of Vorticity (with soloists): Al Margolis, violin; Alan Zimmerman, percussion, prepared hammer dulcimer; Peter Zummo, trombone, didgeridoo; Tom Hamilton, electronic sound environment.Track 2: City of Vorticity (electronic sound environment): for listening alone or as an accompaniment.The Wire has described Hamilton’s music as “colourful and seductive,” and Gramophone has noted that “the results bubble with energy, a veritable counterpoint of indeterminacy.” These brief descriptions…
Pogus and the IMRC Center of the University of Maine at Orono are very proud to release this 5.1 surround sound disc 4 Contemporary Sound Poets. The technology embraced here is on two levels, the immersive technology of surroundsound, which now fifty years later is still struggling to move beyond its origins in cinema, and the powerful transformations availed by digital audio signal processing. These technologies combine to form a new frontier, a place to explore and expand the vocabulary of con…
Marta Sainz: voice, dan bau; If, Bwana (Al Margolis): amplified detritus box, recorder, clarinet.Marta Sainz and Al Margolis (If, Bwana) met and performed together in Madrid, Spain for the first time in October 2014. That initial performance - she on voice performance and he on laptop, was such a joy, that they both determined that they would work together again as soon as possible. That opportunity arose again in June 2015, when the duo did a brief tour in Spain, as well as going into the studi…
2003 release ** The first ANTS international production comes with the new project by David First, one of the champions of the US experimental scene. It's a set of four long pieces, generated by the coupling of frequencies, pulsating drones designed to emulate and induce various states of brainwave activity. A static form that slowly modifies itself, in time. A new experience!