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Recorded live at the world premiere of Kran Etüde at the Leisure & Pleasure Festival, on the 29th of June 2023 at Müggelsee, Berlin.
Katharina Ernst: musical concept, prepared drumkit, cymbals, snareStefan „Schne“ Schneider: electronics, synthesizers, live processingStina Fors: gongs, stones, cymbals, tamtam, snareShiau-Shiuan Hung: gran cassa, snare, marimbaJudith Schwarz: prepared drumkit, cymbals, snareNettie Nüganen: thunder sheetSybille Fischer: conductorFlorentina Holzinger: choreography, …
2nd Volume of the perfect pairing Brötzmann & Nilssen-Love! Recorded at Zuiderpershuis in Antwerp, August 2015. Liner notes-transcription of an interview with Peter Brötzmann.
Tip! The second album from the high-caliber improvising trio Fictional Souvenirs captures a visceral meeting between three of improvised music’s most idiosyncratic, elusive figures. On Volatile Object Pat Thomas (piano and electronics), John Butcher (saxophones), and Ståle Liavik Solberg (durms) were recorded live at London’s Café Oto in January of 2023.
Tip! The trio of Japanese Saxophone legend Akira Sakata with the scandinavian rhythm section presents already his fifth album! While the trio was on a Japan tour in 2019, Sakata arranged for a handful of special collaborations, with some of Japan’s most important artistic figures. Featuring the avantgarde dancer Min Tanaka, the pianist Yuji Takahashi and a heavyweight veteran of Japanese experimental music - drummer Takeo Moriyama. Moriyama was playing with Sakata in the Yosuke Yamashita Trio an…
In this quartet Amado gathers three of his strongest longtime influences: German pianist Alexander von Schlippenbach, Norwegian double bass player Ingebrigt Håker Flaten and American drummer Gerry Hemingway. For Amado this band represents a deep dive into his own formative roots, something he hasm been dealing with more and more in these last few years. With Schlippenbach, Håker Flaten and Hemingway by his side, Amado has the perfect context to explore the classic materials he considers to be th…
Trost Records returns with a blasting gut-punch of an LP, with “Live at SuperDeluxe - Volume 1”, a full throttle body of improvisations from the all-star quartet of Akira Sakata, Jim O'Rourke, Mette Rasmussen, and Chris Corsano - never before captured on tape - live at legendary Tokyo venue, SuperDeluxe. Riding the wire between free jazz and noise, it's nothing short of powerful, real-time advocation of socio-political importance of free improvisation that leaves you on the edge of your seat fro…
Flute, harp, drums: a rare combination that this trio turns upside down. In the wake of John Zorn's experiences on the borders of jazz and noise, the collaboration between Delphine Joussein, Rafaëlle Rinaudo and Blanche Lafuente aims at pushing their instruments beyond their limits, with the enthusiasm of a mad scientist... It is no coincidence that the three musicians, considered the missing link between Nirvana and Sun Ra, have already aroused a big curiosity and are constantly touring accross…
Since emerging in the early 1980s the French bassist, composer, and vocalist Joëlle Leandre has ignored the gaps between improvised and composed music, jazz and new music, inventively braiding post-Cagean concepts with the free jazz ferment she witnessed first-hand growing up in Paris. Accordion master and fellow countryman Pascal Contet was initially rooted in contemporary music, helping to bring it back as a viable, versatile instrument in experimental music, but throughout his long career he’…
Mega tip! Even within the sprawling oeuvres of Sven-Åke Johansson and Alexander von Schlippenbach, both known for their innovative rethinking and broadening of artistic categories, the dramatic work "... über Ursache und Wirkung der Meinungsverschiedenheiten beim Turmbau zu Babel" ("... on cause and effect of the disagreements during the building of the Tower of Babel") remains a unique and rare enigma: What is it actually? Johansson has alternately called it a music drama, an opera, and a sings…
Peter Brötzmann collaborated with many artists in his career, regularly adding new compatriots into the fold, and Norwegian drummer Paal Nilssen-Love became one of his staunchest allies after the percussionist joined the Chicago Tentet in 2004. They worked in various contexts, including this inexhaustible, hard-hitting duo. Most of the albums they’ve issued have captured live performances, but in 2015 they made this stunning studio recording. As Nilssen-Love says in the liner notes, “Peter had a…
Saxophonist Mats Gustafsson is notorious for his prolific nature and constantly expanding circle of collaborators, but few of his partnerships have been as powerful and profound as Gush, the Swedish trio which formed way back in 1988 and celebrates its 36th anniversary in 2024. This performance was captured live at the famous Stockholm jazz venue Fasching on December 17, 1998, and the music excited all three musicians when they revisited it this year. The album is named for the Mongo Santamaria …
*2023 stock. White vinyl edition* If you know the score, you might actually think of the piece's title as a bit of an understatement. After all, it is made of 50 densely-written pages, which might cause some interpreters to lose track of sight. For Michael Wertmüller's composition Sketches And Ballads is full of seemingly unplayable rhythms, which hail from his extensive experience as a percussionist: complex 256th parts and 512th parts are no exception in Wertmüller's work. Even the visual appe…
Live recordings of heavy weigh Japanese saxophone wizard Akira Sakata Europen tour in 2022. In Greece together with Giovanni di Domenico: piano, Giotis Damianidis: electric guitar, Petros Damianidis: double bass, Stephanos Chytiris: drums; in Italy with di Domenico, Damianidis and Balázs Pándi on drums; and in Belgium with di Domenico, Damianidis and Aleksandar Škorić on drums.
Conducted by Mats Gustafsson for two 9 piece chamber ensembles, 4 soloists, tape machine, turntable. Recorded at the Avant Art festival, Warsaw, Poland, 2022. The monumental composition for 27 musicians by Swedish saxophonist, improviser and composer Mats Gustafsson is an in-depth exploration and continuation of the previous piece Hidros o.T. (2019), commissioned by NyMusikk Trondheim, inspired by the mirrored forms and visual structures of artist Mathias Pöschl. Controlling 3 different groups o…
'The initial idea behind Ensemble E was to combine traditions of Contemporary Music, Noise, Improvised music, Free Jazz and other experimental music fields and traditions with the deeper music traditions. This is deeper research of traditional and non-traditional ways of expressing folk music of Scandinavia, Portugal, Poland, Ukraine and more. Much more. By putting them next to each other/ on top of each other/ inside of each other. Creating new ways. The instrumentation of Ensemble E is spectac…
The End is near - after two albums on the now defunct UK label Rare Noise, the powerful project of Sofia Jernberg (vocals), Kjetil Møster (clarinet and tenor saxophone), Mats Gustafsson (flutes, baritone saxophone and electronics), Anders Hana (baritone and bass guitar) and Børge Fjordheim (drums) release their third album on Trost. They combine Avantrock, Jazz and a haunting beautiful voice to a seethe mix of emotions, noise, music - a sonic landscape, dynamic and captivating. This album is a t…
24 years after Hermann Nitsch's first realization of the six-day play (1998), his Gesamtkunstwerk once again took place in July 2022, shortly after the artist passed away in April. "The six-day play of the Orgien Mysterien Theater, is to become the greatest and most important festival of mankind (it is an aesthetic ritual of the glorification of existence). It is at the same time a popular festival and a mystery of existence brought to consciousness. The festival of the orgien mysterien theatre …
Big Tip! The alter ego, Gomberg, created by Austrian trumpeter Franz Hautzinger is a tool for him to "overcome his own limitations". Gomberg serves as a foil on which a second personality comes to life and does what he wants. The recordings on Gomberg III-V were made between 2006 and 2018, recorded in Vienna and Brest. Some of the tracks are occasion-related compositions or commissioned works, e.g. a signature for an art space or short works for films, some are the results of collaborations for …
"Two grand pianos, quasi two orchestras, driven by two of the most distinguished personalities of contemporary jazz: Aki Takase and Alexander von Schlippenbach -- they are having a conversation within the medium of sound. But they complement one another in a way that makes any stylistic differentiation irrelevant. With all the transparency in the course of their playing the dialogical principle opens out into a holistic piano language. What counts is freedom and the responsibility to create some…