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** Marbled vinyl, black polylined innersleeve, 100gsm A4 insert, 300gsm gloss laminated cover, hand numbered, stamped & sealed* Recorded between 1979 - 1981 on a Mechlabor STM-610 reel-to-reel analog recorder at Gusztáv’s home in Budapest. Occult synthwave dressed with ritual, avant-garde/psych elements, merged in an absolute mystical masterpiece! For the first time after 36 years Mutant Embryo Records is proud to announce the official release of Gusztáv Fekete cryptic material. Recorded on reel…
** Limited to 250 numbered copies.** Mutant Embryo Records proudly presents an official release of this mid/late 70’s French underground legend Archaïa! Dark atmosphere from a different era…an electric litany followed by bass volcanic eruptions, acid guitars, haunted vocals & vintage synth sounds composing a ritual trip into the prehistoric infinity…Propelled by a pulsating bass, their self-titled album is fast moving, featuring varied tempos and extremely dark themes. The music is characterized…
Karma is Pharoah Sanders' third recording as a leader, and is among a number of spiritually themed albums the Impulse! Record label released in the late 1960s/early 1970s. Although it is followed by the brief "Colors", the album's main piece is the 32-minute-long "The Creator Has a Master Plan", co-composed by Sanders with vocalist Leon Thomas. Some see this piece as a kind of sequel to Sanders' mentor John Coltrane's legendary 1964 recording A Love Supreme (whose opening it echoes in a muscular…
"Io” is the result of a process that started in 2022 during the composition of the music for Bertolt Brecht's play ”Life of Galileo”, directed by Carolina Frände, at the Royal Dramatic Theatre in Stockholm. In Galileo's search for the unseen, he points his telescope to the sky, expanding human perception and our understanding of the world. Here, the electromagnetic fields of the theatre stage are recorded using a sort of anti-radio, an artisanal pocket electromagnetic detector, in line with the …
*300 copies limited edition* That true beauty lies in the essentiality and meticulous combination of a few elements is sometimes not just a cliché. The delicate blend of Roland CR-78, acoustic guitar and dissonant organs that intertwine in Open Windows is a vivid demonstration of this. It is these few elements, now distant and hinted at and now close and deafening, that paint the backdrop of melancholic nostalgia where laconic whispers move the listener within the paintings that bear the sonic s…
A slightly revised & edited take of Death Is Not The End's Jamaican Gospel special for NTS Radio, originally broadcast for the station back in late 2016. A dusty heap of JA gospel from the 60s and early 70s. Split across two sides - all vinyl and all 45s - played through a touch of delay pedal with crackle aplenty.
2024 Restock. Last copies. Double-LP version, black vinyl in gatefold sleeve -- on vinyl for the first time, in a revelatory new remaster by Jim O'Rourke. In 2016, Finnish label frozen reeds published the première release of Julius Eastman's Femenine, for chamber ensemble. Laying unheard for decades prior, the release documented a 1974 performance by the S.E.M. Ensemble with the composer himself on piano. Lauded in Pitchfork (awarded "Best New Music"), The New Yorker, and The New York Times, the…
“Earth, Our Planet?”: A call for environmental awareness. This time, Pedro Vian - the founder of Modern Obscure Music - presents his fourth solo album (following his 2020 release, "Ibillorca"). Due for release in spring 2024, "Earth, Our Planet?" promises to immerse us in a moving odyssey, crossing the boundaries of musical genres to provoke an urgent meditation on the protection of our planet. On this occasion Vian has composed the album influenced by the myth of the eternal return, the composi…
Merzbow (aka Masami Akita), animal rights activist, writer, and musician, an Iconic figure in International noise scene. Renowned for his pioneering contributions to the noise music genre, Merzbow has solidified his position as one of its most significant and recognizable figures. From his groundbreaking utilization of tape loops to craft expansive industrial landscapes in the late 1970s, to his transition to laptop-generated static noise at the turn of the century, Merzbow has consistently push…
For some time now, a strange music has been resonating in HDK's headquarters; a music where dungeon-synth, house and techno rave meet in a blasphemous yet juicy cocktail... The caves of the Trollpietra are a sordid and unhealthy place, inhabited by creatures of the night and strange homeless spirits. Trollpietra caves were once the laboratory of a mad herbalist who distilled magical potions which he sold in the county black market. Before dying, the mad herbalist hid his most incredible and dang…
MajoIe Hajary is an atypical musician. Born in Paramaribo (Suriname) to Indian parents and raised in Amsterdam. In 1970, in France, accompanied by the best Jazz musicians and with arrangements by Roger Guerin, she recorded “La Passion Selon Judas”. The result was an incredible fusion of Psych, Funk, Indian and Jazz elements – deep religious Jazz in the vein of Jef Gilson.
**333 copies, one-time pressing** Volume 11. 2 disc set documenting the Pan Afrikan Peoples Arkestra in concert at the Immanuel United Church of Christ - April 27, 1980. This is the eleventh and final concert that Tom Albach recorded at Immanuel United Church of Christ. Easily ranking as one of our favorite performances of the series, its also destined to be considered one of the greatest Arkestra live recordings, brimming with intense energy and culminating in the 1-2 punch of a blazing “Lelan…
** 333 copies, one-time pressing ** 2CD SET in gatefold slipcase 2 disc set documenting the Pan Afrikan Peoples Arkestra in concert at the Immanuel United Church of Christ - November 25, 1979. This is the eighth in a series of eleven concerts recorded at the church. This month sees the Arkestra stretching out and reaching blissful heights… the 30+ minute long version of “Carnival” is worth the price of admission alone, but the same could be said for the monumental “Nation Rising” or the deep ta…
In a truly monumental event, De Occulta Records launches their brand new Willisau Jazz Series - drawing on 30 years (1968 - 1998) of incredible live recordings made at the legendary Swiss musical institution, Willisau Jazz Festival, by its founder Niklaus Troxler - with “Live at Mohren, March 25th 1984”, comprising an astounding and never before heard, 75-minute performance by Sun Ra and his Arkestra.
Cor. Issue Four. There’s some parenting wisdom that says after you’ve had three children you might as well have a few more as it makes no odds. Four to six is the sweet spot, apparently. Less stress they say. So here’s to our fourth. Check back in on those stress levels when we get to six. Mags, not kids. Do we need to remind you that Moonbuilding is brought to you by former Electronic Sound commissioning editor Neil Mason and published by Colin Morrison’s Castles In Space label? Or is that the…
The fourth Warrington-Runcorn New Town Development Plan album, The Nation's Most Central Location, sees Gordon Chapman-Fox explore the north-south divide and reflect on 40 years of broken 'levelling up' promises. With eight tracks across 40 minutes, the album offers Gordon's usual mix of mournful remorse and upbeat optimism. Gordon has now added an underlying anger that burns through on tracks such as London's Moving Our Way and A Brighter And More Prosperous Future.
Gordon says, “When I was a c…
Paul Klee’s Naturstudium (1923) recalibrated the dialogue between art-making and the natural world. By peering closely at nature, Klee’s project was one of a magical de-mystification, seemingly a contradiction in terms until you realize that by looking clearly and dispassionately (the studium part of Naturstudium), he brought us full circle to wonder and awe. Spanish percussionist Luis Tabuenca also peers inward at his world—here the universe of percussion sounds—inviting us to a microscopic lis…
*2024 stock*I n his review of Exta, the critic Brian Olewnick commented that “there's a tendency on the part of [John Tilbury's] younger companions to defer a bit to him”, adding that, in his view, this was not “necessarily a bad strategy”. In this encounter, their first as a trio, John Edwards and Mark Sanders do not defer to Tilbury at all, and it proves to be perhaps the best strategy of all. This is a vigorous music of equals, the democratic clamour of three distinct personalities committed …
*200 copies limited release* Aún es tiempo de sonar marks the beginning of the end for the Argentinean Banana: the end of their mass popularity, having been recognized until 1978 (and still going) as one of the most trending outfits in Argentina thanks to their ballad-driven compositions, and the beginning of a wholly new orientation in a symphonic prog vein. César Pueyrredón’s, the mastermind and Banana’s main composer, passion for melody and his unique romantic style were the main drivers behi…