New Arrivals
Roedelius/Hausswolff II
*200 copies limited edition. Black Vinyl* Deep and beautiful ambient experimentalism from two true masters. “Roedelius / Hausswolff II”is this duo’s second album. The two met in Vienna in 2016 when Carl Michael Von Hausswolff invited Hans-Joachim Roedelius to participate in the collective sound-installation and concert””freq_out ”. Since H-J had been, and still is, organizing the festival “More Ohr Les“ in his home town Baden just outside Vienna it has been natural for him to invite CM to collab…
It's Not Up To Us
Another legendary one out @Superior Viaduct, the super rare (and amazing) debut by sax / flute player Byard Lancaster on Atlantic's subsidiary label Vortex dedicated to avant-garde jazz. Featuring Sonny Sharrock on guitar. Quoting the Andy Beta's brilliant review on Pitchfork "When John Coltrane succumbed to cancer in 1967, free jazz/fire music was sucked into a giant vacuum along with him. A patron of music and patron saint to so many of its players, there was a crossroads left in his wake. Ele…
Black Woman
An extraordinary piece of energy music that goes way beyond jazz. A legendary album produced by Herbie Mann and originally released in 1969 on the Atco subsidiary Vortex. Sonny Sharrock (and his wife Linda) recorded these tracks with a cast of New York free jazz all-stars including pianist Dave Burrell, drummer Milford Graves, trumpeter Teddy Daniel, and bassist Norris Jones among the others. A radical album with uncompromising blasts of atonal electric guitar, free-form sonic explorations, ecce…
Milano Odia: La Polizia Non Puo' Sparare
* Red vinyl edition * Milano Odia: La polizia non può sparare, a 1974 movie directed by Umberto Lenzi, is the quintessence of the Italian police films. Not only, it's even more violent and extreme than usual, with one of the best interpretations ever by the Cuban actor Tomas Milian.The soundtrack for the film is commissioned to Ennio Morricone, who at the time was already a full-time score composer, and had already worked in the same field. The Maestro wrote the entire OST starting from a single…
Lo Chiamavano Trinità...
* 2023 Repress in 180 gr. green and silver vinyl. Limited to 500 copies * A catalog such as Beat Records, with its roots in the '60s may have a difficult logistic. Beat Records changed many times head quarter up to moving to Via Filippo Nicolai 16 from the late '80s up to nowadays. Such a company catalog, sensibly grown during 55 years of life, was always needing more space and so, recently, the label decided to find a new place where to agglomerate various storages spread through Rome. What doe…
Issue 101
We have British Electric Foundation on the front of this month's Electronic Sound and an exclusive blue vinyl seven-inch boasting two previously unreleased Martyn Ware tracks to accompany the issue.
I Corpi Presentano Tracce Di Violenza Carnale (Torso) - (Ost)
Tip! LP edition. The legendary Torso (1973), considered one of the precursors of the slasher genre, was directed by Sergio Martino following the success of All the Colors of the Dark (1972), featuring a stunning soundtrack composed by Guido & Maurizio De Angelis also known as Oliver Onions. In 1973 a 26 minutes-long stereo LP was prepared for RCS's promo SP series, but it got cancelled and the 45 rpm didn't see the light, neither. In 1999 BMG printed out a CD (OST 145) with the editing found in …
I Corpi Presentano Tracce Di Violenza Carnale (Torso) - (Original Motion Picture Soundtrack)
*300 copies limited edition. Expanded edition* The legendary Torso (1973), considered one of the precursors of the slasher genre, was directed by Sergio Martino following the success of All the Colors of the Dark (1972), featuring a stunning soundtrack composed by Guido & Maurizio De Angelis also known as Oliver Onions. In 1973 a 26 minutes-long stereo LP was prepared for RCS's promo SP series, but it got cancelled and the 45 rpm didn't see the light, neither. In 1999 BMG printed out a CD (OST 1…
Point, Line, surface
*100 copies limted edition* "My music is an exploration of sterility, mundanity and stillness interpreted through personal feelings and subjective experience. My composition process is intuitive and personal. The recordings I use are of the following nature : souvenirs of lost moments, recordings of natural and urban empty spaces, microphone and object manipulation, deformed voices, non-expertly played instruments, resonances. I previously released music under the names a lie or and Perlesvaus" …
Brand New Feeling
400 copies, black vinyl. The Awakening were one of the greatest bands in early '70s jazz blending Spiritual and soul. They combined veterans of Chicago’s R&B sessions and jazz players affiliated with the Association for the Advancement of Creative Musicians and were the only "group" on the legendary Black Jazz Records roster. This album includes the most representative tunes from their only two albums released in 1972/1973.
Scirocco
Dave Rempis and Tim Daisy are two musicians whose work together over the last 25 years has been the cornerstone of countless improvising bands: Triage, Vandermark Five, Rempis Percussion Quartet, The Engines, Earscratcher, and their longstanding duo, to name a few. Over the last decade they’ve purposely found ways to shake their interaction up, reconstructing and redefining the possibilities to keep the music moving forward. Part of that approach has involved bringing in countless musicians as g…
Electronic Works 1958-1995
2023 Restock. Triple yellow LP version. Pressed on audiophile grade heavy duty vinyl. Else Marie Pade, born in 1924 in Denmark, is a precious golden gem in the world of contemporary electro-acoustic music. She is a true pioneer of electronic music and musique concrète. Pade is Denmark's first lady of electronic music and her piece "Syv Cirkler (Seven Circles)" became the first electronic piece performed on Danish radio. Pade's fascination with sound began in early childhood. Isolated in her bed …
Outside
*Limited edition of 200 copies.* Sturdily rooted in Michigan but at home anywhere she steps, Shelley Salant is a wearer of many hats. Anyone who's worked in even the outer reaches of underground music and D.I.Y. culture in the last ten years has probably run into Shelley, maybe when she booked their band a show, or had them by the radio show she's done tirelessly for almost a decade or possibly when she passed through town playing with Tyvek, Chain & The Gang, The Vitas, Swimsuit or one of the m…
A Sublime Madness
Psychic Ills keyboardist, Brent Cordero and Sunwatchers bassist, Peter Kerlin’s, first full length collab A Sublime Madness is the culmination of decades of circling each other's creative orbits. After years of casual jamming, numerous fledgling one offs, and touring sideman gigs (ibrighden addition to Sunwatchers, Kerlin was also Chris Forsyth’s long time bass player and in the John Dwyer helmed improv project, Bent Arcana. Cordero worked for years with Psychic Ills and Mike Wexler among others…
Forest Standards Vol. 3
What is a standard to a forest? What makes that different to what’s a standard, in that jazz classic compositional sense, to a desert? To a city? To a suburb? To a plain? A wetland? A grove? The only thing standard in a forest, like any other environment, is the search for balance. Nature seeks an equilibrium and, given enough time, it finds it. It’s the only way to ensure survival and growth. For three albums, David Lord has been exploring this idea, seeking out some sense of the ethereal, with…
III
Elijah McLaughlin Ensemble III is an album full of shimmering harmonic atmospheres. It’s emblematic of the Chicago-based ensemble, whose music explores the textures and resonances of their string instruments, namely six and 12-string guitar (Elijah McLaughlin), upright bass (Jason Toth), and hammered dulcimer (Joel Styzens). Throughout Elijah McLaughlin III, they expand their usual palette by including analog synths, field recordings, and melodies from guest musicians cellist Katinka Kleijn and …
One From Then Another
*300 copies limited edition* Phil Todd's existence as Ashtray Navigations began in the mid-1990s. Since then, it has been everything from a fully-fledged group to a solo endeavour that's embraced ur-drone-orientated noise, sprawling psychedelia, crude electronics and the more lysergic realms of the avant-garde. Amongst many other things. On One From Then Another, however, we are presented with two lengthy pieces (the first of which is broken into two sections and clocks up almost 30 minutes in t…
Don’t Let Go: Complete Kleistwahr 1982 - 1986
*300 copies limited edition* This double-disc set does exactly as the title indicates and collects all the material Gary Mundy of Ramleh released under his solo Kleistwahr guise between 1982 and 1986. Everything originally appeared on cassette on Gary's own much lauded Broken Flag imprint, although certain titles (as noted) have appeared on limited edition vinyl reissues as well. Some material has never before been reissued, however. The material featured is as follows: Myth album (originally re…
Into the Mylar Chamber (Book)
Between 1968 and 1971, in a loft on New York's Jefferson Street, the poet, photographer and filmmaker Ira Cohen created some of the most mythic images of the late 1960s. Inspired by his friends Jack Smith and Bill Devore, Cohen’s initial experiments with black light developed into an experimental ritual space he termed the Mylar Chamber―a simple room of hinged boards hung with reflective Mylar film. Through his extended network, and with the support of artist and set designer Robert LaVigne, Coh…
Punk 45: The Singles Cover Art of Punk 1976–80 (Book)
This 380+ page flexibound book is a revelatory guide to hundreds and hundreds of original seven-inch record cover sleeve designs—visual artifacts found at the heart of the most radical and anarchistic musical movement of the 20th century. The revolutionary do-it-yourself ethic of punk was applied to the aesthetic of design as much as it was to music, and record sleeves acted as lo-fi signifiers of anarchy, style, fashion, politics and more with an urban and suburban invective courtesy of the th…