"I was forming plans for a very different project in my mind when i came across a number of DAT tapes from my first sampling days in 1993, the time of 'Un peu de neige salie' - these tapes contained sounds i had not used in those days, and that i could not at all remember the origins / sources of, but that sounded interesting to my present day ears. I thus started to work with them, without the slightest idea of what might be the result, and the piece kind of made itself - the result was a structure consisting of noise sounds to which i added a complementary microtonal structure of instrumental samples to form the whole. It is difficult to describe the result, but i think it quite unique in the impression it gives - when listened to at low or medium volume (it is supposed to be), the sounds seem to come from a far distance, and create shifting impressions of space.

The associations of signals coming from far away, and transforming space it gave me led to the title Redshift, a term that describes a phenomenon discovered in the 1920's: the light of far distant galaxies is shifted to the red spectrum, and the farther away they are, the stronger the redshift is. This discovery can only be explained by a Doppler Effect implying that these galaxies are moving away from us, and that the universe is expanding. These associations are, of course, purely sub-jective - you do not have to imagine swarms of neutrinos, or radio signals from a quasar to enjoy the piece." B.G.