We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
*100 copies limited edition. Each comes with a unique 3D printed logo of the band as well as random inserted sequins/glitter bits* Sucata Tapes present the debut album by I'A'V, a conjuration born from an invitation extended by gnration in Braga to Inês Malheiro, completed by Arianna Casellas and Violeta Azevedo. Three inescapable figures amidst the portuguese scene, whose precious body of work resonates here in ineffable style.
A blessed triangulation of artists, each with a fully formed vision…
On The Crystal Suite, Paul Schütze channels J. G. Ballard’s The Crystal World into slow‑burn electronics and guitar haze, rendering time‑sick landscapes where matter ossifies, light fractures, and contemporary collapse glows with eerie, faceted calm.
On Vulcanalia, AX - the solo vehicle of Anthony Di Franco - returns after nearly three decades to his original mandate: vast, beatless torrents of guitar, feedback and electronics, now scaled up into a molten, myth‑drunk monument to Roman fire and stone.
Tip! *Dubbed on new ferro tapes* Fen Hollen takes a deep plunge into idiosyncratic samplelooping and poorly done reamping techniques. Small fragments of songs merging with chaotic instrumentals and weird microcassette malfunctions.
*Dubbed on new ferro tapes* A compilation of cassette-recordings made at a summer party, a childhood home and a sundrenched apartment. Musical generosities from a couple of good friends.
On Geometric Reason, Sissy Spacek reroute their long‑running extremism into a jagged strain of musique concrète, splicing voice, electronics and acoustic shards into a volatile collage charged by fire‑displacement, Japanese connections and their enduring taste for rupture.
On Electric Garden, Sissy Spacek and Smegma blur into a single, unstable organism, trading identities inside a live electro‑acoustic tangle where tape, junk percussion, turntables and guitar debris drift through The Pink House like sentient interference.
On Annihilation of Samsara, Attila Csihar, Balázs Pándi and John Wiese converge as a single, shifting organism, dissolving borders between extreme metal, free improvisation and noise into a dense, unstable ritual where sound behaves more like weather than music.
Finnish multi-instrumentalist Simo Hakalisto makes mosaic music of strings, bowls, bells, reeds, wind, water, and obscure electronics, threaded in subtle currents of color and texture. The title of his latest, Toinen Luonto (Finnish for “second nature”), alludes equally to Shakali’s earthen, tactile soundworld and Hakalisto’s deepening comfort with his craft.
The album’s eight songs feel coaxed as much as composed, a web of resonances set in motion and allowed to simmer, build, or billow. Vibrat…
On In the Beginning, Gadea scores Ala Nunu’s animated essay on anthropocentrism with a delicately disorienting language: hushed electro‑acoustics, ghosted field recordings and Marina Herlop’s voice tracing fragile halos around three surreal, all‑too‑real stories.
On Flood Coil, Norwegian artist Kjell Bjorgeengen and noise architect Lasse Marhaug collide flickering electronics and dense signal storms, turning sound into a volatile field of interference where image, electricity and feedback are felt rather than merely perceived.
*70 copies limited edition* Flung is pleased to present Raphaël Languillat’s Asteroid*, which renders celestial debris and deep-space signals as volatile synthesiser improvisations, released on limited edition cassette, exclusively on Bandcamp. Asteroid* arrives as four transmissions extracted from a self-modulating Korg MS-20 — a closed-circuit system driven by feedback and fracture. What surfaces are compositions as pressure events: ruptured drones, scorched frequencies, and signal debris spil…
Lucky restock, few copies available! The new transmission from Turin's My Cat Is An Alien, Maurizio and Roberto Opalio's long-running cosmic project, issued in a hand-numbered limited edition of 99 copies on their own Opax Records imprint. Two long-form pieces built around what the Opalios describe as a genuine creative breakthrough: applying their established practice of spontaneous composition in reverse, working by subtraction once the "apogee of real-time creation" had been reached, in servi…
During a 2016 trip to Colombia, I was very fortunate to be welcomed by the staff of the Rio Claro Natural Reserve, located in the central Cordillera. After several days of recording in the caves—the ones open to the public—inhabited by small colonies of cave-dwelling Guacharos (Steatornis caripensis), Juan Guillermo Garcés, director and founder of the Rio Claro sanctuary, allowed me to access a secret location outside of the reserve, home to what ornithologists reckon is one of the largest known…
Bogotá based Tropical futurists Rizomagic unveil their interplanetary mission to combine futurist technology with cosmic patterns, traditional rhythms and the woozy manipulations of pitched-down Cumbia Rebajada. Rizomagic are Edgar Marún and Diego Manrique, who met in 2020 while studying double bass and composition (respectively) at university in their hometown of Bogota. After finding a shared musical taste, they started producing music together during the first lockdown, swiftly producing and …
On Capelli di Cristallo, alias Junior Rain - the duo of Francesco Cavaliere and Matteo Martino - braid e‑bass, percussion, synth‑keys, sampling and electronics into a prismatic, slow‑mutating sound where rhythm, texture and melody melt into one hazy, crystalline drift.
*80 copies limited edition* Tired is Thomas DeAngelo's first full length solo effort since the 2023 Voiceprints & Aircuts CD on adhuman, and his second for More Mars following Standing Water released in 2021. Much has changed, both domestically (DeAngelo resides in Philadelphia, USA) and geopolitically in the interim, but, as the title suggests, maybe not really. Employing a sort of seasick, off kilter symmetry and befouled mirror logic, Tired accentuates the form/content dialectic, with motifs …
Black vinyl. Reeling in the weeks -- which felt like years -- after my first Current 93 album, I had started on the difficult second C93 album, Dogs Blood Rising. Having been asked to appear on both Top Of The Pops and The Old Grey Whistle Test 93 times in the same week after the release of Nature Unveiled, I realized that God was telling me that I had hit on a winning formula of Christian eschatology and Apocalyptic Christian texts over a Soundscape as cool as flies, but that I was missing the …
Blck vinyl. Current 93's first and last album, Nature Unveiled dragged together my obsessions, as I had decided to make a pop album that dealt with my primary fascinations: Christian apocalyptic and eschatological Christian texts. In my speed-ridden soul and mind, I thought I was reinventing The Ronettes, and that the two long sides of Nature Unveiled were A- and B-sides of a wall of soundhogs HIT! But the reality is that I was sharing a squat in Vauxhall with little annie anxiety, and hanging o…