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Sords by Meilt blends noise, musique concrète, and lofi tape textures into a gritty, abstract sound collage. Saturated loops, found sounds, and analog decay create a visceral, fragmented listening experience rooted in sonic experimentation.
Milkweed’s new album draws from ‘The Táin’ Irish epic, mixing “Slacker Trad” with global sounds. Critically acclaimed, their music merges Appalachian folk, hauntology, and experimentation.
*Dubbed on new ferro tapes* Second release from L. Linebacker. Needy guitar handling and eventually a talkative radio recorded directly to tape. Only rough edits and simple reamps done afterwards.
*Dubbed on new ferro tapes* Tape loops, wind-up gramophone manipulations, and other audio fascinations. All of these sounds share the fact that they didn’t fit into any other release. Collected throughout 2024 and 2025, they were set aside on my harddrive. This is a documentation of scrap material, assembled in rough form.
*60 copies limited edition* Melma_Mire is Joe Rehmer’s solo project where he uses field recordings and samples recorded on, and manipulates through 1/8” magnetic tape via cassette tape loops. Performed with a 4 track tape recorder and various Walkmans, they are layered with live electric bass to create hypnotic drone music, strange atmospheric moods and complex, mysterious soundscapes.
*60 copies limited edition* Pablo Picco/Bardo Todol, this time with a different name, Agrupacion Transandina Aves sin Nido, the sounds are his typical tape recordings manipulated and remixed.
Lunar Module are thrilled to announce the release of a new Hawksmoor album from Bristolian musician James McKeown, 'An Aesthetic' – Experiments In Tape. 'An Aesthetic' is a testament to McKeown's dedication to exploring the boundaries of sound. By layering the wow, flutter and warble of tape artifacts, he crafts a sonic landscape that echoes the ethereal hiss and mist drenched ‘rural psychedelia’ of Bristol's own Flying Saucer Attack, as well as the early hauntological, experimental landscapes o…
Hoshi is the 7th album by the worldly Kaakinmaa based sound producer Tomutonttu. This compositional endeavour began with foggy intuitions about freed people in swings, house plants in hanging baskets and people being brought up by wild monkeys. Tomutonttu has been dealing with questions perhaps romantic by nature. Maybe my songs are farming music after all? What does my computer think about my music? Did electricity smell different in the 1980s compared to now? Other smells that could be related…
300 copies. Following a creative burst in 2024 that resulted in several releases on iDEAL, New Forces and No Rent, label favorites Organ of Corti are returning to DMR for their first LP. Slowly moving into new territory, they deliver 6 bare boned surreal soundscapes. Minimal, repetitive tape loops, haunting synths and vaguely familiar vocal samples are carefully mixed for a sonic exercise reminiscent of those classic Nurse with Wound and Organum releases.
The Swedish trio of scene veterans Joach…
One track on this 7” ep is called Lues, the other Delirium and after listening to this new installment to ever growing Organ of Corti discography I can confirm that those titles are a fair fit for the music. Lues is a medical term for syphilis and indeed, once you spend some time with this otherworldly music you won’t come back home as clean as you once were. Delirium, state in which you are not able to think or act straight followed by symptoms of fever, sleepiness and confusion. I can’t imagin…
Mamer first became known as a dombra virtuoso and a modern master of Kazakh folk music. Over the years, he has evolved into a prolific and versatile artist, working across the boundaries of both tranditional and contemporary music. Mamer leads seven band projects: IZ, Bande, Mekrop, TAT, Mask, 51-Rayon, and Kunakar. He has released over 30 records, presenting a diversity of distinct styles including folk, ambient, industrial, noise, improvisation, and drone music.
“Every Mamer is brand new”. On…
*Dubbed on reused ferro tapes* Music for fictive radio stations. Made as a sound installation that was part of a performance talk about fictive world scenarios. Mostly made with circuit bend radios and found music in a stack of unsorted cassettes.
Strange and beautiful debut cassette from another great friend of the label. One hour of slowly dissolving Music box / tape Music. Ghostly melodies weaving in an out of each other until the tape runs out.
The German band Schatterau returns to Hands in the Dark with their latest release, Übers Jahr ('Throughout the Year'), which follows their acclaimed debut album from 2024. This sophomore effort, as its title implies, delves into the cyclical nature of time and the duality of the transient and the eternal unfolding of events. The album comprises 17 vignettes that reflect on the seasons, capturing their unique light and sounds, the passage of time, and the interplay of movement and stillness, as w…
I Know the Number of the Sand and the Measure of the Sea is the first collaboration of Lea Bertucci and Olivia Block. This collaboration was set into slow motion some years ago, in 2017, when Lea and Olivia connected through an interview facilitated by writer Steve Smith. In 2022, the artists finally had a chance to collaborate, performing an improvised set at Pioneer Works in New York City. Since then, the New York based Bertucci and Chicago based Block remotely built out ideas stemming from th…