Jazz & Improvisation / Free Improvisation

Reissuing two essential albums from saxophonist Marion Brown--Why Not? (ESP, 1968) and Porto Novo (Polydor, 1969)--the first recorded in NY in a quartet with pianist Stanley Cowell, bassist Sirone and drummer Rashied Ali, the second recorded in The Netherlands in a trio with Han Bennink on drums and Maarten Van Regteren Altena on double bass; essential.

Merging and remastering two essential albums from free jazz saxophonist Marion Brown: his 1966 ESP album "Marion Brown Quartet" with trumpeter Alan Shorter, bassist Reggie Johnson and percussionist Rahied Ali; and his 1967 Fontana album "Juba-Lee" in a septet with Reggie Johnson, drummer Beaver Harris, pianist Dave Burrell, trombonist Grachan Moncur III & saxophonist Bennie Maupin.

With the essential sidemen to express his unique voice and approach to free jazz, saxophonist Albert Ayler, double bassist Gary Peacock, and drummer Sunny Murray, recorded these sessions in 1964 for the ESP label as "Prophecy", this excellent reissue & remaster also adding the live "Albert Smiles with Sunny" (inRespect) from the same concert; essential.

Three variations of quartet settings from iconoclastic free jazz saxophonist Albert Ayler, remastering and combining two Debut Records albums, "Spirits" from 1964 and 1965's "Ghosts"

**First pressing of 175 copies with red cassette shells** The longer one works as an artist, the more secure one’s own identity becomes — whether visual, sonic, textual, or otherwise, the goal is to be clearly oneself. It may seem overly simple to cut the fat and center on creation and individuality, but considering those who have gone before and died for their art, the gambit seems far from easy. Saxophonist and photographer Rodrigo Amado (b. 1964, Lisbon) has worked in two different but relate…

Between 1969 and 1971, Francois Tusques and Sunny Murray were often accomplices in rebellious music. After other recordings, their collaboration culminated in an album that became mythical, Intercommunal Music, the site of a joust within the orchestra. The ephemeral and demanding label Shandar had invited François Tusques to lead a recording session on his own suggestion. Sunny Murray, one of his guests, arrived at the studio at the eleventh hour with a group of musicians ready to stage a ʹcoup …

"Further honing a singular cosmic musical language, Matthew Shipp begins celebrating his landmark 60th year with this new work for solo piano. The Piano Equation is also the inaugural release from Tao Forms, a new label devoted to enlightened and elevated free jazz. Over more than half of his lifespan, Shipp has built up an unparalleled body of work and a wholly original musical language that only becomes more hyper-focused and distinctive with the passage of time. Shipp's abstract eloquence is …

**175 copies** "A joint release between Noel Meek's New Zealand label Called God In The Music and Astral Spirits, the trio of Meek himself on electronics, Arrington de Dionyso on saxophone and Rodrigo Rico on drums are caught live at Gallery 1412 in Seattle, WA in 2017 for a freely improvised album of controlled chaos among intensely wicked and mischievous electroacoustic improv." - SquidCo

**175 copies** "Quietly lurking as it prepares to attack, this Kobra is the free improvising quaret of Aurora Nealand on accordion, alto saxophone, voice and objects, Steve Marquette on acoustic and electric guitars, Anton Hatwich on bass, and Paul Thibodeaux on drums, captured live at Chicago's Hungry Brain during the Instigation Festival for a mysterious 2-part New Omens and some Telly Attire." - SquidCo

Ricochet by the Sam Rivers Trio was recorded January 12, 1978, at Keystone Korner, San Francisco, CA, and re-mastered for this release by Arūnas Zujus at MAMAstudios. Personnel includes: Sam Rivers - tenor and soprano saxophones, flute, piano; Dave Holland - bass and cello; Barry Altschul - drums.

"For the past 15 years, bass clarinetist Jason Stein has been an integral part of Chicago’s avant-garde jazz scene, leading two bands—Jason Stein’s Locksmith Isidore and the Jason Stein Quartet—while co-leading other groups like Nature Work and Hearts & Minds. Each crew has a different sound: Isidore straddles darker and more traditional forms of jazz, while the Quartet covers deep cuts by Thelonious Monk and Charlie 'Bird' Parker. Nature Work and Hearts & Minds are thicker blends of downbeat ja…

"NoBusiness presents archive studio recordings by DUX Orchestra, which featured Mats Gustafsson and Will Connell, Jr. among its revered members. Duck Walks Dog (With Mixed Results) was recorded on 16th October, 1994 in NYC by Steve Guttenberg and features music by guitarist JC Morrison, arranged in collaboration with Dave Sewelson.Dave Sewelson - baritone saxophoneMats Gustafsson - baritone saxophoneWill Connell, Jr. - alto clarinetDave Hofstra - bassSusie Ibarra - drumsWalter 'Sweets' Perkins -…

**350 copies** "NoBusiness presents the latest trio recordings by Thomas Borgmann, Jan Roder and Willi Kellers. The album includes the following tracks: The Other Morning in the Park by Thomas Borgmann, Broadway Birdy by Willi Kellers and Chatham Bellbird by Jan Roder.Recorded on 16th May, 2017 at SAE Studios, Berlin by Robert Oeser.Mixed by Olaf Rupp and mastered by Arūnas Zujus at MAMAstudiosDesign by Oskaras Anosovas.Thomas Borgmann - tenor & soprano saxophone, toy-melodicaJan Roder - double …

**300 copies** "The second side of this beautiful duo album was recorded more or less half a year after The Swiftest Traveller in Vilnius, while the first one in December 2019. The recordings took place live during the concert series dedicated to improvised music, "Improdimensija", at MAMAstudio. The music is a little less exploratory than this recorded with Don Malfon or Torben Snekkestad. It sounds for me more like a 21st century response to the late music of Jimmy Giuffre music from the end o…

**Milestone reissue! His monumental LP of solo soprano saxophone improvisations, recorded direct-cut and issued by Incus in 1978. Lovingly reissued by Treader using the original stampers, in a gorgeous hand-assembled sleeve, with glossy front and matt back, flaps out. Unmissable.** Evan Parker's monolithic 1978 solo record Monoceros was originally released on Incus in 1978, and distinguishes itself in several respects: first, because it was recorded by the direct-cut process, whereby the sound …

"The road to this collaboration starts at the 1985 Holland Festival, when Hoketus—the flinty post-rock new-music ensemble founded by Louis Andriessen—premiered Rokus de Veldmuis (Rokus the Fieldmouse) by Misha Mengelberg (1935–2017). As Hoketus pianist Gerard Bouwhuis recalls, it generated some minor grumbling within the band; the chipper first movement appeared to mock Hoketus’s hard-edged seriousness. But the second half—“Een hutje van gras” (A Little Grass Hut)—was a wow: a hurtling triple ca…

This book is a historical and interpretive study of the movement of jazz experimentalism in West and East Germany between the years 1950 and 1975. It complicates the narratives advanced by previous scholars by arguing that engagement with black musical methods, concepts, and practices remained significant for the emergence of the German jazz experimentalism movement. In a seemingly paradoxical fashion, this engagement with black musical knowledge enabled the formation of more self-reliant musica…

Jim O'Rourke (of Gastr del Sol and Sonic Youth fame) plays a lot with Japanese Free jazz legend Akira Sakata in various formations. Together with Italian composer and pianist Giovanni di Domenico and the drummer Tatsuhisa Yamamoto they form this powerful band. Their second release combines contemporary Avantgarde and Free Jazz in a beautiful way.Line-up:Akira Sakata - sax, clarinet, voiceJim O’Rourke - double bassGiovanni di Domenico – piano, hohner pianetTatsuhisa Yamamoto - drumsRecorded Jim O…

A fresh new studio album by powerful Russian Free jazz band Brom, now with a fourth player (guitar and electronics). Press about their last album (Sunstroke, Trost): "It is a reverent and thoughtful performance, with powerhouse electric bass at its core, leading to a fast and furious conclusion." - Jazzandbluesblogspot"Moscow based power jazz trio Brom are a group that push against musical boundaries and allow such diverse genres as rock, noise, free jazz and improvisation to leak into their eve…

Tashi Dorji (electric guitar) and Tyler Damon (drums/percussion) have developed a musical language that is not only shaped by original forms as free jazz, metal, rock and Buddhist monastic music. Their sound merges passion and emotions of literature, art, cultural movements, politics - flashes of ecstatic intensity, blurred timbral lines, fractal repetition, noir-ish, cinematic mystery and inclinations toward free play hint that the two are pleased to follow a winding path to destinations yet un…

**300 copies** In its 6th release, Mr. Nakayasi Records treat us with a rich and adventurous recording by The Miracle, a group of musicians with individual and collective links to Belgium’s free-improv music scene. The Miracle is a live capture of the ensemble's epic debut at Studio Grez, Brussels in December 2018. Recalling the spirits of Mirakle, uncompromising Derek Bailey’s album with Jamaaladeen Tacuma and Calvin Weston, this release presents an inspired, innovative and immediate intersecti…

Axis / Another Revolvable Thing is the second installment of Blank Forms’ archival reissues of the music of Japan’s eternal revolutionary Masayuki Takayanagi, following April Is the Cruellest Month, a 1975 studio record by his New Direction Unit.

Axis / Another Revolvable Thing is the second installment of Blank Forms’ archival reissues of the music of Japan’s eternal revolutionary Masayuki Takayanagi, following April Is the Cruellest Month, a 1975 studio record by his New Direction Unit.

Axis / Another Revolvable Thing is the second installment of Blank Forms’ archival reissues of the music of Japan’s eternal revolutionary Masayuki Takayanagi, following April Is the Cruellest Month, a 1975 studio record by his New Direction Unit.

**CD version** "A primal force of something... real. I have listened back and forth to the new album of Anna Högberg's “Attack” numerous times now and it hit me like a split axe in a split second: this music is for real! Wham Bam! This is liberating music. Allowing music. It hits me just as the split axe hits the wood. Without hesitation, but still very sensitive. Pure power does not cut the wood automatically. No fancy flirts with post-this and post-that. Just the force. Of itself. This music i…

Doubtmusic has discovered a previously unreleased Kaoru Abe alto saxophone solo improvisation! This CD features a complete 30 minutes performance held in summer 1977 at a jazz cafe in Sapporo which was called "Ayler" and no longer exists since long time. We no longer talk about Abe's voice ranging by ready-made musical concept. Even his silence has persuasiveness. His voice has an ubiquity which transcend new or old musical trends. We would like young music fans who have never heard of Kaoru Abe…

"The Mafioso expression 'cement shoes' describes a method of execution or body disposal – wrapping the victim or body in concrete and pushing into deep water. This expression has become a tongue-in-cheek death threat by criminals, despite no real evidence of using this method of execution. Now this American expression also graces the name of a new pan-European trio, featuring Italian, Brussels-based Fender Rhodes and electronics player Giovanni di Domenico, Portuguese, Rotterdam-based electric b…

III (pronounced /el/) is Daichi Yoshikawa, Paul Abbott and Seymour Wright. This recording includes two bare 20-minute excerpts from separate performances at Café OTO. Daichi Yoshikawa (feedback); Paul Abbott (drums); Seymour Wright (alto saxophone). gjerhan began from subterranea, sweat, haze and dedication emerging out of intimate and intense weekly meetings begun in 2009 -- their first, 2012 public performance, squeezed into a London basement was a sheer, vexed and exhilarating smack of organi…

**300 copies, heavy gatefold cover** LP with swedish Free jazz trio Dog Life Anna Högberg: Saxophones, Finn Loxbo: Electric Bass and Mårten Magnefors: Drums. Dog Life explores free improvised music on a high-energetic plateau, descending from the outskirts of free jazz, and further towards a harder, darker and undefined terrain. "Mats Gustafsson’s Fire! Orchestra featured some of the promising, young musicians in the Swedish left-of-center scene. Sax player Anna Högberg was one of them, blowing …

**300 copies** The Kollektiv für Kommunikative und Ästhetische Forschung was an artist commune that existed for about two years around 1970 in a former monastery in Mariental (Lower Saxony), West Germany, close to the then inner-German border. It was founded by members of the West Berlin free art and music scene, many of them having been part of the scene based around the short-lived Zodiak Free Arts Lab. Among the residents were drummer Sven-Åke Johansson, guitarist Norbert Eisbrenner and bassi…

**CD version** Hungry Ghosts are beings who are driven by intense emotional needs, periodically roaming the earth’s surface in search for anything that can satisfy their cravings. Now they are here for you! The omnipotent living legend Paal-Nilssen Love clashes head to head with bass prodigy Christian Meaas Svendsen on bass, playing with 2-3 bows, cheek, voice, hands and feet. In the midst of the battle we find Yong Yandsen, a high-octane Malaysian sax virtuoso who virtually explodes on stage co…

**CD version** Kasper Skullerud Værnes and Andreas Wildhagen has played together for ten years as of 2018. They formed a duo shortly after meeting, and quickly realized that the power and subtleness of the sax and drums duo format was worth further explorations. Through the years and in various ensembles and projects such as KNYST! (trio with bassist and Nakama founder Christian Meaas Svendsen,) and Paal Nilssen-Love Large Unit, the duo has grown and developed a highly flexible and telepathic in…

**CD version** Forms & Poses is Norwegian bass player Christian Meaas Svendsen’s second solo album, and features four compositions / improvisations which explore the physical connection between the human body and the double bass. Although recorded in two entirely different settings, it is clear that Svendsen’s mind-set on all these tracks are one and the same, and the release shines as a condensed representation of his creative diversity. The CD version comes with a 24-page long booklet with lin…

"Cepi is a solid reality located in the south of France. It’s Barre Phillips’ vision about improvisation. It can be flexible about the team but not about the idea above it all. Hic stands for Hidden Improvisers Consort; it’s a study group under the guide of Claudio Lugo. This meeting has been organized and strongly desired by Barre Phillips and Tommaso Rolando. We made a big circle, we played with the fire."The Cepi Nomads: Barre Phillips - Contrabass / György Kurtag - Electronics / Laurent Char…

"Argentinian pianist Fernando Gelbard's killer debut (and only) '74 LP. Didi is a potent mix of Fender Rhodes & Moog with scatting percussionists and fierce tenor sax -- Coltrane meets candombe!" Gatefold sleeve. "If I was asked to name some great Argentinian jazz musicians, I'd probably draw a blank after Gato Barbieri, but this rather nice slab of vinyl has added a couple more to the list. Fernando Gelbard played piano with tenorist Horacio Borraro, whose quartet peddled a fiery if unoriginal…

"A synchrotron is a particular type of cyclic particle accelerator, descended from the cyclotron, in which the accelerating particle beam travels around a fixed closed-loop path. The magnetic field which bends the particle beam into its closed path increases with time during the accelerating process, being synchronized to the increasing kinetic energy of the particles.Synchrotrony are a trio who take their inspiration from free improvisation, sound search and simple folk melodies. The band consi…

First released on digital formats back in 2016, and here now given a richly deserved full vinyl release, "Holy Science", the debut outing from Amirtha Kidambi and her New York based quartet The Elder Ones, is a work of dazzling singularity. Delicately yet unashamedly divulging its complex network of influences at every turn, "Holy Science" simultaneously disperses of boundary and limitation, emerging as an album steeped in tradition yet located firmly in the futuristic present.

These live recordings capture a series of performances throughout Europe in 1975. These gigs reflect Howard’s peculiar musical identity on the Free Jazz scene of that era. An uncanny and heavy atmosphere unifies the different compositions which are constructed with improvisations on disturbing repetitions.

**75 copies** Long Day documents a live performance by Daniel Wyche (guitars), Patrick Shiroishi (saxophones) and Ted Byrnes (percussion). The performance took place in Los Angeles in August 2019 and was recorded by Jared Rodriguez. The album was mixed by Daniel Wyche and mastered by Brian J. Sulpizio in Chicago, IL.

"Broadcast from SWR and recorded at the legendary 1967 Free Jazz Meeting in Baden-Baden, Germany this is a collection of four different performances by different line-ups, featuring big names in the European free jazz '60s scene of the time along such top players as Don Cherry, Marion Brown, Evan Parker, and John Stevens."