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**100 copies** "The organ: in popular association, both the ‘God Instrument’ and the ‘Devil Instrument’, a purveyor of myriad densities and shades of massed tone, elemental fire and inexhaustible air, capable of inspiring wonder, awe, profound mystery and sinister darkness. The essential nature of the organ, as a synthesizer layering sound upon sound, is controlled by an alchemy very similar to that which generates electronic music. The natural hybridization of these phenomena allows one to expl…
**200 copies** "Witchcraft has had a fascinating and turbulent history in the UK. Through periods of persecution and prejudice, it has survived to the present day and many people still practise the tradition now. From the 7th Century onwards, attitudes towards the practise began to change. During the medieval period, fears over so-called ‘black magic’ began to emerge. This referred to the power of witchcraft to bring harm to others. An association was also drawn between witchcraft and the devil.…
**Small repress available** Following the Anthology of Contemporary Music From the African Continent, this new collection released by Unexplained Sounds Group, focuses on experimental and alternative music from the Middle East and includes artists from Egypt, Lebanon, Turkey, Bahrain, Kuwait, Iran, Israel, Iraq, Palestine, Jordan, Afghanistan, Cyprus. A kaleidoscope of sounds by artists rooted in their traditions, but at the same time projected towards the new frontiers of music. The minimal mel…
With the demise of the group Wire in 1980, founder members Bruce Gilbert and Graham Lewis joined forces to create Dome. With the assistance of engineer Eric Radcliffe and his Blackwing Studio Dome took the ethic of "using the studio as a compositional tool" and recorded and released three Dome albums on their own label in the space of 12 months: Dome (July, 1980), Dome 2 (October, 1980), and Dome 3 (October 1981). A final fourth album, Will You Speak This Word: Dome 4 was released on the Norwegi…
**1.000 copies, 2019 stock** Born in Brooklyn, Alan Vega was reared on the rock'n'roll sound of Elvis Presley and Roy Orbison, but originally struck out on a career as a visual artist and light sculptor, making pieces out of electronic debris. Seeing Iggy Pop fronting the Stooges at the New York State Pavilion in 1969 was an epiphany for him: "It showed me you didn't have to do static artworks, you could create situations. That show was the first time in my life when the audience and the stage m…
**1.000 copies, 2019 stock** Born in Brooklyn, Alan Vega was reared on the rock'n'roll sound of Elvis Presley and Roy Orbison, but originally struck out on a career as a visual artist and light sculptor, making pieces out of electronic debris. Seeing Iggy Pop fronting the Stooges at the New York State Pavilion in 1969 was an epiphany for him: "It showed me you didn't have to do static artworks, you could create situations. That show was the first time in my life when the audience and the stage m…
**1.000 copies, 2019 stock** Born in Brooklyn, Alan Vega was reared on the rock'n'roll sound of Elvis Presley and Roy Orbison, but originally struck out on a career as a visual artist and light sculptor, making pieces out of electronic debris. Seeing Iggy Pop fronting the Stooges at the New York State Pavilion in 1969 was an epiphany for him: "It showed me you didn't have to do static artworks, you could create situations. That show was the first time in my life when the audience and the stage m…
**1.000 copies, 2019 stock** Born in Brooklyn, Alan Vega was reared on the rock'n'roll sound of Elvis Presley and Roy Orbison, but originally struck out on a career as a visual artist and light sculptor, making pieces out of electronic debris. Seeing Iggy Pop fronting the Stooges at the New York State Pavilion in 1969 was an epiphany for him: "It showed me you didn't have to do static artworks, you could create situations. That show was the first time in my life when the audience and the stage m…
**1.000 copies, 2019 stock** Born in Brooklyn, Alan Vega was reared on the rock'n'roll sound of Elvis Presley and Roy Orbison, but originally struck out on a career as a visual artist and light sculptor, making pieces out of electronic debris. Seeing Iggy Pop fronting the Stooges at the New York State Pavilion in 1969 was an epiphany for him: "It showed me you didn't have to do static artworks, you could create situations. That show was the first time in my life when the audience and the stage m…
**1.000 copies, 2019 stock** Born in Brooklyn, Alan Vega was reared on the rock'n'roll sound of Elvis Presley and Roy Orbison, but originally struck out on a career as a visual artist and light sculptor, making pieces out of electronic debris. Seeing Iggy Pop fronting the Stooges at the New York State Pavilion in 1969 was an epiphany for him: "It showed me you didn't have to do static artworks, you could create situations. That show was the first time in my life when the audience and the stage m…
2011 repress, originally released in 2005. This double LP compilation presents insights into the outstanding artistic means of expression of late '70s/ early '80s Berlin, which left their mark on subsequent generations of artists and bands alike, bringing the walled-in city's special attitude back to life. 16 groundbreaking tracks that speak across the Germanic spectrum, from performance art / noise to post-punk / new wave, post-industrial, post-prog electronic, etc., from artists such as: Mona …
Shasta Cults is the musical project of Canadian electronics technician Richard Smith. For almost two decades, Smith was the official Buchla & Associates go-to repair person for studios, collectors, and musicians around the world, having worked with artists such as Aphex Twin, Suzanne Ciani, Mort Subotnick, and institutions such as The Library of Congress and Mills College, Smith has had the unique experience of restoring and interacting with nearly every model of Buchla instrument constructed ov…
Jessica Ekomane's debut LP, Multivocal, is brilliantly original, and will appeal to fans of Caterina Barbieri, Alessandro Cortini, Shasta Cults, ELEH, and the strand of minimal electronic music that runs through the Important catalog. Multivocal is a polyphonic maze that unfolds to both the body and the mind. A generative take on rhythm and spatial perception, it presents the same events in different configurations. The two pieces of the album, "Solid of Revolution" and "Never Odd or Even", mirr…
Edition of 300, gatefold cover. Kali Malone and Maria W. Horn’s XKatedral label release the debut album by Sweden’s David Granström - a majestic, slow-burning exercise in algorithmic synthesis influenced by medieval and 20th century minimal composition, highly recommended if yr into Phill Niblock, Earth, Catherine Christer Hennix, Autechre. Granström’s first full-length release firmly establishes him in a field of progressive artists known for generating beguiling new music from a rigorous mixt…
**2019 stock** Having recently contributed to Goner’s Yogascum LP, reissued in late 2017 as a vinyl release through Hallow Ground, Mark Godwin now returns to the label together with his musical partner Gareth Ormerod as zK. Formed in 1999 as a live project, zK first released on the legendary Mancunian Skam label in 2003, toured throughout Europe and were invited by Autechre to play the All Tomorrow’s Parties festival.In the following years, Godwin and Ormerod produced a slew of records that at o…
"Just Dead Stars For Dead Eyes is the third release of the Swiss producer and sound artist Samuel Savenberg alias S S S S for the Lucerne-based Hallow Ground label. The multi-channel sound work is the result of a two-week-long artist residency at Lucerne’s Südpol in the summer of 2015, which in addition to its premiere in December 2015 has been presented live at Dampfzentrale Bern and London’s Café Oto.Originally briefly available as a small-run cassette release through the Italian Haunter impri…
Reinier Van Houdt performed as a classical trained pianist premieres of works by Robert Ashley, Charlemagne Palestine and many others. He worked with composers as John Cage or Luc Ferrari and plays in Current 93, recently releasing an album with contributions by Nick Cave, John Zorn and Antony Hegarty. Paths of the Errant Gaze taps into the artists obsession with recording everyday objects, situations and moments. The act of recording seems to create a third ear, a little loophole in time throug…
**300 copies, white vinyl** "Toilet Chant was originally released back in 2004, in an edition of 99 numbered CDrs that each featured a no doubt highly collectable thumbprint / shitstain (Massimo and Pierce were, of course, no strangers to the base and scatological). Despite its more deviant, transgressive, and earthbound trappings, however, Toilet Chant is actually quite a complex and otherworldly suite of songs. In fact, parts of it are legitimately brilliant. Hallow Ground seem to have valiant…
**300 copies** "Enchanted, curdled and chiming avant-techno rituals by the Italian Coil affiliates. The musicians and performance artists Pierce and Massimo aka Black Sun Productions initially acquired renown in the noughties with their impressive stage performances at Coil live shows. With Dies Juvenalis, the duo have served up a captivating concept album. The album opens with a reflection on one's own perception (Percettive Riflessioni), which sets an unusually upbeat tone for the duo. Pierce …
**600 copies** “Sometimes our own creations surprised us,” says Inguna Rubene, flute player, guitarist, bassoonist and songwriter for 19 Gadi Pirms Sākuma (19 Years Before the Beginning). Created with the idea of lasting for a single performance, 19 Gadi Pirms Sākuma developed into one of the most delicate, intriguing groups in Latvia’s 1980s and early 1990s music scene. Formed in 1988, the band arrived at a time when the Soviet Union was showing the first signs of unravelling. Latvia remained a…