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Beyond Repair is its latest solo cd. Eleven short tracks for modular synth, home made electronics and tape recorders. A true union between coarse substance of analogical devices and voltage of tense electronics. The core of Beyond Repair is the fusion of its contrasts. Permanent tension between chiselling and bare deconstruction, meditation and frontal sound, cold stasis and unstable dynamics. Eleven tracks that run without pause as a single composition that hits like a strong cut-up aggression…
Good news from the Sonorhc’s « space shuttle » ! After the two first albums « Purf » (1972) and « Outrelande » (1982) released last year, Fractal records deliver now the second volume of the expedition with the third and the fourth album of the band : « Portes d’Orient (East Gates) » (1984) and « Amazonia » (1985) again on CD, perfectly remastered and in the same concept « two albums in one ».As a band who claim to be « without leader », Sonorhc is a collective with variable line-up as shows thi…
Mohammad are back!! Finally here, the third and final installment of a trilogy that explores the sounds of the geographical area between 34°Ν - 42°Ν & 19°Ε – 29°Ε. Segondè Saleco is the final catharsis which signals a dramatic change of atmosphere in the trio’s signature sound. "Greek chamber doom trio Mohammad have been operating since 2009, releasing albums on their own Antifrost imprint and brought to a wider audience in 2013 with their excellent ‘Som Sakrifis’ LP on PAN. Here they complete t…
Hironari Iwata began his solo project Toukaseibunshi (Transparent Molecules) in 1985. In the same year he formed a second unit called Haiginsha, and began collaborating with Merzbow and Agencement. Iwata also ran the independent label Angakok, releasing several albums on cassette and curating a compilation that featured some the most radical musicians of the period including H.N.A.S., Asmus Tietchens, P16.D4, DDAA, etc. But in 1988 he suddenly ceased all musical activities. He returned to public…
The Ascension guitarist, solo live in the UK 1996. "About 20 or so minutes of guitar destruction. Ascension, Rudolph Grey/Blue Humans, earlyish Skullflower are touchstones. I don't wanna hype it too much, but it's fucking awesome" (nonotfunnotno blogspot)
An amazing series of pieces for Bass clarinet as an exploration of polyphonic sound universe. Within interactions of spatial and instrument sound, she uses variety of sounds to produce coherent work, dealing with simultaneous representations of multidimensional acoustic events. This release is cooperation with Chmafu Nocords.
After Riccardo Dillon Wanke's 2008 highly-lauded solo debut, Wanke continued his interests in digital & analog manipulation of sound & its application into musical compositions. His work with guitars & keyboards (piano & rhodes) has started from pure radical improvisation & has drawn to the investigation of drones sounds, static music. "I explored for years the use of repetitive structures within different perspectives. in many cases, these figures involved long developments. 'cuts' is the effor…
"Rare private press jazz/space rock album, on reissue wish lists for years.This masterpiece crawled up my spine like a kundalini snake and proceeded to take the top of my head off. Probe 10 are unquestionably linked to a very specifically American form of proto-prog-into-jazz-rock synthesis of the precise sort Elektra Records used to specialize in, from Tim Buckley's Starsailor to David Stoughton's Transformer. Toss in trumpet fanfare laden acid psych straight out of the C.A. Quintet songbook, t…
Hästköttskandalen is happy to announce the release of their debut vinyl record “Spacegirls”, 40 minutes of live improvised music recorded in a disbanded morgue and released on Fylkingen Records on February 16, 2015. The release concert is co-organized with Titwrench Stockholm and takes place at Fylkingen (Torkel Knutssonsgatan 2, Stockholm) on February 16th at 20:00.Hästköttskandalen (HKS) is an audiovisual quartet comprised of Swedish and American composers and musicians (Ellen Arkbro, Marta Fo…
"On the night between the 1st and 2nd of April 2001, after a period of increasing fatigue, feebleness and shortness of breath, I understood that the reason must be bad function of the heart. I felt dizzy and my heart was beating irregularly, fast and hard. I took a taxi to the hospital Emergency Room. I was in a hospital bed for one week and felt my body slowly lose all its reserve power, while the heart was beating two or three times faster than normal. Numerous medications were administered bu…
Recorded in January of 1996 in a ravine in Seattle next to the house of Jim Woodring for a proposed and unrealized collaboration with this visual artist.
Cast: Johannes Nilsson, The victim, Sigrid Nilsson; his sister, Stephan Nilsson, his father, Vally Erlingsdottir, his stepmother, Jadis Stephansdotter, his sister. Recorded by Sigrid Nilsson in Luxemburg, July 1991, Cover design by Leif Elggren
All pieces recorded live at the Plastikville Studio. Sound sources through the use of pure analogue devices and various kinds of metal apparata connected through electronics, unaffected in any way in the hope of rendering a kind of sonic inscription of the machines.
Tomas Lehn, analogue synthesizer. Raymond Strid, drums and percussion. Recorded by Tomas Lehn at Inkonst, Malmö 28-09, 2000. Produced by Fylkingen in 2003.
Martin Klapper, amplified objects, toys, tapes. Martin Küchen, baritone saxophone. Recorded by Martin Küchen at Galleri Neon in Brösarp, 2001. Produced by Fylkingen in 2003.
Sten Hanson passed away on November 1st 2013. During the last year we discussed with him to make a record with four of his unreleased works from the last then years period. Sten had the title for this record: My Last Works.' Daniel Rozenhall & Leif Elggren, August 2014. My Last Works is a hommage to the work and life of Sten Hanson (1936-2013). Sten Hanson, the Swedish artist, who, working as a sound-poet, created pioneering work in the visual arts as well as performance art, is no more. Strong,…
A double CD featuring two extended live performances by the electroacoustic quartet of John Butcher (sax), Angharad Davies (violin), Rhodri Davies (harps) & Lee Patterson (amplifed devices)
The Pitch is a Berlin-based quartet that explores the area between abstract melody and acoustic drone. Since 2009 they have been developing a musical language and a body of work ranging from quartet music to extended, large-scale ensemble pieces involving guest musicians and further conceptual elements. Improvisation is an important element in their music and it is used as a generative device within specific shapes, structures, and ideas for different pieces of music. Their piece Frozen Orchestr…
Mysterious collaboration between Francisco Meirino and Roro Perrot in which electronic music weaves his sticky web on amplified sounds and voices yelling in a dreamlike distance.
Kasper T. Toeplitz, bass & electronics, Jac Berrocal, trumpet and voice, , drums and objects. Live concert in Evreux, France, June 2014. Free rock by three very different musicians. Nice gatefold cover designed by Mika Pusse and 180g black vinyl limited to 300 copies.