Jazz & Improvisation / All styles

The music Coltrane, Tyner and others did back in their prime made a sizable ripple in jazz. Many went on to emulate their style well after the originators either died or moved on. For the most part I find these emulator (or keepers of the flame, to be more polite) to be either alright or great. Kohsuke Mine Quintet is one of those greater ones. They're relatively obscure from what I gather, releasing only a few albums back in the 70s and a resurgence album in the 90s but their music is much more…

* Double 10" in 350 gsm widespine jacket w/interior colour flood + 300 gsm printed inners + fold-out insert + DL card * Celebrated composer, performer, saxophonist, soloist, band leader, educator, activist, and mixed-media artist Matana Roberts returns with a new installment of their acclaimed Coin Coin series. For over a decade, Coin Coin has been the central artistic project for Roberts, a remarkable exploration of American ancestry and the nature of memory through "sound quilting": modern com…

On his 7th album as a leader, Chicago drummer Charles Rumback explores the many ambiances that comprise his musical territory, leading a combo with serious improvisers such as cornetist Ron Miles, alto saxophonist Greg Ward and bass clarinetist Jason Stein.  Seven Bridges begins with the atmospheric tide of “Whatever It Takes”, a less-than-a-minute horn-infused exercise that almost plays like a free-form understatement. It leads to the pop song “Fall Dog Bombs the Moon”, sung by Sima Cunningham …

Monster Melodies present Kundalini, an unreleased live recording of Hamsa. This French band with Richard Raux (ex-Magma) at his best in 1976 play an incredible and unique music, groovy, powerful, between funk and spiritual jazz, drawing on roots in African and Indian rhythms. Raux was born in Périgueux in 1945, but would never forget his Creole origins, his family having come from Madagascar. In his early years, Raux was introduced to ethnic music, Django Reinhardt, Brassens, and most importantl…

*In process of stocking.* Few bands in improvised music seem to generate more palpable sonic friction than Brandon Seabrook’s trio with Cooper-Moore and Gerald Cleaver. The group produces a seriously tactile, almost psychedelic sound: the gut-punch of drums, the rumbling twang of diddley-bow, and the slashing, brittle crunch of electric guitar. On Exulations, the trio’s 2020 debut album on Astral Spirits, these sounds coalesced into gritty, propulsive improvisations possessed of an almost three-…

'At its best moments – throughout most of the album in fact – Heisse Scheisse is joyous chaos. The quintet seems to relish playing two or three different overlapping pieces of music. Case in point, Lapsarian begins with a labyrinthine riff-like structure that rapidly deteriorates into Eisenberg and Neuburg heading in their own directions. After a relatively calm and short interlude, Pitsiokos and Eisenberg both solo at the same time, but in an orthogonal fashion, before the overall structure is …

John Edwards is a true virtuoso whose staggering range of techniques and boundless musical imagination have redefined the possibility of the double bass and dramatically expanded its role, whether playing solo or with others. Perpetually in demand, he has played with Evan Parker, Sunny Murray, Derek Bailey, Joe McPhee, Lol Coxhill, Peter Brötzmann, John Butcher and many others. Edwards studied art and knew from very early on that his future wouldn't be a desk job. From inheritance money he bough…

This is the memorable 10th live document of the free improvised music sessions co-organized by doubtmusic and Fulldesingn Records at Knuttel House in Iriya, recorded on multi-tracks on 5 May 2023. “mn” of Mikawa and Numata and “HRS” of Nishimura and Fujikake got united miraculously for this very special occasion, so the title was settled as “MNHRS”.Highly recommended to listen as loud as possible. If that is not easily achieved, then with headphones, but high in volume. We are pretty confident t…

The first release on Sormi Editions is an improvised acoustic album by Turku-based guitarist Topias Tiheäsalo. Full of delicate sounds, low-volume playing and beautiful overtones the CD features cover paintings and design by Pauliina Mäkelä.

The baritone sax solo performance that Ryuichi Yoshida has been working on as his life's work is finally released on CD as "SAKAI-Sakai" from doubtmusic. It is based on his approach to the regular live "Sakai" that he has been performing since the summer of 2019 as part of his tea party, and is the culmination of many years of solo performances. "Singing with baritone saxophone" music. Enjoy a live performance to commemorate it.

**300 copies** "One aim of improvised music is to create unprecedented sounds. And by specializing in the textures that can be extracted from the spinet, the piano’s 18th Century ancestor, keyboardist Christoph Schiller, who now divides his time between Basel and Weil am Rhein is firmly involved in this trope. On this hushed, microtonal CD, Schiller applies his tweaking of the traditional keyboard to responsive sounds from an instrument as venerable as his, Anouck Genthon’s violin on Zeitweise L…

Ballads From The Wrecked Ship is a decidedly varied and rather wonderful improv release,  which sits somewhere between sonic creativity and atmospheric moodiness. The seven-track album slides in at a concise and focused forty minutes, and I must say it certainly stand as one of more distinctive/ original improv release I have heard in some time. The album appears on the always worthy/ interesting New Wave Of Jazz- coming in the labels house style mini grey gatefold packaging, which as always fea…

**300 copies** "The British tradition of guitar improvisation includes some game changers like the Derek Bailey, but also John Russell, Keith Rowe and Fred Frith. Yet it doesn’t prevent Daniel Thompson from carving out his own little corner. Finch proves that even in the most demanding and intimidating of circumstances, Thompson has a sharp, creative mind. Surely, there will be more to follow. There should be." - Guy Peters"Daniel Thompson's Finch contains music recorded in a studio called the S…

**300 copies** "Another special such place, situated in Holland, but only a few hundred meters from the Belgian border, is JazzBlazzt. It is as homely as can get - basically a garage turned into a small concert venue - but at the same time a miraculous place, where many artists that have appeared on this label have performed." - Guy Peters"Dirk Serries, still on acoustic guitar, meets again violist Benedict Taylor, and pianist Martina Verhoeven (she plays only on the second set) in a live perfor…

**300 copies** "Dirk Serries (acoustic guitars), Kris Vanderstraeten (percussion) and Martina Verhoeven (piano) – these are three featured figures of international avant-garde jazz scene. Musicians are playing and collaborating with dozens of other famous jazz masters. Their music is played with expression, drive, creativity and energy. All three musicians have their own style of improvising, sparkling virtuosity and the will to create new, exciting and modern sound. All their music is usually b…

“From May this year, One In The Eye is a double CD bringing together Alan Wilkinson and Dirk Serries for selection jagged, moody, to-playful improv. The set features one disc taking in eight tracks, and a second disc features two longer work-out. The first disc opens with the nearing six minutes of “Upshot”- here we find Serries jagging ‘n’ jerking strums weaved with Wilkinson energetic and at points quite seared sax work- this works as a nicely urgent and shifting opener for the release, throwi…

Performed by Cath Roberts (bariton saxophone and objects), Dirk Serries (acoustic guitar), Martina Verhoeven (piano), Tom Ward (flute, clarinet and bass clarinet) on July 18th 2020. This music was recorded simultaneously in two locations - Brockley and Sint-Lenaarts - using the JackTrip software to transmit/receive the live sound via the internet. The musicians could hear each other at studio quality in near-realtime, despite the physical distance separating them.

* Edition of 300 * Performed by Patrick De Groote (trumpet, bugel), Cel Overberghe (alto sax), Dirk Serries (acoustic guitars), Martina Verhoeven (piano). Recorded, mixed and mastered at the Sunny Side Inc. Studio, Anderlecht (Belgium) on December 14th 2019.

* Edition of 300 * Beautiful registration of a 2010 concert by this exceptional trio, 3 musicians renowned in the world of free improvisation: John Russell (guitar), Stefan Keune (sax) and Kris Vanderstraeten (percussion) at L'Archiduc in Brussel (Belgium).

**300 copies, 2019 stock** "Fantoom is a quartet that feature Dirk Serries, his wife, autodidact double bass player Martina Verhoeven (who is also a gifted photographer), drummer René Aquarius, and sax player Otto Kokke, both from the Dutch group Dead Neanderthals, with whom Serries played in their Endless Voids project on the 2014 edition of the Incubate festival in Tilburg, Netherlands.  The quartet debut album, is a free-improvisation affair that was recorded in studio in December 2014.  The …

* Edition of 300 * Performed by Colin Webster (alto saxophone), Andrew Lisle (drums) at Shrunken Heads Studio, London on 24th May 2019. Recorded and mixed by Senor Al Funklinos. Mastered at the Sunny Side Inc. Studio, Anderlecht (Belgium).

**300 copies** "Close | Quarters is a seven-track slice of often compacted and angular improv for viola and prepared chamber. The two players here are Benedict Taylor and Anton Mobin. Taylor is a British improviser / avant musician who has been active in the scene since the early 2000s releasing a good body of work, as well as becoming a respected name, and Frenchman Mobin has once again been active since the early 2000’s making a name for himself as both an improviser and sound artists.The albu…

**300 copies, 2019 stock** What self-taught musicians lack in education and (sometimes) technical prowess, many make up for with the need to carve out a space for themselves. Their trajectory is often like a perpetual motion of restless movements. Even among those musicians, Dirk Serries is a special case. Loyal to whoever he comes across, but a solitary seeker at the same time. An eternal outcast whose discography expands at a swift and steady pace, building an island entirely of his own, despi…

**300 copies** "Overall, especially on the over 35-minute Set 1, which perversely in placed last on the CD, the improvisations’ mooring is supplied by the brief, repetative but distinctive patterning of Belgian pianist Martina Verhoeven. Much like John Tilbury’s program with AMM, these continuous motifs are the reassuring signposts for the puffs, scratches, strums and plops contributed by Britons, flutist / alto saxophonist Colin Webster, violist Benedict Taylor and Graham Dunning using a snare …

**300 copies** "Tonus is a group that always contains Dirk Serries and his wife Martina Verhoeven, but otherwise seems to be an open membership group. Today, on Segment Tones, it is a trio. Serries plays accordion and soprano melodica (the latter I would believe for the first time), Verhoven is on concertina and cello and Colin Webster on clarinet and alto saxophone. Whatever the line-up of Tonus might be, I do believe they play slow and quiet music; music that is not in any way, shape or form, …

*300 copies limited edition* Disc One: Charlotte Keeffe (trumpet, flugelhorn) & Andrew Lisle (drums). A New Wave of Jazz live event : in concert at PlusEtage (Baarle- Nassau, The Netherlands) on April 29th, 2022. Recorded by Dirk Serries. Mixed and Mastered at the Sunny Side Inc. Studio, Anderlecht (Belgium). Disc Two: Stefan Keune (sopranino, alto sax) / Dirk Serries (archtop guitar) / Benedict Taylor (viola). A New Wave of Jazz live event: in concert at PlusEtage (Baarle- Nassau, The Netherlan…

A perfect matching for a free jazz collective piano trio, bringing frequent collaborators Argentinian pianist Paula Shocron and drummer Pablo Diaz, part of the SLD trio heard on Listen! Foundation and Hatology, together with NY bass legend William Parker, recording in NYC for four powerful improvisations of great technical prowess and attentive explorative interaction. The document you hold in your hands is a very special and beautiful document and for many reasons. There is a balance, an equili…

**500 copies** Rodrigo Amado and Chris Corsano need no introduction. No Place to Fall is a studio recording from July 2014 at Manouche Studios, Lisbon. The title of this album captures faithfully the urgent and restless atmosphere of this meeting. Amado and Corsano soar instantly into dense, turbulent stratosphere like there is no tomorrow. Both play with boundless energy, relying on their deep understanding of the art of the moment and super-fast instincts. They fill the room with their busy, m…

"The multifaceted drummer Chad Taylor, who proves to be as much virtuosic as practical in his chops, returns with his bass-less trio - featuring saxophonist Brian Settles and pianist Neil Podgursky - for a sophomore album whose program is a jewel. As a sideman, the drummer has been contributing to some of the most compelling projects by the Chicago Underground Quartet, saxophonists Avram Fefer and James Brandon Lewis, and bassist Eric Revis, just to name a few. He brings two of his own compositi…

*20 copies ultra limited edition* Recorded at Jazz Union Tbilisi late spring and early summer 2023. Mixed by Mårble at Marble house studio. Mårble - drums, modular fx. Dolphin Hospital - grand piano, modular fx. Each copy designed differently containing an all-unique collage.

It is a few minutes after ten-thirty on Monday evening, February 17, 1969, in Ronnie Scott’s, 47 Frith Street London W I. On this particular Monday at Ronnie’s something special is about to happen. A new attraction is to begin a two-week engagement at the club, and this attraction is out of the ordinary. The word has got around, from people who have seen one of the concerts which preceded this opening and others who know the band from records or foreign festivals, that this is a team not to be m…

It is a few minutes after ten-thirty on Monday evening, February 17, 1969, in Ronnie Scott’s, 47 Frith Street London W I. On this particular Monday at Ronnie’s something special is about to happen. A new attraction is to begin a two-week engagement at the club, and this attraction is out of the ordinary. The word has got around, from people who have seen one of the concerts which preceded this opening and others who know the band from records or foreign festivals, that this is a team not to be m…

**Limited edition of 100 copies** “I am not sure if with the double bass there are various types, like with the guitar, but none is mentioned on the cover or the fact if this is a mono recording. The latter probably not. It was recorded in the spacious surrounding of the old church in Oud-Charlois, which is a part of Rotterdam and home to a few great concerts, some of these involving the church organ housed there. Goncalo Almeida stuck to his bass. We know him for his one-off collaboration with …

*2024 reissue* Transversales Disques proudly presents Rahsaan Roland Kirk - Live in Paris (1970). Gifted multi-instrumentalist Rahsaan Roland Kirk at the height of his powers, backed by his Vibration Society, including long-term cohorts pianist Ron Burton, powerhouse percussionist Joe Habao Texidor, Dick Griffin on trombone, drummer Jerome Cooper and Vernon Martin on Double Bass. First ever official reissue of this rare ORTF recording performed live at studio 104, Maison de la Radio Paris, with …

*In process of stocking* We are beyond thrilled to present the latest from South African drummer / cultural worker / organizer Asher Gamedze.  I'm sure many of you are familiar with his incredible debut Dialectic Soul (On The Corner, 2020) or his work with Angel Bat Dawid and Tha Brothahood, and we're happy to unveil another side of Gamedze's work with out side work | two duets.  out side work | two duets is a very literal album as the album features Gamedze in a conversation of sorts, a recordi…

*Limited edition of 500 copies.* Coming on vinyl is a noteworthy release from guitarist Tashi Dorji and percussionist Susie Ibarra. Master of Time is a live performance commissioned for the exhibition of Bardo Now, The Second Buddha: Master of Time at the Tang Teaching Museum during a residency on April 16-18, 2019. Vinyl contains the tracks "Confluence" and "The Way of the Clouds".

There’s a big clue to the pacific wisdom of The Orchestra in the Sky in the artist name – Hochzeitskapelle + Japanese Friends. For this is, indeed, music based in, and resonating with, friendship, camaraderie, collaboration, and creative exchange. Across two albums – one documenting recordings from Tokyo, the other an expansive double album of sessions from Kobe – Hochzeitskapelle gather around them some of the finest voices in Japanese independent and underground pop music, like Tenniscoats, Ed…

There’s a big clue to the pacific wisdom of The Orchestra in the Sky in the artist name – Hochzeitskapelle + Japanese Friends. For this is, indeed, music based in, and resonating with, friendship, camaraderie, collaboration, and creative exchange. Across two albums – one documenting recordings from Tokyo, the other an expansive double album of sessions from Kobe – Hochzeitskapelle gather around them some of the finest voices in Japanese independent and underground pop music, like Tenniscoats, Ed…

There’s a big clue to the pacific wisdom of The Orchestra in the Sky in the artist name – Hochzeitskapelle + Japanese Friends. For this is, indeed, music based in, and resonating with, friendship, camaraderie, collaboration, and creative exchange. Across two albums – one documenting recordings from Tokyo, the other an expansive double album of sessions from Kobe – Hochzeitskapelle gather around them some of the finest voices in Japanese independent and underground pop music, like Tenniscoats, Ed…

An innovative and idiosyncratic pianist, Thelonious Monk has been hailed as one of Be-Bop’s founding figures, with unexpected melodic shifts and dramatic hesitation hallmarks of his work. Monk By Five is one of the lesser-known sessions recorded for Riverside in the late 1950s and is one worthy of a wider audience; it features the bright swing of the new ‘Jackie-ing’ and the more dissonant ‘Played Twice,’ alongside engaging revisits of ‘Straight No Chaser,’ ‘I Mean You’ and ‘Ask Me Now,’ the int…