New Arrivals

"Wewantsounds is delighted to continue its series of reissues of Akiko Yano albums with the release of her third album, To Ki Me Ki, recorded in New York in 1978. The album is the follow-up to Iroha Ni Konpeitou, and features the same mix of Japanese pop with New York jazz funk, featuring such luminaries as Rick Marotta, Will Lee and David Spinozza. Programmer Hideki Matsutake also joins Akiko and Yellow Magic Orchestra on their international tour the following year. Together, Akiko and her musi…

A single saxophone, a glockenspiel, two microphones, a zoom recorder. These are the materials Patrick Shiroishi brought down with him late one night into the cavernous parking structure below a hot pot restaurant in Monterey Park. It was around 1:30AM; the spot was not too far from where Shiroishi grew up, a blank slate shown to him by his dear friend, Noah Klein. A vacant space for a new kind of collaboration—between saxophone and silence, between noise and reverberation, between negative space…

*200 copies limited release* In the opening moments of Grasshopper Republic, composer and sound artist Robert Aiki Aubrey Lowe (Candyman / Master / Telemarketers) soundtracks images of hands rubbing, counting, and exchanging thousands and thousands of Uganda banknotes are juxtaposed with a heap of grasshoppers escaping or overflowing from a hole in a woven basket. Underscoring this is a rising tide of crystalline tones that hover from the high frequencies of the right into the deafened space of …

On 'Der Ferne', Phil Struck intricately weaves an abstract tapestry of textures, incorporating elements reminiscent of Hassellian-like sounds and multi-textured dubby soundscapes, a testament to the musician's getaways from urban life, journeying in the heart of nature. The music's warm and concise amalgamation of audio fragments lends it an ineffable quality, evoking hazy, sun-drenched memories, while the radiating reminiscences of the natural world invite contemplation of its true essence, rem…

"Four seasoned musicians improvised for an hour-long in 4 long and longer pieces. The shortest is eight minutes, and the longest is twenty minutes. Accordion (Claude Parle), modular synth (Jean-Marc Foussat), percussion (Makoto Sato), saxophone (Quentin Rollet) and sometimes voice create a riveting sound world. The title translates as space in this case and is very apt. Makato Sato has played with Alan Silva, Linda Sharrock, and Joe McPhee. Claude Perle has played with Don Cherry, among many oth…

"Here we have two discs, received in the same parcel and which share a love for electronics and saxophones. I am never too fond of lumping things together, but it, in this case, is hard to avoid. Duncan Pinhas was born in 1979 and is a guitarist (any elation to Richard Pinhas is not mentioned), while Yerri-Gaspar Hummel (1982) plays the saxophone. Both musicians have a background in serious (read: composed) music and met "around the composer La Monte Young", as the bio says. I found the opening …

A musical version of legendary Italian designer and artist Enzo Mari's rare book The Function of Esthetic Research (1970), singed by a computer-aided software.

Parts of Some Sextets, Yvonne Rainer’s 1965 performance for ten people and twelve mattresses, represents a turning point in the American choreographer’s oeuvre. “My mattress monster,” as Rainer calls it, was built in her formative years with the experimental downtown New York group Judson Dance Theater. In this work, she asserted her exploration of “ordinary” actions as well as her disregard for narrative constructions to create an intricate choreography that unfolded with a new scene every thir…

Norwegian drummer/composer Gard Nilssen debuts on We Jazz Records with his major new album “Family” with the 17-piece Supersonic Orchestra. A veritable who’s who of Scandinavian jazz (and beyond), the Supersonic Orchestra is one of the most exciting large groups in the current international jazz circuit. Captured at Mondriaan Jazz Festival in Den Haag, Netherlands, “Family” presents the ensemble in top form across the 8 tracks, all of which are original compositions by Gard Nilssen and André Rol…

Berlin-based Swedish bassist and producer Petter Eldh returns with a new Koma Saxo album Post Koma, out on We Jazz Records, 10 November. The title Post Koma aptly describes the vibe of this one: The Koma Saxo sound continues its evolution, morphing into a holistic vision of jazz now and soon, where live instrumentation and repurposed sampling lose their boundaries. Over the course of its three iterations (self-titled debut in 2019, LIVE in 2020, Koma West in 2022) Koma Saxo has sounded at times …

Tip! A radiant manifesto of artistic freedom, fLuXkit Vancouver (i̶t̶s suite but sacred) brings together a composition in four movements written and performed by Jones on alto saxophone, long-time collaborator Gerald Cleaver on drums, and four Vancouver-based string musicians: violinists Jesse Zubot and Josh Zubot, cellist Peggy Lee and bassist James Meger; with original artwork by Stan Douglas and liner notes by poet Harmony Holiday. Commissioned by Western Front, an artist-run center for multi…

Tip! “… extreme existentialism, an act of pure and unadulterated audio commentaries about old age, the transformation of libido and the irreversible path to death … naked and raw as spilled guts, while sophisticated as a post-sociology tome, an exercise in psychology dissection… deadly / funnily serious and fully unpredictable… voices explodes like dying worms and howling monsters, noises like falling stars and sudden earthquakes, frequencies like injected poisons and rumbling cascades… words in…

*2023 stock. 300 copies limited release* Composed and played during summer 2020. Recorded at NGHE (Brussels) between september '20 and march '21. Mix by Valentin Noiret with acurate advices from SSM. Mastering by Manuel Duval. Artwork by Fanny D. Touchemoulin. Layout by Todesangst

*2023 stock* "More than 20 years have passed since the inaugural reference on Night On Earth and the first volume of the "Chorologie" series, an anthology imagined by the Fougère label to celebrate the creative experiences of a sound explorer determined to abolish borders. Two decades during which Tzii has never ceased to defy the established rules or to invent his own, and above all to do a lot with a little by pushing sounds and senses into limited states. In 25 tracks spread over two discs ec…

Intuition Negation - Musiques pour films is the latest release of Fusiller on the French imprint Fougère.

Tip! Recorded in 2022 in Carpe (Hotel Cidnay). Santo Tirso, Portugal.  RRR is :Rui Leal & Pierre Pierre Pierre

Alto & Baritone saxophone solo in circular breathing • ArtworK, Music composed and performed by Yohan Dumas • Recorded and mixed by Bertrand Fraysse at La Mami • 2022 • Mastering by Matt Tche • With the help and support of the labels Scolopendre & la Loutre par les cornes • «Fuite» recorded with Maelys Rebuttini for the World bike speed records on snow by Eric Barone • To my grandmothers, my mother, Laure, and the baby marmots

*300 copies limited edition* "Come October" is the sixth album from Himukalt, the solo project of Nevada-based Ester Kärkkäinen. Originally released as a tape in 2018 (Found Remains), this is the first time on vinyl for the album, and comes with additional 3 tracks based upon source material from the Come October sessions, making up the entire second platter. Remastered for vinyl by Grant Richardson. "With a sound that is rough and decidedly gritty, the analogue derived tones are soot and rust i…

New project by Apolline Schöser (half of Nina Harker) & Thomas Coquelet. Apolline & Thomas have been performing since 2022 under the Kou guise with 24 electronic harmoniums. Producing dense layers of tones & overtones. On their debut album Kou steers in another direction. The harmonium appears occasionally, but more prominent are delicate guitar pluckings, distant vocal effects, synths, flutes, piano strokes, a touch of musical magic and Apolline’s jazz not jazz vocals. As soon as the needle dro…

Tip! LP release by Fougère honcho Kévin Orliange. Repetitive music made with tape loops, which tell the bad weather and deep industrial forest of the place where he lives called Le Plateau de Millevaches (who inspired Deuleuze and Guattari's Mille Plateaux).

Here Lies is the solo tape release on Fugère by lapsteel player Michel Henritzi. Recorded & mixed by Kevin Le Quellec in Metz, May 2022. Painting by Olivier Bringer

*120 copies limited release* Collaboration between Alexandre Chanoine and Fougère founder Kevin Orliange (Moineau Ecarlate).

Architectural futurism. 8.0 is Simon Deterne and Gerardmer 2091 is his latest release on the French imprint Fougère.

Revision, Mario Lino Stancati's third release with Unexplained Sounds Group, unveils a captivating series of recordings spanning the years 2017 to 2021. While some of these tracks have graced podcasts and digital compilations, they have never before been available on CD. This extensive body of work illuminates the electronic and concrete music facets of Stancati's artistic journey, complemented by daring explorations into field recordings, vocal anomalies and electronic innovations. “Revision” w…

"Rare & Lost Tapes" is a compilation of singles by the renowned band Cortex that were never put on an album. This album collects previously unpublished and rare songs such as "Les Oiseaux Morts" (Alternative Take 76), which was only available as a test pressing, "Mary & Jeff" (Fender Rhodes Version 77) recorded for TV, and "Californie" & "Stevie" issued for the Side Project Caribou as 7". This iconic set by Cortex is a classic example of jazzy funky fusion from the French scene of the 1970s, wit…

Fumio Karashima, who was active in Jazz Machine led by Elvin Jones, recorded this work in 1981 when he returned to Japan. The trio is led by George Otsuka, the drummer who gave Kashima his breakthrough, and Richard Davis, the famous bassist from Chicago, and their performance is the most attractive of all. Kashima's piano is vivid and fresh, like a fish moving in a large current.

In contrast to their previous work "Impact", which had a large ensemble, they welcomed Kazutoki Umezu as a guest and performed a relaxed performance with a small ensemble. A masterpiece released in 1986, which he himself admits was a really good one, with an effortless performance (from the LP liner). What shines is the trio composition of "Alicante" and "Don't Say Goodbye," a masterpiece that allows you to enjoy Itabashi's singing spirit. "Don't ~" can be said to be an answer song to the popula…

*2023 stock. 50 copies limited edition* Tad is back! His first tape since 2015's slew of cassingles. These five songs (15 minutes) contain his classic weirdo keyboard-driven experimental pop sounds. Now known as Sir Tad (he got tired of grunge fans complaining), this EP "Sir Tad Goes Deeper & Deeper" spans five songs of slow, bubbly keys and syrupy dubby samples. A mix of songs recorded this past winter and some from back in his Oakland days circa 2014. Enjoy this short EP while he works on more…

*2023 stock. 100 copies limited release* "“Warmth and woozies,” that’s what Meadow Argus is made of! Tynan Krakoff of Columbus, OH recently revived that ol’ solo moniker for a followup to his tape from over five years ago. And yeah, there’s already a Meadow Argus III on the way! But today, we’re looking at the Meadow Argus II self-release from back in April. It’s a simple C35 kind of affair; one that is legitimately keeping me on edge as I type this up. You see, I recently swapped boomboxes and …

*2023 stock. 50 copies limited release* Fresh off their April cassette, Meadow Argus returns with "III," 34 minutes of tape manipulation soundscapes in an arrid region that was once a lush forest. Tape loops made from field recordings collected in Summer 2009 while on a freight trainhopping journey up & down the west coast. Backwards metallic drum circles unspool into industrial muck of monsters struggling. There is no water in the fountain but that doesn't stop the mirage. Side A contains eight…

*2023 stock. 100 copies limited edition* "I’ve been a big fan of Tynan Krakoff’s Meadow Argus project for a while now, but Peristera is my favorite album so far. Dust-covered loops tug at memories buried deep in our subconscious, coaxed out by operatic samples and the increasing glassine electronics. Urgency fights against a current of clanging, broken down chimes and toy piano skeletons. Krakoff has an uncanny ability to push old, broken-down sounds up an ever-rising, the palette continuing to …

*2023 stock. 37 copies limited release* "The first side of the new Meadow Argus tape has unsettling creaking and crunching noises and looped layers of decayed piano melodies, turning potential distractions and irritants into something oddly comforting. The best part is the last few minutes, when it turns into a gentler ambient part that could almost be an outsider house track stripped of its beats and left outside to dry in the breeze. The other side incorporates clips from what I assume must be…

*32 copies limited release* "[This] Meadow Argus tape is the project’s most evocative recording yet, making the listener feel like a stowaway on a haunted ship on the path to total disappearance from civilization. The album extensively incorporates field recordings run through a delay pedal, with the first stretch of the first side taken from the banks of the Ohio river under a bridge, while a spooky backwards voice bleeds through from the other side of the master tape. Then there’s “It’ll heal …

*27 copies limited edition* "The newest Meadow Argus tape melds his usual field recordings and tape loops with a particularly soothing set of organ drones, possibly made by a harmonium. The fuzzy organ rolls throughout, and cheerful conversations, birds chirping, and thickets full of insects enter the sound-picture. It’s all a pleasant stroll that gradually gets trippier, as you realize when a crowing bird echoes deep into the ether, and other sounds feel out of balance. The second side gets par…

Tapes, field recordings, synth and other tape manipulation magic. Recorded 2022 at Lilleypad Studios, Ohio. Art by Pearl Morgan/Purple Akronym

Seikatsu Kōjyō Iinkai (Committee for the Improvement of Life) began its activities in the early 1970s, led by Kazutoki Umezu and Yoshiyuki Harada. Many musicians came and went and engaged in multifaceted activities, but one of the pillars was the so-called Life Improvement Committee (Matsugumi), centered on Koichi Shofaze. This work, recorded live in Masuda City, Shimane Prefecture, is the only work left by Matsugumi with the same members. The saxophone cuts like a knife into the solid trio's pe…

The Japanese jazz cult work is one of the most popular Japanese jazz collectors around the world, including Tetsu Aizawa quartet and Yukasasasa Hino, and the original Jazz Rality series has been released as the world's first CD. As a musician, the prestigious Independent Jazz Label and Acetaz's Disc was reissued in the early 23 works of the famous Tokyo independent Jazz Label, and Acetaz's Disc. 11 of the 12 pieces released as the first release was released in the world for the first CD. These c…

*2023 much needed repress!* Reiko Kudo first appeared on the Tokyo underground music scene in 1980 with Noise, a duo which consisted of Tori Kudo on organ and herself (then under her maiden name Reiko Omura) on voice, guitar and trumpet. Their only album "Tenno" (1980 on Engel) is probably one of the most outstanding and uncompromising records of all time. Besides other pioneering female producers from Japan such as Non (of Non Band), Phew and Haco, who all had started their startling careers in…

CD reissue of Eiji Nakayama’s incredible 1978 album, a crate diggers dream find for many years, this is deep spiritual jazz, post-modal impressionism and grooves at the top

Dive into the brilliance of 1970s Japanese jazz with this exceptional bass-led trio session. While piano trios had their spotlight, the bassists led equally enchanting ensembles. Eiji Nakyama's bass takes center stage, weaving lyrical lines complemented by energetic guitar and drums. The album seamlessly blends straight jazz and modal explorations, showcasing creativity without gimmicks. A testament to Japanese jazz greatness, this session stands out for its dynamic and innovative approach.