We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
“Loss has been a constant (in my life), and I wanted to express a deep acceptance of this, but also a pervasive feeling that these kinds of sadnesses are what beauty is derived from, that it doesn't come from perfection. I find the idea of perfect beauty completely banal. Tension matters.” - Anenon
Norwegian drummer/composer Gard Nilssen debuts on We Jazz Records with his major new album “Family” with the 17-piece Supersonic Orchestra. A veritable who’s who of Scandinavian jazz (and beyond), the Supersonic Orchestra is one of the most exciting large groups in the current international jazz circuit. Captured at Mondriaan Jazz Festival in Den Haag, Netherlands, “Family” presents the ensemble in top form across the 8 tracks, all of which are original compositions by Gard Nilssen and André Rol…
Berlin-based Swedish bassist and producer Petter Eldh returns with a new Koma Saxo album Post Koma, out on We Jazz Records, 10 November. The title Post Koma aptly describes the vibe of this one: The Koma Saxo sound continues its evolution, morphing into a holistic vision of jazz now and soon, where live instrumentation and repurposed sampling lose their boundaries. Over the course of its three iterations (self-titled debut in 2019, LIVE in 2020, Koma West in 2022) Koma Saxo has sounded at times …
Tip! A radiant manifesto of artistic freedom, fLuXkit Vancouver (i̶t̶s suite but sacred) brings together a composition in four movements written and performed by Jones on alto saxophone, long-time collaborator Gerald Cleaver on drums, and four Vancouver-based string musicians: violinists Jesse Zubot and Josh Zubot, cellist Peggy Lee and bassist James Meger; with original artwork by Stan Douglas and liner notes by poet Harmony Holiday. Commissioned by Western Front, an artist-run center for multi…
Tip! “… extreme existentialism, an act of pure and unadulterated audio commentaries about old age, the transformation of libido and the irreversible path to death … naked and raw as spilled guts, while sophisticated as a post-sociology tome, an exercise in psychology dissection… deadly / funnily serious and fully unpredictable… voices explodes like dying worms and howling monsters, noises like falling stars and sudden earthquakes, frequencies like injected poisons and rumbling cascades… words in…
*2023 stock. 300 copies limited release* Composed and played during summer 2020. Recorded at NGHE (Brussels) between september '20 and march '21. Mix by Valentin Noiret with acurate advices from SSM. Mastering by Manuel Duval. Artwork by Fanny D. Touchemoulin. Layout by Todesangst
*2023 stock* "More than 20 years have passed since the inaugural reference on Night On Earth and the first volume of the "Chorologie" series, an anthology imagined by the Fougère label to celebrate the creative experiences of a sound explorer determined to abolish borders. Two decades during which Tzii has never ceased to defy the established rules or to invent his own, and above all to do a lot with a little by pushing sounds and senses into limited states.
In 25 tracks spread over two discs ec…
Alto & Baritone saxophone solo in circular breathing • ArtworK, Music composed and performed by Yohan Dumas • Recorded and mixed by Bertrand Fraysse at La Mami • 2022 • Mastering by Matt Tche • With the help and support of the labels Scolopendre & la Loutre par les cornes • «Fuite» recorded with Maelys Rebuttini for the World bike speed records on snow by Eric Barone • To my grandmothers, my mother, Laure, and the baby marmots
*300 copies limited edition* "Come October" is the sixth album from Himukalt, the solo project of Nevada-based Ester Kärkkäinen. Originally released as a tape in 2018 (Found Remains), this is the first time on vinyl for the album, and comes with additional 3 tracks based upon source material from the Come October sessions, making up the entire second platter. Remastered for vinyl by Grant Richardson. "With a sound that is rough and decidedly gritty, the analogue derived tones are soot and rust i…
New project by Apolline Schöser (half of Nina Harker) & Thomas Coquelet. Apolline & Thomas have been performing since 2022 under the Kou guise with 24 electronic harmoniums. Producing dense layers of tones & overtones. On their debut album Kou steers in another direction. The harmonium appears occasionally, but more prominent are delicate guitar pluckings, distant vocal effects, synths, flutes, piano strokes, a touch of musical magic and Apolline’s jazz not jazz vocals. As soon as the needle dro…
Tip! LP release by Fougère honcho Kévin Orliange. Repetitive music made with tape loops, which tell the bad weather and deep industrial forest of the place where he lives called Le Plateau de Millevaches (who inspired Deuleuze and Guattari's Mille Plateaux).
Here Lies is the solo tape release on Fugère by lapsteel player Michel Henritzi. Recorded & mixed by Kevin Le Quellec in Metz, May 2022. Painting by Olivier Bringer
Revision, Mario Lino Stancati's third release with Unexplained Sounds Group, unveils a captivating series of recordings spanning the years 2017 to 2021. While some of these tracks have graced podcasts and digital compilations, they have never before been available on CD. This extensive body of work illuminates the electronic and concrete music facets of Stancati's artistic journey, complemented by daring explorations into field recordings, vocal anomalies and electronic innovations. “Revision” w…
"Rare & Lost Tapes" is a compilation of singles by the renowned band Cortex that were never put on an album. This album collects previously unpublished and rare songs such as "Les Oiseaux Morts" (Alternative Take 76), which was only available as a test pressing, "Mary & Jeff" (Fender Rhodes Version 77) recorded for TV, and "Californie" & "Stevie" issued for the Side Project Caribou as 7". This iconic set by Cortex is a classic example of jazzy funky fusion from the French scene of the 1970s, wit…
Fumio Karashima, who was active in Jazz Machine led by Elvin Jones, recorded this work in 1981 when he returned to Japan. The trio is led by George Otsuka, the drummer who gave Kashima his breakthrough, and Richard Davis, the famous bassist from Chicago, and their performance is the most attractive of all. Kashima's piano is vivid and fresh, like a fish moving in a large current.
Much-Needed repress * Limited edition. Gatefold Cover, quality vinyl pressed at RTI. Includes a four-page insert with liner notes by La Monte Young, Charles Curtis, Anthony Burr, and Tashi Wada * Saltern's latest offering marks the first-ever release of "lost minimalist" Terry Jennings' visionary 1960 composition, Piece for Cello and Saxophone, as arranged in just intonation by legendary composer La Monte Young for renowned cellist Charles Curtis. Born in Los Angeles in 1940, Jennings was a clos…