The six songs that comprise Jon Mueller's Death Blues are each their own doorway to both a bold new musical statement from the renowned drummer/percussionist and an unprecedented journey into a conscious contemplation of death -- and the life that surrounds it. Released in tandem with a multi-part manifesto, Death Blues transcends its own existence as a 34-minute, earth-cracking rock album. Much like Mueller, whose landmark solo work stands alongside his role in notable bands Volcano Choir (and previously, Collections of Colonies of Bees), Death Blues embodies the acknowledgement that there's more to experiencing music than simply just listening. Conceived and largely executed in its recorded form by Mueller himself -- adding hammered acoustic guitar and bold vocal patterning to his ever-evolving mastery of percussion -- Death Blues is audibly (and intensely) personal. However, the very act of recording was the first step in a discourse that Mueller began over a year ago, forming a band of brilliant performers from his Milwaukee, WI hometown that would go on to perform Death Blues at Hopscotch Music Festival in Raleigh, NC and at two sold-out Death Blues events in Milwaukee, where a labyrinth led the audience into a multi-sensory and participatory experience culminating in a climactic performance of the album. It was as close as one could get to being next to Mueller at that moment of discovery: of the inevitability of death as the impetus to become more present in each moment and of the necessity of building his own path to sharing that idea. Death Blues is being collaboratively released by Taiga and Hometapes and is available as a limited edition LP packaged in a deluxe litho-wrapped jacket that includes the Death Blues manifesto; 500 hand-numbered copies of the highest fidelity pressed on 200 gram virgin vinyl.