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Lucky Restock - Limited Quantities. Please note: these are original copies that may show minor sleeve wear due to long-term storage. The vinyl is in excellent condition. Issued in 1997 by the Italian label Plastic Records, Harlem Shuffle collects fou…
Gryphon's 2018 comeback, their first studio album in 41 years: Brian Gulland, Graeme Taylor and Dave Oberlé joined by Graham Preskett, Andy Findon and Rory McFarlane, with the crumhorns and the humour intact.
Gryphon's fourth album from 1975, more song-based and electric, with Malcolm Bennett on bass and flute, a Beatles cover, Mellotron and Minimoog, and the 16-minute (Ein Klein) Heldenleben by Richard Harvey closing the record.
Gryphon's third album, from 1974: four long instrumental movements named after the moves of a chess game, joining crumhorn, bassoon and recorders to electric keyboards and rock drums. Toured in support of Yes.
Gryphon's second album from 1974, built around the 19-minute title piece by Richard Harvey, which grew out of the band's music for Peter Hall's National Theatre staging of The Tempest. Early music meets prog.
The 1973 debut of Gryphon, the London quartet that played medieval and Renaissance dances, folk songs and originals on crumhorns, recorders, bassoon, harpsichord and guitars. A key early music folk rock record.
Live set by Bruford recorded in July 1979 in Roslyn, New York, for WLIR radio, with Bill Bruford, Dave Stewart, Jeff Berlin and 'the unknown' John Clark on guitar after the departure of Allan Holdsworth.
Caravan's 1982 album, which brought the four original members back together: Pye Hastings, Richard Sinclair, Dave Sinclair and Richard Coughlan, recorded at home in Herne Bay, Kent, with Mel Collins on saxophone.
Caravan's 1977 album for Arista, produced by Tony Visconti: concise songs by Pye Hastings, Geoffrey Richardson and Jan Schelhaas, with Dek Messecar on bass and guests Vicki Brown on vocals and Fiona Hibbert on harp.
Shingetsu's later studio record: songs the Japanese symphonic rock band wrote before splitting in 1981, recorded long after the fact and released by Belle Antique in 2016, with the 1979 demo of a key piece.
A Bi Kyo Ran concert recorded at the Bourbon House in Osaka on 22 March 1983 by the trio of Kunio Suma, Masahide Shiratori and Masaaki Nagasawa: four long pieces including the suite Ran and the sixteen-minute Double.
The 2019 album by Celeste, the Sanremo group revived by Ciro Perrino more than forty years after its 1976 debut: pastoral, Mellotron-rich Italian prog with flutes, cello and saxophones, with a bonus track for Japan.
The only album by the Florentine band Campo di Marte, released by United Artists in 1973: a seven-part suite where heavy electric guitar meets flute, French horn and Mellotron, a lesser known high point of Italian prog.
The only album by the Rome band Murple, released on BASF in 1974: a two-part concept suite about a penguin travelling from the pole to a zoo, keyboard-led Italian prog with four bonus tracks including a 1973 live recording.
The 1974 debut by Biglietto per l'Inferno from Lecco, issued by Trident: dark, hard-hitting Italian prog with two keyboard players, flute and the theatrical voice of Claudio Canali, among the most sought-after records of the genre.
The only album by the Milan group Maxophone, released by Produttori Associati in 1975: Italian symphonic prog where rock band, horns, harp and strings meet jazz and classical writing, with the two songs of the later single as bonus.