In Glow of Like Seclusion
Samuel Andreyev’s music is incredibly varied, from the sparse resonance of the Sonata da Camera, the ‘cartoon music’ – as the composer puts it -of Vérifications, characterised by primary colours and strong instrumental timbres; the Sextet in Two Parts which in contrast focuses on minute timbral shadings; and of course the cantata for solo voice and ensemble which is the title track of the album.
Performed by Ensemble Proton Bern, conducted by Luigi Gaggero with the magical soprano voice of Peyee…
With love
Georgia Denham (b.1997) draws on anecdotal experience to create her music. She studied with Andrew Hamilton at Royal Birmingham Conservatoire and now with Richard Causton at the University of Cambridge for her PhD. She lives with her husband, a theoretical computer scientist, and their many beloved plants. “This collection of chamber music from 2018–2022 wakes scores I thought were long since sleeping, where I first learned to write the delicate sounds I loved. With music written during my studi…
Supports & Surfaces
Paolo Griffin is a composer and curator based in Toronto/Tkarón:to whose music has been described as placing “… the listener in a kind of sonic microgravity” (PANM360) and as “…uncompromising and thoroughly engrossing.” (LvT). Paolo’s work involves ongoing research about the sounding and perception of microtonal rational intonation (Just Intonation) combined with a rigorous, process-based approach to sonic form and structure. The work he creates explores the creation of colour/shading/densities …
Ricercari for rainy days
Eden Lonsdale is a composer of acoustic music living and working between London and Berlin. His music focuses on exploring the various ways that movement and stasis can co- exist, as well as the inter-connectedness of harmony, timbre, melody and rhythm. Often using very limited materials, his dense and immersive sound-worlds attempt to draw the ear into the smallest details and hope to inspire the listener’s self-guided exploration into the music’s manifold layers. The three pieces from this alb…
Bodies of Water
Sarah Hennies (b. 1979, Louisville, KY) is a composer and percussionist based in upstate New York whose work is concerned with a variety of musical, sociopolitical, and psychological issues including queer & trans identity, psychoacoustics, and the social and neurological conditions underlying creative thought. She is primarily a composer of acoustic chamber music, but is also active in improvisation, film, and performance art. She is the recipient of a 2019 Foundation for Contemporary Arts Gran…
Kinesis, Vol. 2
In 2021, the Galan Trio – an epic classical piano trio hailing from Athens – built a bridge from Greece to the USA in the form of ten new works for piano, violin, and cello from composers based in the Southeast and Northeast. The project, aptly named Kinesis, met with such acclaim that their odyssey now continues with another phase: twelve commissioned works covering the Midwest and South Central states. Praised by Fanfare magazine for the “open ears and flexibility they display in so many idiom…
The Night Shall Break
Violinist, Hanna Hurwitz, is a musician who champions the very latest contemporary classical works – she is a member of Chicago’s cutting-edge Grossman Ensemble and Ensemble Dal Niente after all – but she is equally at home among solo and chamber works from past eras. For this album, she goes back one hundred years into neglected jewels of the repertoire from that time, bringing her fresh perspective to current ears. She writes, “I wanted to highlight my orientation toward collaboration through …
Curva Triangulus
'Curva Triangulus' is a superb composition from 2021 by Catherine Lamb, written for and played by Ensemble Proton, who are based in Bern, and have access to some of the unusual instruments used in piece, including arciorgano, baroque triple harp, lupophone and contraforte. More details about the piece can be found in Catherine Lamb's and Richard Haynes's sleevenotes, which are included as bonus items with the music.
Outermost Melodies
Double CD of percussion works by Jürg Frey, featuring definitive recordings of works composed between 1994 and 2022. Performed by Ian Antonio, with members of Talujon percussion ensemble on one track. Comes with a pdf of the cover artwork, plus jpegs of the photos used on the cover, and an interview with Ian Antonio about the music
Nieuw Amsterdam New York
If music grows out of a sense of place, then it follows that related places might have related musics. That idea is the springboard for this album that nods at 400 years of links between two vibrant cities. When the Dutch founded Nieuw Amsterdam in the 17th century, they provided the impetus for the growth of a city that shared many values of its model. The multitude of languages, ethnicities and nationalities, as well as an atmosphere of religious tolerance, made for an astounding uniqueness of…
River of January
The journey of River of January began in early 1969, when as a freshly arrived 14-year-old from Los Angeles, standing by the ocean in Rio de Janeiro [transl., River of January], Rick Baitz heard a crescendo of rhythmic chanting, followed by a parade of women sashaying down the sidewalk, joyfully singing and swaying to the beat of their own samba. He didn’t know at the time that one day he would write a piece honoring the name of that city, but In 1991 he was commissioned by The Juilliard School …
Archipels
*2024 stock* bastille musique presents its twenty-fifth release »Saunders, Boucourechliev, Clarke, Riehm: Archipels« featuring world premiere recordings by Nicolas Hodges (piano). The album combines new works for piano by Rebecca Saunders, James Clarke and Rolf Riehm with three different interpretations of André Boucourechliev’s open form composition Archipel 5d from 1970. In addition to the recordings produced by the SWR, it also contains a 48-page bilingual booklet (EN, DE) with articles by Ni…
Eonta
*2024 stock* bastille musique presents its twenty-third release »Iannis Xenakis: Eonta« featuring recordings by Ensemble Schwerpunkt, Lorenzo Soulès (piano), Edicson Ruiz (double bass), Dirk Rothbrust (percussion) und Peter Rundel (conductor). The album includes Iannis Xenakis’s music for brass from four decades, from Eonta (1963-1964) to Linaia-Agon (1972), Khal Perr (1983) and Mnamas Xapin Witoldowi Lutosławskiemu (1994), amongst others. In addition to the recordings produced by the WDR, it al…
Brigitta Muntendorf: Trilogie
*2024 stock* bastille musique presents its twenty-second release »Brigitta Muntendorf: Trilogie« featuring world premiere recordings by the GrauSchumacher Piano Duo. The album includes both the Trilogie für zwei Flügel, produced by the WDR, and the respective films of Theater des Nachhalls, a concert installation for multichannel video and audio. In addition to the recordings and the films, the set also contains a 52-page bilingual booklet (EN, DE) with articles by Dirk Wieschollek and an interv…
Hugues Dufourt, ensemble recherche, WDR Sinfonieorchester Köln, Ensemble Nikel, Remix Ensemble, Yaron Deutsch, Nicolas Hodges
Hugues Dufourt: Surgir bastille musique presents its twenty-seventh release »Hugues Dufourt: Surgir« featuring world premiere recordings by ensemble recherche, WDR Sinfonieorchester, Ensemble Nikel, Remix Ensemble, Yaron Deutsch (electric guitar) and Nicolas Hodges (piano). Produced by the WDR, the recordings comprise Dufourt’s complete Tiepolo cycle (2004-2016), selected works for orchestra and piano (1980-2012) as well as all compositions for and with electric guitar (1986-2022). Additionally, the box set includes a…
Helmut Lachenmann: Mes Adieux
Tip! bastille musique presents its twenty-ninth release »Helmut Lachenmann: Mes Adieux« featuring Trio Catch, trio recherche, Karolina Öhman (cello), WDR Sinfonieorchester and Lin Liao (conductor). With Notturno (1966-1968), Allegro sostenuto (1986-1988) and the world premiere recording of Mes Adieux – Streichtrio Nr. 2 (2021-2022), the album brings together three outstanding works by Lachenmann from three different creative periods. The WDR recordings are complemented by a 48-page bilingual boo…
Borowski, Holz, Keller: Klangrede
*2024 stock* bastille musique presents its fourth release »Borowski, Holz, Keller: Klangrede« featuring world premiere recordings by the Zafraan Ensemble and Titus Engel (conductor). Produced by the SWR at the Hans-Rosbaud-Studio, the recordings comprise two works each by Johannes Boris Borowski, Eres Holz and Stefan Keller. The set also contains a 56-page bilingual booklet (EN, DE) with articles by Clemens Hund-Göschel, Eckhard Weber and an interview with the Zafraan Ensemble, as well as four c…
Besilvering - Solo, Duo And Ensemble Works
*2024 stock* bastille musique presents its nineteenth release »Luke Bedford: Besilvering« featuring world premiere recordings by the Holst-Sinfonietta and Klaus Simon (conductor). The album includes a selection of Bedford’s instrumental works from 2002 to 2019, from solos to a wide variety of chamber line-ups to an ensemble piece for ten players. In addition to the recordings produced by the SWR, it also contains a 48-page bilingual booklet (EN, DE) with articles by Eckhard Weber, an interview w…
Hypnokaséta
“Hypnokaséta (2020-2021) is a continuous set of 16 pieces for string quartet, improviser (playing cassettes and any instrument) and live electronics. The source material is based on dreams that I had during the first few months of lockdown, April-June 2020. Accounts of these dreams are encoded in the music that is played by the quartet and also encrypted in the sound textures that surround this. The pieces alternate between quartet as the foreground and electronic interludes, where solos or duos…
Binomial Cascades
Tip! "I just released a new album as my solo project, Agencement. This is a follow-up album to 'Six Juxtaposed Works', which was released in 2017 on the Copenhagen label Tochnit Aleph. It's been about 35 years since I produced 'vinyl' by myself, so it's very emotional, although since the 1990s, it has become difficult to manufacture vinyl LPs in Japan and there were no channels to outsource overseas because I was disappointed in the situation. Musically, I think it's a further step in the direct…