Maris Stella
On Maris Stella, Tristan da Cunha turns isolationism into liturgy, reimagining the Marian figure of Our Lady, Star of the Sea as a beacon inside abandonment. A single, slow‑burning minimalist opus folds post‑drone, neoclassical gravity and choral haze into a seaborne ritual where guitar, viola, bass and drums behave like a reconfigured orchestra.
For The Raven
*300 copies limited edition* For the Raven was due to be the next release after Ligeliahorn on the Nekrophile Rekords label. Sadly the project fell through and, even more sadly, it coincided with a number of the celebrants being rounded up to enjoy a short holiday at Her Majesty's Pleasure, expense and, indeed, insistence. By the time our intrepid Disciples Of Doom re emerged the momentum had been lost and For the Raven was consigned to the Metgumbnervaults to, until recently, only make an occas…
Gwethilu: Songs For The Dark Lake
On Gwethilu: Songs For The Dark Lake, Timoteo Carbone Hansson builds an otherworldly song‑cycle where experimental timbres, early‑medieval polyphony and Nordic folk roots swirl together into slow, haunted rituals of rhythm and drone.
Vulcanalia
On Vulcanalia, AX - the solo vehicle of Anthony Di Franco - returns after nearly three decades to his original mandate: vast, beatless torrents of guitar, feedback and electronics, now scaled up into a molten, myth‑drunk monument to Roman fire and stone.
Annihilation of Samsara
On Annihilation of Samsara, Attila Csihar, Balázs Pándi and John Wiese converge as a single, shifting organism, dissolving borders between extreme metal, free improvisation and noise into a dense, unstable ritual where sound behaves more like weather than music.
Los Mandatos del Aire
On Los Mandatos del Aire, Peruvian flautist Camilo Ángeles deconstructs his instrument into a bridge between worlds, channeling Amazonian cosmology and ayahuasca visions through extended techniques, microtonalities, analog processing and reverb‑chamber acoustics in dialogue with Musuk Nolte's photography.
Utisetur I
*100 copies limited edition* Utisetur I is the sixth album by Canadian ritual project Undirheimar. Marking the beginning of an ambitious trilogy, this new work delves deeper than ever into the project’s uncompromising spiritual and sonic vision. Utisetur I unfolds as a six-part ritual chant rooted in the ancient meditative practice of Utiseta. Stripping away all instrumentation, Undirheimar constructs the entire album exclusively from layered overtone singing, creating a dense, immersive field o…
Be Wa
*2026 stock* "Emerging from the vibrant atmosphere of a Parisian summer during the 2024 Olympics, this eclectic ensemble came together spontaneously after a serendipitous home jam session on August 15. Featuring the diverse talents of Liza Parshina, Nikita Chepurnoy, Alisa Gvozdeva, and Anton Glebov, their debut album is a captivating blend of free jazz, folk traditions, and dub influences. With an array of instruments from various cultures, their sound is both intricate and improvisational, ref…
Avàvâgo Zamran!
*300 copies limited edition* “Avàvâgo Zamran!” marks a new ritual transmission under the name Arrokoth, a project initiated by Guillaume Cazalet (Neptunian Maximalism, Zaäar, Sol Kia...) as an ongoing exploration of musical primitivism, liminality, and distant cultural imaginaries. Conceived as a vessel rather than a fixed ensemble, Arrokoth brings together collaborative works with Dimitar Dimitrov (Corpus Diavolis, Antelogos, Haiku Funeral) and John McKusick (Three Dragon Alley), resulting in a…
Mount Analogue
On Mount Analogue, Bill Laswell and P.ST assemble an international cast to translate René Daumal’s unfinished mountain allegory into a two‑records sonic ascent: a six‑part electro‑acoustic “novel” and a mirrored peak of solo guitar visions from Henry Kaiser, refracted through Jodorowsky’s The Holy Mountain.
Or Gare: funeral procession music from Ryfylke, Norway
On Or Gare, Stine Janvin and Morten Joh slow time to a funereal crawl, reanimating Ryfylke’s “liksong” tradition as a ghost‑lit microtonal ritual where voices, synths and creaking percussion hover between lament, liturgy and quietly glowing electronics.
Music for the Process of Dying
On Music for the Process of Dying, Homo dissolves language into a porous, five-part soundscape where breath, organ, flute, electronics and the outside world seep into one another, sketching a wordless vigil for the psyche as it approaches the threshold.
Terceiro Solstício
Luz gélida(d)o montediluída em flor(es).
Delicate guitars, ethereal voices, tracks woven from sighs and layers upon layers, like secrets and small nocturnal rituals under the cold glow of the moon. Beautiful, evocative, and quietly transformative. The artist, cláudia simões, also known as alga, dedicates this work to winter: a season of introspection, stillness, and subtle magic. Let's enjoy the offering.
Squash
Limited to 200 hand-numbered copies. Packaged in a squashed can with 2 sets of nuts and bolts holding the package together. Inside the package is a paper strip insert. The essence of Aube's artistic philosophy has never been more distilled, more physically incarnate, than in Squash, the 1995 cassette that transmutes the humble sound of compressed metal into a meditation on materiality, reduction, and sonic design.
Originally released in a limited run of 100 copies on Chocolate Monk UK via Aube'…
Leviathan Whispers
On Leviathan Whispers, Tim Hill shapes saxophones, tape loops and treated field sound into slow-burning rites of longing and delirium, a spectral song-cycle where folk memory, Blakean vision and drone minimalism coil around each other in restless, darkly luminous orbit.
Triple Cool Hang
On Triple Cool Hang, Family Underground turn two decades of haze into a single spool of time, threading freezing‑church jams, Brooklyn collaborations, and after‑hours Copenhagen séances into deep, slow‑burning cuts that hum with tape hiss and lived‑in drone.
The Grand Guignol
First ever vinyl issue for the 1993 Death Industrial underground classic. Schloss Tegal's The Grand Guignol threads horror’s darkest rituals into a tapestry of sinister atmospheres and forensic sound design. With a palette favoring unease over spectacle, this album excavates the uncanny from the archives of fear, offering a study in slow-burning psychological disturbance that never settles for easy resolution.
Selected Works 1985-2005
Selected Works 1985-2005 by Gabrielle Roth & The Mirrors assembles eleven transformative pieces from two decades of percussive ambient innovation. This 2025 repress captures their hypnotic blend of ceremonial rhythm, improvisation and deeply spiritual overtones, threading together global traditions and ecstatic energy to create immersive soundscapes meant for both movement and contemplation.
The Book of Job
The Book of Job is a boundary-pushing work by Super Grupa Bez Fałszywej Skromności, merging avant-garde jazz, spiritual recitation, and sound experiments. Conceived in martial-law Poland, the album is both requiem and protest—an immersive journey through collective struggle, transcendence, and artistic resilience.
Vox Flora, Vox Fauna
“Vox Flora Vox Fauna” is an invocation in which Ece Canli channels the voice of Earth itself. A ritual of breath, rebirth, bone, and buried memory. Like the most transcendent moments of Dead Can Dance, the soundscapes are primitive, tribal, atmospheric, and utterly cathartic: echoes of a wounded planet, mourning and resisting at once. They unleash the raw force of Gaia, vibrating through ancient rhythms and spectral chants that seem to rise from the soil itself. In an age of collapse, this is mu…