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*75 copies limited edition* Hello and welcome to the world of man(()) [manpussy}, What is man(())? An audio journey in space and time.... "Music for Head" could be considered my version of ENO's Music for Films"; albeit a somewhat noisier take. MFH combines ambient, noise, found sound, beats, vocals, and other aural phenomena coalescing into a mind altering sonic experience. Beautiful, haunting, and fresh.It is in the spirit of community that we share and say F OFF to the negative and herd menta…
May is a double-LP collection of recordings made between 2020–2023 by Arianne Churchman & Benedict Drew (AC&BD), whose ongoing series channels, inhabits and transmogrifies the vast corpus of traditional English folksong celebrating the most fertile of months. An auditory tapestry, May employs at its base a flank of analogue synthesizers, field recordings and Churchman’s layered vocals, each combining to form a beautifully dizzy sonic collage that often spirals out across long durations into hypn…
*2024 stock* Arne Nordheim is among Norway’s most important post-war composers, particularly among those working within the field of avant-garde electronic music. Nordheim studied studied Musique concrète in Paris during the mid 1950’s, expanding his practice in Holland toward electronics and synthesis during the end of that decade. Upon returning home, he embarked on a stunning body of work, stretching over the coming decades. The composer’s works in these fields are a marvel - standing with th…
*Stock 2024* When Rune Grammofon got going as a record label, one of their first projects was reissuing pioneering work by Norwegian artist Arne Nordheim, who dealt in some experimental works in the late 60s before developing a career as a composer. As a response of sorts from the next generation, Biosphere and Deathprod endeavoured to remix some of Nordheim's prescient pieces through their respective modern lenses. Originally released in 1998 and sounding as vital and inventive 25 years later, …
*2024 stock* Øra Fonogram announces the worldwide release of Rökkur, the joint album of Norwegian composer and performer Maja S. K. Ratkje and Icelandic ensemble Nordic Affect (Halla Steinunn Stefánsdóttir, Marie Stockmarr Becker, Hanna Loftsdóttir, Guðrún Óskarsdóttir).
What is ‘rökkur’?
‘Rökkur’ is the Icelandic word for twilight — the hour when shadows fall, a time of transition, ambiguity, and magic. When ‘rökkur’ fell in pre-electric times, a space appeared for storytelling, reading, yarn s…
Electric Cave, the sequel to Emil's debut, Electric Forest (2022). A dystopian world, inspired by science fiction. Rigid electronics combine and collide with spontaneous, human improvisation. This time the soundscape has moved from an open forest to a deep, dark cave.
*2024 stock* "A master in electroacoustic music and digital sound manipulation, English composer Natasha Barrett leaves few traces of familiar sounds or instruments in her music, although the audio sources often are acoustic. Here she performs five of her compositions composed between 1994 and 1997. The album's newest composition, 'Animalcules' is from 2010.
The title Puzzle Wood refers to a forest in Gloucestershire, where Barrett grew up, and also gives name to this album's key track, and olde…
Tip! Just when you think you’ve heard everything you want to hear from a solo piano record, something comes along that challenges your preconceptions all over again. Efstathiou has been developing a unique language with the instrument for some time, building up a reputation for idiosyncratic preparations and extended technique. All that’s illuminated in flickering candlelight on ‘Edge of Chaos’; moody and deliciously ambiguous, it’s based on mathematical systems, specifically the transition stat…
Tip! To get a good handle on ‘Aslope’ look no further than the intricate ‘Scattered sprinkle, no turn’, a 12+ minute collage of moonlit organ vamps, stifled voices and disembodied, robotic poems. Heaving from smeary abstraction to penetrable drama almost imperceptibly, featherlight rhythms are cut short by uncanny voices: “stop, turning, a page,” like some rogue navigation assistant, slicing into ticking clocks and xerox noise. It’s like listening to a film without access to the visuals - all th…
There is a delicacy and a passionate hardness, stripped bare of cloying sentiment. Its rawness is the exuberance of sound overflowing, basking in its self-created luxury…. It is, every bit of it, composed the same moment you hear it.
Maromas is the debut recording of the duo of Ingrid Laubrock and Cecilia Lopez. Recorded in April 2022, the album is a collection of improvised pieces for tenor and soprano saxophone, processing and electronics. Maromas refers to the doing of tricksters, conjurers and acrobats. The music is dark, harsh but also playful in its pirouettes. The electronics process the saxophone as much as the saxophone plays the electronics. Both voices became a third two-headed creature sometimes alienating the so…
"If you're feeling pressed by the demands of the Imaginary Empire's vicious circuitry, whether you're on the outside or a little too inside for your comfort, here's an opportunity to experience something real, satisfying, and original. Most of the world may be going all wrong, but The Fully Celebrated Orchestra are always 'Right On.'" - Brad Lingham
*2024 stock* This music is improvised and inspired by Judith Schalansky’s book "Atlas of Remote Islands: 50 islands I never set foot in and never will." The music is an echo of her writing, of inspiration by islands, entities with different and changing characteristics.
Mature Defense Mechanism is an improvised experiment in the relationships between rock and jazz characterized by whimsy amidst seclusion. It’s natural territory for guitarist Kirsten Carey and drummer Aaron Edgcomb, who are both gaining reputations for adventurous and wide-ranging approaches to music making.
We maneuver through woody sounds created by individual movements and decisions. Our cello playing is free from classical patterns, a real achievement! It is not natural to develop one's own approach to this high culture instrument. In this trio there are three multi-layered variations of personal expressive will and power.
This recording documents the first ever meeting between Susan Alcorn and Catherine Sikora. When musicians improvise with each other, a space is created that is unique and specific to the musicians who are playing. With Susan and Catherine, the space that presented itself was enormous, with great freedom and tonal flexibility, opening up endless possibilities for expression.
Tip! French free vocalist Isabelle Duthoit and trumpeter Franz Hautzinger recorded these highly unusual duos to celebrate Hautzinger’s 60th birthday year. Using extreme techniques to create 11 uniquely aberrant accompaniments to your most subtle and strange dreams.
Silver Dawn is an ethereal collection of improvised vignettes performed on solo Hardanger d’amore, a sympathetic-stringed relative of the Norwegian Hardanger fiddle. Resonant strings and wordless vocals are gently guided by the cyclical momentum of dance and the instrument’s lingering overtones, magnifying moments of transience in suspensions of time.
Iinterdependenzen is a selection of 11 solo improvisations that evolved during Maria Reich’s solo impro research. All pieces are uncut and were recorded in different places over 6 months on an iPhone. The situation, the material becomes audible, the wood, the bow hair, the room, the recording device, the musician. "There is no part of me that is alone...."
Conic Tube comes from the idea that the saxophone is nothing but a metal conical tube that amplifies, modifies and pushes the air through the room, if the instrument is just an object and sound is just air and air is inside-out of us, pushing this air becomes the tool to structure our space and surroundings making possible changes on our environment and energies. With this in mind and spirit this record was produced with the intent to fulfill and open new possibilities for the minds and spirits …