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Intimate duo standards from pianist Keith Jarrett and bassist Charlie Haden, from the Jasmine sessions. Unhurried and conversational, two old friends; a poignant and beautiful farewell.
My Song is the beloved high point of the so-called "European" or "Belonging" quartet led by pianist Keith Jarrett, and one of the most cherished albums in the ECM catalogue. Recorded in 1977, it unites Jarrett with three of Scandinavia's finest music…
French clarinet master Louis Sclavis and pianist Benjamin Moussay in a spare, searching duo. Composition meets free improvisation in delicate, chamber-like dialogues. European improvised music at its most refined.
Swiss pianist Nik Bärtsch and his band Ronin deliver hypnotic 'ritual groove music': interlocking minimal patterns, funk-tinged grooves and Zen-like repetition. Precise, physical and mesmerizing.
The landmark that redefined the ECM trumpet album: Nils Petter Molvaer fuses Nordic trumpet with ambient, dub, electronics and drum'n'bass. A manifesto for future jazz; cinematic and groundbreaking.
The Pat Metheny Group at a joyous peak, with Lyle Mays, Mark Egan and Dan Gottlieb. Bright, anthemic and melodic, led by the soaring '(Cross the) Heartland.' One of ECM's most popular records.
Offramp marks a bold and pivotal step forward for the Pat Metheny Group, the album on which the band significantly expanded its sonic palette while deepening its emotional reach. The great innovation here is Pat Metheny's embrace of the Roland guitar…
Herbie Hancock debuted on Blue Note in 1962 and quickly established himself as both a remarkable pianist and a brilliant composer with three excellent albums—Takin’ Off, My Point Of View, and Inventions & Dimensions—before making what is widely consi…
On Maiden Voyage, Herbie Hancock turns the small jazz group into an ocean vessel, steering a dream team of Freddie Hubbard (trumpet), George Coleman (tenor sax), Ron Carter (bass), and Tony Williams (drums) through a suite of sea‑evoking pieces. Moda…
The first ever reissue of one of the great hidden artifacts of early prog and fusion: 'Power On!', the second and final full-length by the little-known Frankfurt ensemble From, originally issued by the German arm of CBS in 1972 and now returned to pr…
On his self‑titled debut, Bauke Meersman steps into focus with an intimate, detail‑oriented statement: a set of pieces shaped as much by touch, space and recording perspective as by melody, quietly framed by DHM Records’ tactile artwork and productio…
Purple Vinyl! How do you make a documentary film about a man who was also a myth? About a musician who was more than a musician? About someone who asked us to trust our intuition more than our rational minds? This double LP contains the original soun…
How do you make a documentary film about a man who was also a myth? About a musician who was more than a musician? About someone who asked us to trust our intuition more than our rational minds? This double CD contains the original soundtrack to the …
Available for the first time since its original release in 1980, this is compelling, funky, exploratory jazz from Melbourne, Australia. The album opens with the floating Song For Bobby, a downtempo gem with the heartbeat aura of Herbie Hancock’s Butt…
Vienna FLAMMeS, or: The noise of these post-jazz improvisers resounds from paradise. According to a widespread cliché, improvisation in jazz is supposed to help promote the free play of the imagination. It was the Viennese flugelhorn player Franz Kog…
We Jazz Magazine, Issue 19 / Summer 2026 "Milestones" for Miles Davis. 128 pages, 170 x 240 mm in size and printed on 140g Edixion paper with laminated 300g Invercote covers. All articles presented in English. Miles Davis by Alex Coles, Phil Freeman,…
On Fire in Orbit, Hill Collective sharpen their Brighton‑born spiritual jazz into its most expansive form yet: loose‑limbed, witty and rough‑edged, but guided by a collective instinct that lets every groove breathe and slowly catch fire.
On Let the Sky Open Under Your Feet, Skyjack fuse South African groove, European improv and chamber‑level detail into a live‑wired suite of cosmic jazz, where deep‑rooted rhythms and free flights feel like earth and atmosphere trading places.
Taking a slight deviation from the widely celebrated path through experimental sounds that has largely defined their efforts over the years, the venerable Sub Rosa returns with rare and essential dive into the world of ethnomusicology with ‘Ethiopian…
CD edition. A title like a manifesto, and music with the conviction to carry it. For a few nights at the close of 1972, the Jazzhus Montmartre in Copenhagen held a trio that would barely survive the season. Abdullah Ibrahim - then still recording as …