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Little is known about Norman Feels…but we do know that he was an underground soul sensation in the 1970s. He released two classic albums on Just Sunshine Records (the label that was also responsible for putting out milestone recordings by artists like Betty Davis, Karen Dalton and Arica). Over the years, Norman’s songs have been sampled by renowned acts from the likes of Ghostface Killah, Nas and Kanye West. The sound his songs emit reminds of the classic soul coming out of New Jersey at the tim…
Anyone interested in hearing Stanley Turrentine go beyond the Blue Note should definitely pick up Sugar; a soulful, deep and chugging record that includes a refined "Sugar" and a transcendent rendition of Coltrane's "Impressions". Working with fellow CTI artists Freddie Hubbard and George Benson, as well as the great Lonnie Liston Smith jr, Ron Carter and Billy Kaye, this album was engineered by Rudy Van Gelder to create the warmth and depth we love. Some say never judge a book by its cover, but…
Indonesia and jazz? Not so far-fetched! Improvisation is a part of traditional gamelan, and modal playing goes back 1000 years; jazz began seriously delving into modes with Miles Davis in the 1950’s. Clarinet icon Tony Scott proselytized jazz during his six-year sojourn in Asia, and in so doing brought Asian music masters, including players on this album, into the jazz world. Down Beat called pianist Bubi Chen “The Art Tatum of Asia”, and saxophonist Marjono, whose influences include John Coltra…
At the time of his death in 2016 at the age of 68, drummer, composer and multi-instrumentalist Alphonse Mouzon had for decades been a major force within the jazz, fusion, R&B and pop arenas. The early eighties was a time when Mouzon toyed with disco and channelled funk. His musical amalgam was a far cry from the Saturday Night Fever brand – he brought more funk, more soul, more spontaneous creativity into the mix. For By All Means, Mouzon brought together musicians who were masters in virtually …
Although MPS was known for his studio and brilliant recording technique, Rolf Kühn decided not to record his albums in the studio in the Black Forest. At MPS, Rolf Kühn was allowed free rein to choose the team for the recordings and so he decided to get Wolfgang Hirschmann on board, one of the most interesting sound engineers in jazz at that time. Together with him and seven other musicians, “Total Space” was recorded in January 1975 in the Cornet Studios in the south of Cologne, Germany. Having…
*2024 stock* Chaos and impulse! The impact of the moment when Japanese rock and jazz was born. Finally, the treasured sound sources from the Late 60's - a period that the whole world craves for - have been released. Recorded with the latest remastering from film music tapes left over from Koji Wakamatsu's films!
*2024 stock* The epic free jazz of the first Yosuke Yamashita Trio and the bleak singing of Rie Yokoyama. Includes a total of five tracks, including the film's opening 'Here's a Quiet Frontline', 'Umitsubame ver II', which features rare singing accompaniment by the Yosuke Yamashita Trio, and the Yosuke Yamashita Trio's performance during and at the end of the film, plus Koji Wakamatsu's story 'I am Koji Wakamatsu! is included.
Psychedelic Latin-funk holy grail from Nicaragua, 1974!! First ever reissue!! Poder del Alma (“Soul Power”) was a supergroup formed by some of the best musicians from the Nica scene. This all-star band of nine members was assembled to play at the famous free concert of Santana in Managua in benefit for the 1972 earthquake. After that successful gig supporting the Latin-Rock superstar, what was to be a one-night stand became the seed of the most loved Nicaraguan act from the 70s. All the members …
Impossible to find second album by this band from Nicaragua, 1975. A cool mix of Latin funk, jazz, salsa and psychedelic grooves. Including some of their most sought after tracks like “Bacanal’ 76”, “Mimo” or the antiracist statement “La Conga de las Dos Razas”. After recording their first LP in Guatemala, Nica supergroup Poder del Alma travelled to Costa Rica to register their second album. This time the recording studio and equipment (including Mini-Moog) were better and the band featured a ne…
Andreas Trobollowitsch, an Austrian sound artist, explores various rotating mechanical systems to create sound-emitting objects. His work focuses primarily on conceptual compositions, self-developed musical instruments, sound and drawing installations. Thomas Rohrer, a Swiss musician, plays the rabeca, (a Brazilian fiddle), and soprano saxophone. His work is largely based on free improvisation, but also engages in a dialogue with traditional Brazilian music. The collaboration between Trobollowit…
Orrin Keepnews produced Art Blakey's 1963 debut for Riverside Records, a hard-bop triumph featuring an all-aces band: Curtis Fuller, Freddie Hubbard, Wayne Shorter, Cedar Walton and Reggie Workman. Blakey drives them with power and passion as they play Caravan: Sweet 'n' Sour: In the Wee Small Hours of the Morning: This Is for Albert: Skylark, and Thermo. Back on vinyl again!
Deluxe CD edition with Obi. The title of Horace Tapscott's debut release is apt, if not self-referential, for indeed a giant of West Coast jazz had awakened with this, the pianist / composer / bandleader's 1969 album for the Flying Dutchman label. Tapscott went on to form two groups crucial to the flowering of modern jazz in the Los Angeles area, the Pan Afrikan Peoples Arkestra (or P.A.P.A.; the name is an homage to Tapscott's predecessor and peer, Sun Ra), which eventually became part of a lar…
2024 stock. Legendary downtown music master Daniel Carter meets Tobias Wilner from world-renowned electronic band Blue Foundation. Featuring Wu-Tang Clan bass player Djibril Toure & drum wiz Federico Ughi. As a band, they have played a number of concerts in NYC, including the Forward Festival 2016 and 2018, and are currently promoting their debut album. This group is the ultimate mix between the classic New York sound of the avant-garde (i.e., John Coltrane & Albert Ayler) combined with electron…
*2024 stock* "Prophecies Come to Pass is the debut recording of Sabir Mateen's compositions by his group The Shapes, Textures, and Sound Ensemble. Recorded live in Brooklyn in September 2005, the CD was edited by Mateen and Swell and mastered under Mateen's direction. It's dedicated to the late great Raphe Malik, who at one time played with the group. The ensemble is composed of an impressive roster of creative musicians: Mateen on saxophones, flute, and clarinets; Matt Lavelle on trumpet, fluge…
2024 stock. Iconic downtown sax player Sabir Mateen, together with up-and-coming Texan clarinetist Patrick Holmes and drum wiz Federico Ughi, celebrate the cosmic dimensions of creative music via their new album Survival Situation.The three musicians have collaborated in the past, in New York, in different projects but never as a trio. This time they met in a recording studio in Tuscany, Italy, not far from where Sabir Mateen has been living for the last few years. They freely improvised, then t…
2024 stock. Shifa, from the Arabic word for healing, is a new trio born out of old musical partnerships from the ever-shifting sands of the UK improvised music scene. Pat Thomas, pianist extraordinaire whose eclectic motherboard pushes the music in unexpected twists and turns, suggested the name. The healing, in this case, is a raw, unfettered musical space where he, saxophonist Rachel Musson and drummer Mark Sanders meet and make music in the moment, of the moment. Each player values the others…
2024 stock. The trio pays homage to legendary pianist Paul Bley, drawing on both his tunes and improvisational approach. Bley’s music encompassed latin-inspired grooves, deceptively simple and catchy melodies, as well as freer improvisations. His willingness to collaborate openly with European improvisers as well as being part of the American tradition was an attractive template to follow.Pat Thomas, Dominic Lash and Tony Orrell grew up in the UK with the children’s tv series Play School and whe…
观世音 Kannon' is an album that was composed in the aftershadow of Sunn O)))’s most recent successes in immersive collaboration (the group worked with Scott Walker on 'Soused', Ulver on 'Terrestrials' in 2013 and 2014) and also from the broad and influential wake of their epitimous 'Monolith’s & Dimensions'. '观世音 Kannon' emerged both independently as a conceptual entity and with roots in the legacies of those projects, yet was fully realized years later, in 2015. The album is 36 minutes in length a…
On December 17, 1947 Art Blakey led a group known as “Art Blakey’s Messengers” in his first recording session as a leader, for Blue Note Records. The records were issued as 78’s at the time and two of the songs were released on the New Sounds 10” LP compilation (BLP 5010). This octet included Kenny Dorham, Howard Bowe, Sahib Shihab, Musa Kaleem, Ernest Thompson, Walter Bishop, Jr., and LaVerne Baker. Around the same time – in 1947 or 1949 – Blakey led a big band called “Seventeen Messengers”. Th…
Although his main instruments were the tenor saxophone and the flute, Yusef Lateef was known for his innovative blending of jazz with Asian music. In addition to the oboe and bassoon (which are both unusual in jazz), he played various instruments. Lateef began recording as a leader in 1957 for Savoy Records, a non-exclusive association that continued until 1959. The earliest ofhis albums for the Prestige subsidiary New Jazz overlap his Savoy Recordings. Cry!-Tender was one of these early albums …