★Room40
For a Moment the Sky Knew My Name
For a Moment the Sky Knew My Name is the forthcoming solo album by Peter Knight, released through Lawrence English’s Room40 label. Written and recorded partly outdoors on Krowathunkooloong land in southeastern Australia—a landscape tied to Knight’s c…
Is Spring a Sculpture?
"Is Spring a Sculpture?" is a collaboration between David Toop and Rie Nakajima, released as a limited edition CD and book on Lawrence English’s Room40 label. The work consists of a series of sound pieces and text fragments exploring the poetics of o…
Smelter
Smelter by Faith Coloccia and Daniel Menche constructs a temporal architecture that explores water in its myriad states—snow, ice, streams, and storm. Moving between spontaneous, voice-laced vignettes and epic drone formations, the record serves as a…
Steelwound (20th Anniversary Edition)
"If I’m not mistaken, Ben Frost and I first talked about the ideas of what would become Steelwound sometime in mid 2002. In the early 00s, Ben had been working on cut-up electronics, spilling over with floating rhythms, humming string samples and pia…
Within Without
"I first owned a fender rhodes electric piano in the late 1970s. It was a Mark 1 model (wooden key action). I had a band with my younger brother and my best friend from school and this was my ‘portable’ gigging instrument that weighed ‘a ton,’ and on…
WhiteOut
"Even without visiting a place, we often think we know it. It’s a syndrome of the modern age. The world is right before us, on screen, summarised and sensorially curated into a particular vision that casts light across ‘just so much’ of an impression…
Steel Wound
Twenty years after its original release, Ben Frost's "Steel Wound" returns as a testament to isolation transformed into transcendence. Born from solitude at a derelict cabin on Australia's windswept coast, this masterpiece of textural guitar manipula…
Elemental View
Few contemporary composers have created instruments as singular as Ellen Fullman's Long String Instrument, and fewer still have explored its possibilities with the depth and invention documented on Elemental View. This six-movement work, performed in…
In the Depth of Illusion: A Soundtrack for Nervous Magic Lantern
"Ken Jacobs, an essential figure of avant-garde cinema, and I had over-a-decade-long collaboration. We first performed fo his Nervous Magic Lantern project at the Argos Festival in Brussels in 2007. Before flying to Europe, Ken invited me to the top-…
Njurra Wänja
"The process of making music together in Hand to Earth is unlike any other we have experienced. It is not free improvisation but it is not composed either. It is somewhere in between, and it feels like ‘weaving.’ Through Hand to Earth, we weave the t…
A Book of Waves
"After playing together for years, our tide was turning. What began as a happy rhythm of show dates in Berlin, from cozy trios in Klaus’ home studio to ten-piece ensembles at Ausland, was now ebbing away thanks to Andy’s move to the US. Whenever an a…
Archival Recordings: Primal Image / Beauty
Time is a mysterious companion in Alan Lamb’s Primal Image/Beauty. Recorded on abandoned telephone wires in Western Australia, these works explore harmony and materiality, blending dynamic sonic environments with deep listening. Lamb’s music invites …
Milan
"In 2016, I invited Norman Westberg to Australia for his first solo tour. He’d been in Australia a few years before that, touring The Seer with Swans, and it was during this tour that I’d had the fortune to meet him. Since that time Norman and I have…
Caligo
"What remains after mutilating and reassembling an essential historical recording? How is it connected to a particular event in a grotesque and cyclical novella riddled with medical procedures of an aesthetic and deforming nature? Malakoot – this spi…
The Prosperity Of Vice, The Misfortune Of Virtue
Matte laminate and embossed sleeve, with insert card and fold out poster + vinyl sticker (20cm long). Recorded in 1996, Merzbow's The Prosperity Of Vice, The Misfortune Of Virtue is one of a series of unique editions from his vast catalogue that reve…
Even The Horizon Knows Its Bounds
From Lawrence English: "I like to think that sound haunts architecture. It's one of the truly magical interactions afforded by sound's immateriality. It's also something that has captivated us from the earliest times. It's not difficult to imagine th…
Journey to the Cave of Guanyin
The inspiration for these pieces comes from the Chinese folklore of Guanyin, a deity whose name translates to ‘the one who perceives all the sounds, or cries, of the world’. Also known as Guanshiyin 觀世音, she is the embodiment of infinite compassion. …
I Know the Number of the Sand and the Measure of the Sea
I Know the Number of the Sand and the Measure of the Sea is the first collaboration of Lea Bertucci and Olivia Block. This collaboration was set into slow motion some years ago, in 2017, when Lea and Olivia connected through an interview facilitated …
View
"View was first presented as part of a solo exhibition at the jennjoy gallery in San Francisco, the show also included paintings, drawings, and a silent video work. For the installation, I asked Jenn to record for me the sounds of the View from one o…
Archeology // Archeologia
Biiiiiiiig Tip! "It has taken me over 50 years to write these words. Since my initial successes in the 1970’s many have urged me to “release” unpublished works from the same period, pieces that featured the VCS3 synths or the amazing Serge (which I r…