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On Silmät sulaa, Pietu Arvola sets out to make a “summer album” and instead lands on a heat‑sick mirage: strings, tape‑scarred electronics and unstable textures steeped in memories of sunburn, burning houses and hospital fevers, where warmth tips con…
Dark Companion Records is truly thrilled to add this extraordinary band to our family of artists. This album marks their debut for our Unifaun Productions. To The Cloud-Cuckoo Land of Color Wheels is the third album by Malesh, a Wyrd Folk project hai…
Drummer, singer, composer, and producer Mariá Portugal (BR) joins Berlin-based percussionists Burkhard Beins (DE) and Emilio Gordoa (MX) to form the Erosão Percussion Trio, which is now releasing its debut album through Kassiani Records and Fun in Th…
Lau Nau (Laura Naukkarinen), Linda Fredriksson and Matti Bye enter the We Jazz Records realm as Kiri Ra! with their new album nen (out 22 May 2026). Kiri Ra! is a trio that creates their sound slowly, in a process of improvisation and discovery. Filt…
'Underground Vein' is a mystifying and curious recording for two electric basses. Focusing on prepared techniques, modulation effects and the odd sighting of looped phrases, Masatake Abe and Ken Ikeda create an undulating sea of texture and atmospher…
A Scanner Darkly, The Game Players Of Titan & The Transmigration Of Timothy Archer were originally released on cassette by Tribe Tapes as Philip K. Dick Volume One. Dr. Bloodmoney (mislabelled as Lies Inc.) & Second Variety were originally released o…
The Outskirts came together as a working band during bassist Ingebrigt Håker Flaten’s three-year stint as a Chicagoan from 2005-2008. They played regularly at all of the working venues for improvised music in Chicago at that time, including The Hungr…
Moving Images is a collaborative album by composers Frank Maston and Greg Foat, and marks the inaugural release on Magic Hollow, the new imprint founded by Daniel O’Sullivan. Rooted firmly in the tradition of classic library music, the album draws fr…
Originally released in 1981, Mr. Circle’s Thi Nam should really have been recognised decades ago as a jazz dance classic. A beautiful example of European jazz fusion at its most sophisticated and optimistic, the album is immersed in the sonics and rh…
When you’re creating something loosely referred to as “art” with another person, you’re mining the depths of minds and experience, searching connections with pasts, each of us producing from a different place. Communication exists as unspoken and sim…
TripleAkuma is the third in a series of essential live documents from Merzbow. The stage and the studio are not the same place, and Merzbow has an acute understanding of this juxtaposition. Whilst the sheer density of the music might be maintained ac…
Akira Kosemura’s Polaroid Piano is a record that is very close to my heart. In fact, it is Akira’s work that was one of the drivers for Someone Good, one of the Room40 sibling labels, to be founded. Polaroid Piano marks the beginning of what would la…
Akio Suzuki has always been an artist in search of unexpected sound, and curiosity has been his guiding principle. Whether that be curiosity for objects, spaces or places, his work has been guided by a porousness and pliability which has allowed him …
I have long pondered the concept of connectedness in relation to life’s existence. The Dalai Lama teaches that destruction of one’s neighbour equates to destruction of oneself. In contrast, modern Western culture has placed the individual at the epic…
The rhythm team by Rashied Ali and Reggie Johnson (with former Sun Ra member Ronnie Boykins adding texture on "Capricorn Moon") establishes a solid foundation, complemented by Alan Shorter's sharp trumpet, while Benny Maupin's close expressions in mo…
The album "Spirits," released by a debut label based in Copenhagen, marked the first opportunity for Ayler to record his "free music" in February 1964 in New York. The musicians selected by him included notable figures such as Cecil Taylor (with drum…
On Hot Five & Hot Seven at 100, Louis Armstrong’s seminal Chicago sides are reborn in vivid new mastering, letting his trumpet solos, daring rhythms and easy charisma speak afresh as the very moment jazz pivots into a true soloist’s art.
Thirty years on from the original, Throbbing Gristle returned to the source material of The Second Annual Report - their catastrophic debut of November 1977, pressed in a run of 785 copies on their own Industrial Records with white labels, a "Nothing…
Original UK edition on EMI of the second album from 1981, another post-punk masterpiece possibly as influential as the first one and certainly as essential.