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Twenty seven years ago, Jan Jelinek’s debut album Personal Rock was released by Source Records. Under the pseudonym Gramm, it brings together eight tracks that have not been available on vinyl since their original release. Faitiche is very glad to announce the re-release of the album: Personal Rock will appear as a double LP featuring the original cover artwork.What people wrote about Personal Rock two decades ago:“Situated somewhere between Jelinek’s much loved Loop-Finding Jazz Records, Farben…
*2026 much needed repress!* The only full-length from the West Germany trio known as Liaisons Dangereuses, this self-titled record (originally released via TIS records in 1981) is somewhat of a Holy Grail for fans of EBM and minimal synth. Thankfully, Soulsherrif Records has reissued this rarity! Comprised of members Beate Bartel, Chrislo Haas, and Krishna Goineau, Liaisons Dangereuses was only active for a couple of years. Beate and Chrislo played in numerous famous German electronic and goth …
*300 copies limited edition* The first resonant space Zosha Warpeha played in was the Emanuel Vigeland Museum in Oslo, Norway. Built as a mausoleum, its walls reach up into a gradual archway, creating an environment where sound expands and reverberates for twelve seconds before decaying into silence. Warpeha was greeted only by dim lights when she entered, and it wasn’t until she had spent several minutes listening that she was able to make out the frescoes that covered every inch of the room: g…
The score Dotolim was originally realized in 2009 and composed for the performance space Dotolim. The musicians, Jin Sangtae, founder of Dotolim, and Joonyong Choi also performed on the 2009 version of the score. While on tour through Asia in 2023, I spent two nights performing and recording in Seoul at Dotolim. My idea was to realize a new version of the score with the current generation of experimental musicians active in Seoul. And unlike for the first version where I worked with electronics,…
Tip! *200 copies limited edition* At the end of 2024, Eric's purchase of an electric cooker with induction hobs was the catalyst. Between auscultations and improvisations, Eric offered Francisco his recordings of the object in his kitchen. In return, Francisco completely reinterpreted these recordings. From this dual level of listening, the elements created resonated in each artist's sound world.
Pieces created from shared original raw sound source materials.
*2026 stock* Recorded at Rimi/Imir Scenekunst, Stavanger. Recorded and Mixed by Gaute Granli. Mastered and cut by Frédéric Alstadt. Cover design and print by Drid Machine. foil by Bokbinderiet Erland. Financial Assistance: Stavanger kommune. THANK you: Rimi/Imir Scenekunst and Kafé Hærverk. Thore Warland uses SLB electronic drums.
Ich bin meine maschine is a spiritual track / ich bin meine maschine is a musical track / ich bin meine maschine is a scientific track
To underline this tryptic statement and to demonstrate the diversity of one of atom™'s compositions that appeared on his 2013 »HD« album, raster now re-releases the long sold-out vinyl ep featuring remixes by boys noize, function and atom™ himself. »ich bin meine maschine«, in an elaborate manner, illustrates uwe schmidt's main musical concern - the explora…
Italian Language Edition Una monografia esauriente e completa di uno dei maggiori artisti e poeti visivi del secondo novecento italiano, Arrigo Lora Totino. Un catalogo ragionato di poesie, performances, libri d’artista, video.
On De Vrije Loop, Mix Monster Menno raids the entire Ultra Eczema archive, flipping decades of uncompromising noise, improv and oddball electronics into a late‑night, After‑Hours‑style turntablist trip that feels like the label’s unconscious talking in cuts and crackle.
On Actionreaction 2, Pippo Lionni, Sergio Corbini and Stefano Franceschini turn the studio into a single, improvising organism, where spackle knives and rollers become percussion, free‑jazz piano and sax tangle with electronics, and each canvas is written twice – in sound and in paint.
For Ponyo on the Cliff by the Sea, Joe Hisaishi pours big‑hearted symphonic colour, children’s choirs and unmistakable earworms into Miyazaki’s flood‑myth fairytale, crafting a score that’s equal parts tempest, lullaby and sugar‑rush theme song.
Tip! Celebrating the 90th anniversary of the birth of Maki Ishii (1936-2003), we present "Electronic Convergence," a collection of his pioneering electroacoustic works. These tracks represent a crucial era in the history of Japanese electronic music, primarily produced at the NHK Electronic Music Studio around the 1970s. Ishii’s unique fusion of traditional Japanese aesthetics and cutting-edge technology remains incredibly avant-garde even today. In February 2026, special memorial concerts will …
First time on vinyl for these incendiary hard psych rock tracks, which made their only other appearance in Australia in 1999 on CD as part of the “Sky Pilot” compilation released by Camera Obscura Records.
With each passing year since his death, the intense and inspiring musical legacy of Jesus Acedo is in danger of slipping into darkness. That’s where we at Lion Productions come in — together with Rich Hopkins and San Jacinto Records — to do our utmost to keep the Lambent Flame burning, so to …
“La Onda Pesada” (1971) by Ernan Roch showcases the most experimental side of Mexican rock of the era, blending blues and psychedelia, with Hendrix-style guitars driven by powerful fuzz riffs, alongside more folk oriented passages and deeply poetic lyrics. This album has become one of the most coveted titles among collectors due to its outstanding musical quality and the fact that it suffered the consequences of the persecution of Mexican rock, which prevented it from being properly circulated a…
Pioneering Swiss trombonist and composer Andreas Tschopp marries contemporary jazz with South African horns and homemade ocarinas, creating a record quite unlike anything you've heard before. "What if We Align Our Breath" disregards the curvature of borders, genre, and time itself - tugging a thread through the history of wind instrumentation with ghostly agility.
At the heart of the record lie spiralling, bonelike kudu (antelope) horns - instruments that have lent their stirring calls to indige…
The title “Mijin” comes from a Japanese word meaning very fine particles. The album gathers particle-like sounds and lets them resonate in space. As I watch the movements that arise between them a balance gradually takes shape. Within those relationships and the quiet tension between them I explored how silence can resonate with sound.
The album begins with the most minimal piano chords then develops by reconstructing fragments of voice and percussion, Rhodes and synths along with traces of jazz…
Big Tip! Born in the mid-1950s, the NHK Electronic Music Studio was a world-leading lab where Japan’s electronic music took shape. This album gathers works created there between 1968 and 1974—a vivid snapshot of chance operations, ring modulation, waveform experiments, broadcast collage, and intense hand-made tape craft.
Launched in 1993 in memory of the studio’s founding architect Hiroshi Shioya, our project treats these tapes as living works—not nostalgia. We re-check sources, rebuild the li…
Fusing the freedom of jazz with the drive of progressive rock, this record delivers dynamic rhythms, soaring solos, and rich, textured soundscapes. From intricate instrumental passages to bold, high-voltage performances, this album captures the spirit of jazz rock and fusion at its finest.
"These are not musicians trading licks or showing off individual virtuosity - they are six voices engaged in genuine conversation, responding to each other with the kind of intuitive understanding that only comes from years of shared musical history. The music breathes, shifts, transforms. Moments of delicate interplay give way to passages of ferocious intensity; dense textures dissolve into sudden clarity. Nothing is predictable, yet everything feels inevitable." - Mark T., Third Millennium