New Arrivals

*170 copies limited edition* "The city where I live was created by digging holes : removing stones from the ground, then making buildings with them. The only hill on the island was quarried. Elsewhere, they just dug giant square pits. Over time, many of these holes became dumps of some kind; the Francon quarry became a snow dump. Half the snow plowed from the streets of Montreal after each storm is loaded onto trucks and dumped in the 70 metres deep hole. Every winter, snow piles up there. Some …

A harbour park in Portland, Maine, recorded through drainpipes, vent shafts, dock timbers and electrical boxes. Shipping traffic, birds and a waterfront being rebuilt into a luxury marina, all in the same frame.

"I'll Wait For You In The Car Park", the first full length collaboration between Argentinian cellist, improviser and composer Violeta García and Swiss musician and composer Hora Lunga, is a work of extremes. Drawing from the realities of life on two continents, and embodying moods ranging from stoic desire to violent bursts, the album enciphers so-called ordinary moments from everyday life into an alluring collection of musical scenes. Seemingly inconspicuous moments are condensed into a tale of…

A warning for the present and the future, from the past… The time is apartheid South Africa. The resonance is now. You will hear, in order of appearance: Soweto's Imilonji KaNtu Choral Society singing at the enthronement of Archbishop Desmond Tutu, St George's Cathedral, Cape Town; Archbishop Tutu, Nobel Peace Prize winner; An announcer on state-controlled radio; Beyers Naudé, once a leading pro-apartheid Afrikaner cleric whose radical epiphany after the Sharpeville massacre of March 1960, when …

"It was my first time performing at Chitei. The venue has a dark, almost secret-hideout-like atmosphere, with a sense of decay that resonated deeply with my emotional state at the time. The speakers were quite large relative to the space, so the sound would circulate and create feedback that doesn’t happen in other venues. By moving the microphone through the space and changing its position, the pitch and harmonics of the feedback would shift. Very few venues offer this kind of experience. To me…

Monasunne is the duo of composers Lara Agar and Louis d'Heudières. The album Fields Become Sky is the band’s debut. Starting from their shared experience of growing up in East Anglia in the UK, the duo dug into the history of the region, finding myths and poems written at a time when it was an independent kingdom. The Anglo-Saxon poetry - dealing with questions of death, mortality and spirituality - forms the textual backdrop of the record and is sung in its original Old English. The duo treat t…

Kaj Duncan David’s new album ‘Only Birds Know How to Call the Sun and They Do It Every Morning', made with the Danish contemporary ensemble Scenatet, is an extraordinary work of sui generis avant-garde electronic music, exploring the relationship between language and three interrelated themes; human development, altered states of consciousness and AI / machine learning. Employing voice (vocoder, talkbox), synth, EWI (electric wind instrument), MIDI guitar and MIDI percussion, ‘Only Birds Know Ho…

*200 copies limited edition* “Rarefied Airs” is the debut album by Glasspack, duo of Henry Birdsey and Ian McColm. Both Birdsey and McColm are part of an extended New Haven (CT) musician family (think of Stefan Christensen, Shirese, David Shapiro, Center, Figured, Tongue Depressor etc.). In Glasspack they fuse Birdsey’s bagpipes with McColm’s computerized sounds to hammer out rock solid modern fourth world music masterpiece. “Rarefied Airs” offers two long pieces (both ticking at almost 19 minut…

*200 hand-numbered copies limited edition* Aiko Takahashi is a Nova Gorica-based musician, a spirit that has released albums on various labels. Just like the line that separates the two cities where Aiko lives, Gorizia and Nova Gorica, divided between two countries yet united as one, Aiko’s music exists on a boundary. A line that separates silence from peculiar, almost imperceptible sounds. Too quiet to be Ambient, too Ambient to be Sound Art. Two years ago, after a first complete release on IIK…

These tracks capture Ra's electronic peregrinations during the 1970s and '80s. The Arkestra occasionally makes a cameo appearance but Ra commands the spotlight, not so much composing music as painting soundscapes with electronic keyboards. In the collection we've titled Stray Voltage, Ra is not so much composing music as painting soundscapes with electronic keyboards. Ra doesn't simply play these consoles — he attacks, cajoles, and pounds them. He upends and transports them where they weren't bu…

** Rare original copies. Second pressing on Jazz Workshop from the mid '70s (estimated) of this impossible to obtain album, the original issue being available only as a mail-order release. Unplayed copies from a dead-stock, possible wear due to ageing on covers ** On September 25, 1965, at UCLA’s Royce Hall, Charles Mingus took the stage with an octet of some of the most forward-thinking jazz musicians of the era. The occasion was not just any concert, but a determined response to an earlier set…

Ostranenie is a collection of digitally manipulated, impressionistic piano miniatures — each named after blockbuster films and TV series. Improvised late at night as a reaction against passive media consumption, these pieces function as both homage and critique, navigating the space between classical impressionism and contemporary digital manipulation. They don’t just deconstruct traditional piano expression; they interrogate the emotional stakes of sound in an era where immersion culture flatte…

*300 copies limited edition* The Might of Stars Sublime is Dirk Serries' debut on German label Audiophob. Drawing from his oeuvre and experience in ambient and experimental music, projects like his Microphonics project, "The Might Of Stars Sublime" feels familiar, close to home, but simultaneously creates another dimension in his realm of ambient music. This album leads the listener through a trip of minimalism, a sense of grandeur, a specific harmonic quality and beautiful ambient music which b…

Track 1 recorded May 21, 1976 at the Wildflowers festival Track 2 recorded June 20, 1974 Jimmy Lyons - alto saxophone Karen Borca - bassoon  Hayes Burnett - bass Henry Letcher - drums Syd Smart - drums

Recorded August 22, 1979 at Campagne Premiere, Paris, France All compositions by Dave Burrell and Monica Larsson, unless otherwise noted Dave Burrell - piano Sam Woodyard - drums

Recorded on 8th September, 1993 at Café Amores in Hofu City, Yamaguchi, Japan Motoharu Yoshizawa - homemade electric vertical five strings bass Kim Dae Hwan - percussion

Recorded on 21st October, 2000 at Aoshima Hall, Shizuoka City, Japan Misha Mengelberg - pianoSabu Toyozumi - drums

Imagine it’s late afternoon, you’re outside by the lake, and there’s sunlight on the water. This is the peaceful and contemplative scene that Matt Gold and Resavoir set on their collaborative LP Horizon. Across 10 lush and exploratory tracks, it’s the product of two Chicago-based musicians—Will Miller, the acclaimed trumpeter, composer, and producer who’s worked with SZA, Whitney, and more, and Gold, a seasoned multi-instrumentalist and accomplished guitarist—effortlessly combining their distinc…

Ironhand Records is proud to present another magnum opus of East and West music: "Chettini and the Turkish Trio - Oriental Soul", first released in 1972. Çetin Bükey, credited as Chettini, was a musician who, during his unique career in Turkey and the UK, has truly engaged in eastern, western and hybrid musical experiments with an adventurous and nomadic soul. Bükey has played along with Turkish music masterpieces and composed film scores with his brother, Metin Bükey. He also accompanied the ic…

A long-lost masterpiece of Yugoslavian jazz-funk and disco finally returns! Originally released in 1979 on the iconic Jugoton label, YU Disko Expres by Igor Savin and Orkestar Stanka Selaka is a rare gem—an electrifying fusion of jazz, funk, electronic music, and traditional folk elements. Decades ahead of its time, this album remains a strikingly modern and danceable exploration of sound, seamlessly blending synthesizers with tight horn arrangements and deep, infectious grooves. Igor Savin, one…

A revolutionary anthology of visual poetry contextualizing works within their original small-press publications, from authors such as Wallace Berman and Marian Zazeela to titles such as Ginger Snaps and Futura. By the 1960s, visual and experimental poetry was widely acknowledged as the first truly international poetry movement, occurring on several continents. The simultaneous “mimeograph revolution”—an emerging name for the proliferation of small, poet- and artist-operated presses and little ma…

The American percussionist, composer, and songwriter David Van Tieghem (b. 1955) is something like a musical equivalent to astronomy’s “hypothetical astronomical object”: while evidence of an irresistible gravitational pull can be felt in deep reaches of the cosmos, its source is enshrouded in darkness, revealing glimpses of celestial power to astute observers. For David Van Tieghem, these observers include a dizzyingly impressive cast of landmark musicians with whom he has composed and performe…

*2025 stock* Planet Ilunga, the Brussels-based publisher has, since 2013, produced a series of recordings dedicated to the history of Congolese popular music from artists like Franco & OK Jazz, Docteur Nico, Orchestre Rock-a-Mambo and Joseph Kabasele & African Jazz. For its tenth release and in celebration of its tenth anniversary, the label launches with "The Soul of Congo" its most ambitious project to date: a well-documented and extensive anthology about the illustrious and legendary Congoles…

"Indépendance Cha Cha” was an historic song, not only because it immortalized Congo’s independence in its lyrics, but also because it was the first single published by a Congolese-owned record label. Joseph Kabasele’s label Surboum African Jazz indeed paved the way for several Congolese musicians to become record publishers. It resulted in the 1960s in a plethora of newly found Kinshasa-based record labels, run by the biggest musicians of the time. With this new series “Les éditeurs congolais”, …

*2025 stock* Incredible collection of classic Congolese music from Planet Ilunga specializing in this particular niche. Glorious guitar melodies, beautiful vocal harmonies, and infectious rumba grooves. Excellent curation and very cool thematic presentation, plus lots of great details given in the liner notes.

*200 copies limited edition* After Mirthrandir, Lift and Easter Island, we continue bringing you the cream of the crop from U.S. Prog Classics, with the reissue of ID’s 1977 album Where Are We Going. In this case, you can guess the music from the band’s name, a regression into the depths of the unconscious (Freud’s antecedent term for ID in the structure of the cunning invention called ‘psyche’) via an interminable sonic evocation. The highlights of the album are the 2 long parts of the homonymo…

*200 copies limited edition* After several solo-releases on the label, we welcome back Taylor Deupree and The Humble Bee for their first collaborative album to date. Re: Case Studies is out on May 2nd and available on vinyl and digitally. While most collaborative albums are intentional from the start, this one almost never came to fruition and was born rather out of a fortunate coincidence. A few years ago, Taylor Deupree created a series of compositions entirely based on feedback loops, which n…

"The Crippled Flower was a post-punk band from Düsseldorf - and they arrived late. However, unlike many young, unsuspecting, hairsprayed hopefuls from that time, in 1985 they could sense that the end of their era was approaching. They knew too much to want to take the world by storm. They were four individualists searching their own way. Each of the band members only found their calling after the time that they had spent together – but that's exactly what makes The Crippled Flower still seem rea…

** Few available. All pantone offset printed glossycovers, pantone printed insert. **Prepare to be transported by Discorde, the mesmerizing debut LP from Megabasse-the solo alias of Pierre Bujeau, acclaimed guitarist of Tanz Mein Herz and Omertà. This highly anticipated repress, strictly limited to 300 copies, comes housed in stunning Pantone offset-printed glossy covers with a matching Pantone insert-a collector’s dream, crafted with the same meticulous care as the music within. Recorded in 201…

Antonio Carlos Jobim’s first American album is a masterpiece of understated elegance, presenting a dozen songs that would become bossa nova standards. Despite claiming to be out of practice, Jobim’s sparse, single-hand piano style lets his flowing melodies shine. Claus Ogerman’s signature arrangements—airy flutes, brooding strings, and lush harmonies—enhance timeless gems like Desafinado, Corcovado, The Girl from Ipanema, and One Note Samba. A defining moment in bossa nova’s global ascent.

The complete original soundtrack to Federico Fellini’s iconic 8½ features music by the legendary Nino Rota. The film, starring Marcello Mastroianni, Anouk Aimée, and Claudia Cardinale, won two Academy Awards, including Best Foreign Language Film, and received three additional nominations. Recognized by the New York Film Critics Circle as the best foreign language film, 8½ remains a cinematic masterpiece, complemented by Rota’s unforgettable score.

"On the cover: Devo -- a comprehensive feature by Autin, TX-based music writer Joe Gross on why DEVO matters -- today more than ever, as cultural, political, and spiritual devolution seems to be the way of the world. The piece is perfectly illustrated with ephemera, buttons, t-shirts, and more. A conversation with Irvin Weathersby, Jr. by Sonya Lea on the occasion of the publication of his book In Open Contempt: Confronting White Supremacy in Art & Public Space. Sydney Salk talks to Horsegirl ab…

Steve Beresford, a central figure on the British and international music scene for over forty years, meets the Tilli/Tramontana duo. The friction between the British aplomb with the multifaceted Italic personality and the underlying love and seriousness towards music give us a trio full of verve, gimmicks, and profound lightness.

"Colapesce” is an album that delves into the dark and mysterious depths of the Sicilian legend, reinterpreting it through a contemporary and experimental lens. Colapesce, the legendary man-fish who sacrifices himself to support Sicily, becomes a symbol of resilience, metamorphosis, and sacrifice. The album blends elements of free jazz, musique concrète, electronic music, and radical improvisation to evoke an underwater journey into the unknown, amidst sound waves and unfathomable abysses. This w…

Trá Pháidín are an Irish nine piece collective from Conamara, Galway, a wild coastal region of West Ireland where Gaeilge (Irish-Gaelic) remains the first language in areas known as 'An Gaeltacht'.The group are currently lighting up Ireland's underground with their joyful noise, a unique and unpredictable blend of traditional Irish folk, post-rock, jazz, and Dadaist absurdity. The glorious album An 424 was mixed by John 'Spud' Murphy (Lankum, Black Midi, Goat Girl) and takes us on a psychogeogra…

“Dame café”, originally released on Discos Fuentes in 1965 to meet the tropical music demand of the time, features a mix of traditional rhythms like vallenato and cumbia, alongside more experimental beats. Los Gavilanes de la Costa, the band behind this album, had a brief existence but left a lasting impact, especially in Mexico's sonidero scene. Over the years, pirate editions and elusive original copies have made it a highly sought-after collector’s item. The album’s lively sound, combining ac…

Discover the groundbreaking sound of Los Texao, a legendary Peruvian rock band that helped shape the music scene in the 1970s. Their music fused the energy of psychedelic rock with Latin American influences, captivating audiences across their native Peru. Los Texao’s psychedelic phase was marked by experimentation with new sounds and instruments. This release comprises their complete recordings, including all their singles and also covers of some of the most influential rock bands of the era, mo…

EXTNDDNTWRK is the enduring solo project of Andrew Fearn, who is more commonly recognised as one half of Sleaford Mods. While akin to his role in his main group with respect to primarily working with electronic sounds, samples and rhythms, EXTNDDNTWRK is a far more mannered affair whose approach is concerned with atmospherics, occasional tempered beats perfect for a late night drive along a deserted motorway, near-ambient swerves into neo-minimalism, crisp melodies and big grooves swollen with t…

Jeff Parker’s 2016 album The New Breed was a turning point for both Parker and International Anthem, changing the trajectory of his solo career as well as drawing an abundance of attention to our fresh imprint despite our then very limited catalog. Most importantly though, the album is the first to give voice to Parker’s wholly unique take on sample-based beat construction augmented by improvisation and live instrumentation (performed in this case by the high-level crew of Paul Bryan on bass, Jo…

Irreversible Entanglements’s self-titled debut album was originally released in September 2017, and features the first music ever played together by the freshly assembled Philly/NY/DC-based quintet of poet Camae Ayewa (aka Moor Mother), bassist Luke Stewart, saxophonist Keir Neuringer, trumpeter Aquiles Navarro, and drummer Tcheser Holmes. The explosive collection of improvised free-jazz with spoken word accompaniment was born after the group's initial meeting at a Musicians Against Police Bruta…