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Mathias Duplessy, Quique Sinesi, Joaquín Alem, Zsófia Boros

El Último Aliento

FormatCDLabelECM New SeriesGenreComposition

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Hungarian guitarist Zsófia Boros plays solo classical guitar and ronroco in pieces by Mathias Duplessy and the Argentinians Joaquín Alem, Quique Sinesi, Alberto Ginastera and Carlos Moscardini. Recorded March-April 2022 at Auditorio Stelio Molo RSI, Lugano.

El último aliento is the third ECM New Series album by the Vienna-based Hungarian guitarist Zsófia Boros, after En otra parte (2013) and Local Objects (2016). Its programme looks two ways: towards contemporary composers from Argentina, and towards the French composer Mathias Duplessy, born in 1972, who contributes six of the eleven pieces. The title, "the last breath", comes from the piece by Carlos Moscardini that closes the record.

Boros plays alone, on classical guitar and, for one piece, on the ronroco. The other Argentinian composers are Joaquín Alem, Quique Sinesi and Alberto Ginastera, and Alem, Sinesi and Moscardini are guitarists themselves. Duplessy is a self-taught multi-instrumentalist whose writing joins 19th-century harmony to contemporary structures. The album was recorded in March and April 2022 at the Auditorio Stelio Molo RSI in Lugano, in collaboration with RSI Rete Due. Stefano Amerio was the engineer and Manfred Eicher produced it.

Duplessy's De rêve et de pluie opens the record with a shimmering, flowing accompaniment beneath a sparse melody. In Sinesi's El abrazo Boros mutes the strings with a rubber band, and the music stays close to a whisper. For his Tormenta de ilusión, conceived for charango, she switches to the ronroco, an Andean instrument with ten strings in five double courses and a slightly lower range. Ginastera's short Milonga carries a gentle tango undertow, and Duplessy's Berceuse, the shortest track, lasts just over two minutes.

Fanfare magazine has praised Boros's "clear, beautiful tone, liquid phrasing, precise layering of melody and accompaniment". Reviewing the album in BBC Music Magazine in 2023, Steph Power heard miniatures that find "common ground in bittersweet harmonies, plangent melodies and fluid, sometimes sultry, rhythms". James Manheim at AllMusic singled out the engineering as an exemplary way to record a solo guitar, placing the listener in an intimate space free of extraneous noise. Her earlier albums had ranged over Leo Brouwer, Al Di Meola and Franghiz Ali-Zadeh, and Local Objects already included Duplessy's Nocturne.

This is the CD edition, ECM New Series 2769, released on 14 April 2023. The booklet prints a poem by Antonio Machado.

Details
Cat. number: ECM New Series 2769
Year: 2023

Release notes

Recorded March/April 2022 Auditorio Stelio Molo RSI, Lugano An ECM Production In collaboration with RSI Rete Due, Lugano ℗ © 2023 ECM Records GmbH, München

Tracklist
1De Rêve Et De Pluie5:25
2Salir Adentro3:02
3El Abrazo3:19
4Milonga2:50
5Le Secret D'Hiroshigé4:40
6Perle De Rosée3:44
7Tormenta De Ilusión2:41
8Le Labyrinthe De Vermeer5:06
9Berceuse2:23
10Valse Pour Camille2:34
11El Último Aliento3:36
Credits
Zsófia Boros
Classical Guitar, Ronroco
Sascha Kleis
Design
Stefano Amerio
Engineer
Fotini Potamia
Photography By [Cover Photo]
Maria Frodl
Photography By [Liner Photo (6)]
Markus Novak
Photography By [Liner Photo]
Manfred Eicher
Producer [Produced By]
Antonio Machado
Text By [Poem In Booklet (Spanish)]
Paul Abucean
Text By [Poem In Booklet (Translation (English))]

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