The Play Loud! (live) music series is based on three precepts: Alan Lomax's work as an archivist and chronicler, John Peel's BBC radio sessions, and the work of Direct Cinema pioneers, such as the Maysles Brothers, Leacock, Wildenhahn and Pennebaker.  Filming live shows means not doing things TV-style, but in a very  personal, intuitive and adventurous manner - nothing is staged for the  shoot. Play Loud!'s intention is it to create an extensive archive of  interesting popular music and culture that includes both, the huge  quantity of unreleased filmed material by the filmmakers and also  material that comes from other sources. Some of the recordings - if  popular demand is strong - will be offered as limited vinyl LPs.
Dietmar Post and Lucía Palacios on filming live music: "As  filmmakers, it is important the performance we film will be recorded  unadulterated. At the same time we do select by positioning and framing  the camera, i.e. we watch subjectively. In principle we try to edit  inside the camera because we would like to show the presentation in its  entirety. It is crucial to know that most of the time we only work with  one single camera. . . . Our work turns into an active composition  during the show. It could be called a form of drawing (in German the  term 'drawing' inhabits the word 'recording') with the camera. As with  all spontaneous/improvised art this sometimes works out nicely, other  times it fails poorly."
Dirk Dresselhaus/Schneider TM on the concert: "I find it fairly difficult to say something about how  the music in this concert came about, cause we didn't plan or rehearse  anything and hardly were able to hear each other on stage. Wherever it  came from, the energy and course of this concert is very much based on  group dynamics and an almost telepathic sort of communication, like a  swarm of fish. When I mixed the sound later on in the studio I  discovered a lot of weird things on the separate tracks: for example Kptmichigan's  guitar signal is changing level for about +/-30 dB once in a while  which is a lot and was probably caused by a broken microphone cable.  Luckily the fucked up parts made the sound even heavier and more  distorted instead of destroying it."