Edition of 200 copies, all covers are hand painted and unique, done by Gustaf Dicksson. The landscape of contemporary spiritual music has become increasingly cluttered with new age pretenders and meditative commodifications, making the appearance of genuinely transcendent work all the more remarkable. Post-Tragic Man's Unintentionally Provoked Kundalini Awakening emerges from this morass as something authentically transformative—a work that channels the ecstatic traditions of minimalist piano exploration while carving out entirely personal spiritual territory. This Danish performer's approach bridges the gap between La Monte Young's durational investigations and Charlemagne Palestine's maximalist piano rituals, yet maintains a distinctly Nordic sensibility that recalls the more contemplative moments of the Scandinavian experimental underground. The album's two primary elements—spiritual Kundalini piano pieces and repetitive vibrating body tapping—create a sonic environment that feels both ancient and urgently contemporary.

The piano work here shares DNA with Steven Halpern's healing music explorations while avoiding the often saccharine territory that genre can inhabit. Instead, Post-Tragic Man achieves something closer to the raw spiritual intensity of Palestine's Strumming Music, channeling repetitive techniques toward genuine transcendence rather than mere relaxation. The body tapping elements add a shamanic dimension that grounds the ethereal piano work in physical reality—breath and heartbeat made audible.

What distinguishes this work from the broader field of drone-based spiritual music is its sense of authentic personal revelation. The album's title suggests genuine spiritual experience rather than manufactured mysticism, and the music bears this out through its unforced, organic development. This is music that emerges from practice rather than concept, from lived experience rather than aesthetic theory.