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"We use the same method of what we did on Responses (Zappak, 2022): being in a place for a whole afternoon, but not playing together. We took turns on recording solo piece, and each session was a responses to the former one. Even the length was same with the former album (each one 7 minute).
Only one difference: on this time we played outside but last time we played in room. There were lots of limitations from the lack of alternation electric power (and also the hot temperature and mosquito). Bu…
‘Almost Something’ is the debut release of the long standing collaboration between artist/dj Laura Not and Andrew Hulme of O Yuki Conjugate. The two pieces cover a musical domesticism, developed around location recordings made in London and Berlin. The duo, known separately for their considered and attentive handling of collaged textures, rhythms and ambiences, offer up a sonic landscape where fugitive moments of creation meet the concrete sounds of everyday life. The unfamiliar is what sticks a…
"I was almost seventeen when 'Scum' came out, lurching through my headphones sandwiched between John Peel’s warm gravy groans. It flipped me out. My punker brain, pretty much allergic to anything metal, made a series of damp connections that lodged the chaotic buzzing insect rumble in my mind forever. Thirty-odd years later this record still sounds urgent and furiously angry. It sounds more important than ever. I decided I wanted to do ‘something’ with Scum in late 2023. I listened to the record…
*Dubbed on reused ferro tapes* Music for fictive radio stations. Made as a sound installation that was part of a performance talk about fictive world scenarios. Mostly made with circuit bend radios and found music in a stack of unsorted cassettes.
*Dubbed on reused ferro tapes* Guitar music measured mostly by quietude not amplitude. Bold recording techniques - new amp. Everything recorded during a period of two nights.
Intimate guitar recordings made at C Haxholms home in the countryside. This tape to me feels like a quite unique snapshot into the Artists daily life, But at the same time the music feels very composed and thoughtful. A very sweet and heartwarming tape
Michael Grigoni and Pan•American present their first collaboration. The album’s title, New World, Lonely Ride, gestures toward its meditative orientation. The duo offers a series of reflections on the zeitgeist of our present moment, the spirit of our age: the isolation and loneliness that continues to echo in the wake of the pandemic; the fractures that mar our political discourse; the uncertainty that has stamped itself on the future of democracy. The vast geography of America and the absence …
*200 copies limited edition* In February 2019, multi-instrumentalists Maurizio Abate and Luca Venitucci crossed musical paths as part of an artist residency at Standards in Milan. Over those few days, their respective instruments engaged in a dialogue, shaping sounds and structures within the space that housed them. While working on the post-production of the recorded material, Abate and Venitucci enlisted the valuable and decisive collaboration of fellow like-minded musicians Roberto Laneri and…
The inspiration for these pieces comes from the Chinese folklore of Guanyin, a deity whose name translates to ‘the one who perceives all the sounds, or cries, of the world’. Also known as Guanshiyin 觀世音, she is the embodiment of infinite compassion. I grew up knowing of Guanyin as a female deity, but recently discovered that she had transformed through the centuries from the male Hindu bodhisattva, Avalokiteśvara. I instantly found an affinity for this gender-fluid figure, who was said to have a…
*150 copies limited release* "Borrowed Out Of Time is the latest album by Kaurna Country artist and writer, Tristan Louth-Robins. It follows a steadily paced run of releases for labels like 3LEAVES (2013’s The Path Described) and his own Studio Maurilia which share an inquisitive spirit, informed by, but different from, influences such as Alvin Lucier and Rolf Julius. While Tristan’s compositions might be neatly situated somewhere adjacent to both sound art and acoustic ecology, they aren’t beho…
*150 copies limited release* "A mysterious folio of sonic snapshots, as much recaptured as composed, by Jon Dale’s project, Moth, in Adelaide in the late ’90s and early ’00s.
From the ready means of guitar, amp, and tape, a congruous but diverse selection of unnamed tracks emerge - musical moments borrowed from oblivion with the as yet unfulfilled good intention of returning them. Their sounds evoke abstract polaroids of winter seascapes flecked with spare, brittle detail, or the scaly-winged fl…
*Lathe Cut, Limited Edition, 66 copies. clear, 180g vinyl* 'Eventual' is the first album by double bass player Gonçalo Almeida and 'knob twidler' Rutger Zuydervelt. It's not exactly their first collaboration though, having released two EPs, 'Doze Ruinas' and 'Jangadas', and being colleagues in Hydra Ensemble (with cellists Lucija Gregov and Nina Hitz). When film maker Lex Reitsma commissioned Rutger Zuydervelt for the soundtrack of his documentary about photographer Koos Breukel, Zuydervelt prop…
Open to the Sea was born around the musical experiences of Enrico Coniglio, here playing piano and synths, and of the music wizard Matteo Uggeri who adds his world of samples, noises, field recordings and recorded instruments played by friends. The first CD is a re-edition of the double mini-cd “Watering a Paper Flower” where an echoed piano goes through delicate and enchanted sound tapestries, remembering a river slowly flowing to the sea. The second CD, with the participation of a third musici…
*2025 stock* A composition by Kasper T. ToeplitzBertrand Gauguet : alto & baryton saxophones Kasper T. Toeplitz : real time electronicsTotal Time : 46:48+ booklet 8 pagesCover work by Marine PagèsLes Intermédiaires. 2019. Crayon, graphite aquarellable et encres sur papier, 64 x 46 cmGraphic design by Atelier Ter Bekke & Behage
*80 copies limited edition* An improvised meeting between clarinet and a small, hand-built pipe organ. Sounds converge from these two instruments, coalescing and diverging to explore subtle nuances of resonance and timbre. The form of these pieces creates a unique space through stasis and repetition.
*75 copies limited edition* Fumitake Tamura (Leaving Records) and Jason Kolàr (Dauw, Stroom) return to Dauw with 'Suki-Ma', a cassette only mixtape including music from the same sessions that led to their debut 'Ōki-sa' which was released last year. According to the artists, 'Suki-Ma' is conceived as a mixtape rather than a new album. A draft rather than a new step. The album is out on January 21 and available on limited edition cassette.
隙間 (Suki-Ma) refers to the space or gap between objects,…
*180 copies limited edition* sub jam is pround to announce the very first recording work by one of beijing's most active musicians and performers zhao ziyi. ziyi was born in 2007 in beijing. he has a strong desire of swallowing whatever he need and of turning himself a nameless formation of the cheapest noise, embarrassed silence and a mirror of the witnesses' own existence. by playing and recording this piece he stands with all of us, who can't bear the meanlessness of time and words any more. …
Composed and performed by Ronan Courty, this piece for solo double bass slows down the layers of time by invoking an invented age-old music, somewhere between imaginary folklore and early music. Acoustically produced, the violent and obsessive friction of the bow on the string gradually reveals hovering layers of harmonics that extend the suspension of the moment while evoking a kind of electronically produced ambient sound; the illusion created by the emergence of sustained tones is particularl…