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Suncuts emerged in 2023 from the earlier project Teufelskeller, originally founded by Anton Ponomarev in Moscow. Teufelskeller was invited to perform at the Xciting Festival in Stuttgart but due to various serious reasons the bass player and drummer were unable to go. Ponomarev brought in Swiss drummer Maxime Hänsenberger and Brazilian bassist Felipe Zenicola as replacement musicians. Both integrated quickly, and the new line-up performed the scheduled concerts. Although the three musicians had …
On Vonski Speaks, Von Freeman stretches out with his New Apartment Lounge Quartet at Jazzfest Berlin 2002, turning four long pieces into a swaggering, late‑career testimony to Chicago grit, club intimacy and unforced authority.
On Serenade & Blues, Von Freeman eases his Chicago tenor into an after‑hours glow, trading the swagger of Have No Fear for late‑night ballads and slow blues that stretch time without ever losing their bite.
On Have No Fear, Von Freeman turns a 1975 marathon session into a fiercely personal manifesto, his elastic Chicago tenor pouring blues, bravado and vulnerability into performances that sound both off‑the‑cuff and obsessively shaped.
On 6 Duos (Wesleyan) 2006, Anthony Braxton and John McDonough turn a teacher–student bond into a finely wired brass–reeds colloquy, shuttling between Braxton systems, McDonough themes, open improvisation and Sousa with disarming clarity and wit.
On Silver Cornet, Bobby Bradford and Frode Gjerstad turn a one‑night Baltimore stop into a fiercely conversational blowout, their quartet with Ingebrigt Håker Flaten and Frank Rosaly mapping free jazz as living, mobile history.
On this meeting with the Spontaneous Music Ensemble, Bobby Bradford steps into John Stevens’ London laboratory and, alongside Trevor Watts, Julie Tippetts, Bob Norden and Ron Herman, turns free improvisation into a fiercely alert, shape‑shifting chamber music.
On Live at Yoshi’s 1994, Mal Waldron and Steve Lacy turn a decades‑deep partnership into a single, extended act of listening, folding Monk, Ellington, Strayhorn and their own themes into a stark, tensile dialogue where every note feels earned.
On Numbers 1 & 2, Lester Bowie joins Malachi Favors, Joseph Jarman and Roscoe Mitchell in a pre‑Art Ensemble crucible where AACM discipline, raw timbral play and open‑form swing coalesce into a blueprint for the Chicago future.
Originally released in New York in 1968 on Baraka's own Jihad label, "Black and Beautiful Soule and madness" is a fiery document of the 1960s. It could be mistaken for a lost ESP-Disk release, sitting well between Sun Ra / the Fugs/ and Albert Ayler. The group was vocal in all the ways; sometimes singing, Doo-wop & Soul, sometimes rapping in a Last Poets-style, often doing both at the same time. Emotionally compelling and extremely powerful,we are proud to have it back in print on vinyl for the …
To mark 50-years since a 22 year old Michael Gregory Jackson recorded his groundbreaking first release, "Clarity / Circle / Triangle / Square", recorded with the mind blowing group of his contemporaries Oliver Lake, David Murray and Leo Smith. This album is like no other I know, a new world, finding a perfect balance between multiple genres. Moved-By- Sound is very excited and honored to be involved in releasing the first reissue authorized by Michael Gregory Jackson since the original release i…
Italian saxophone, cornettophone, and bansuri flute player Gianni Gebbia makes his debut on Minority Records with Sleep, released on LP and Bandcamp on May 1, 2026, the same day that marks the artist's 65th birthday.Sleep can be considered an introspective and ambient meditative work, whose structure does not correspond to traditional jazz compositions, but rather consists of extensive improvised hypnotic soundscapes without precise boundaries, using soprano saxophone and cornettophone with elec…
Masayo Koketsu and Nava Dunkelman met for the first time in this studio session. Koketsu’s inventive use of extended techniques and breath-infused wails filled the space with an experimental intensity. Dunkelman responded with a finely woven tapestry of percussive textures, her delicate rhythms binding their sounds together. Her sensitivity to nuance allowed Koketsu’s raw cries to blend effortlessly, as if the two had long shared a musical language. Their exchange was both electric and restraine…
Julius Hemphill was a visionary saxophonist and composer whose music fused avant-garde exploration with deep blues and gospel roots. Marty Ehrlich, one of Hemphill’s close collaborators and protégés, is a multi-reedist and composer known for his lyrical improvisation and commitment to extending Hemphill’s legacy through performance, composition, and curation.
This archival release of the duo from Julius Hemphill and Marty Ehrlich offers a rare, deep-listening window into their long-standing crea…
Complete Communion marks the stunning 1965 Blue Note debut of Don Cherry, the visionary cornetist best known for his work alongside Ornette Coleman in the late 1950s. This landmark session captures Cherry at a creative peak, leading a fiery quartet featuring Gato Barbieri on tenor saxophone, Henry Grimes on bass, and Ed Blackwell on drums. Together, they explore the outer edges of post-bop and free jazz, building long-form compositions that seamlessly weave multiple themes into unified, evolving…
*300 copies limited edition* Mats Gustafsson meets Jan St. Werner in 2019 when they both perform with Peter Brötzmann and a group of prolific improvisers for three days at Flutgraben in Berlin. Mats and Jan notice their mutual passion for performing not just inside spaces, but also with them, activating environments and shaping sound through diversion. Mats introduces Johan Berthling, whose complex bass explorations complement the frantic jitter of Mats’ saxophone and pedals, and Werner’s digita…
2026 stock Louis Moholo-Moholo returned to South Africa to a rapturous reception in 1993 with his band Viva-La-Black. They embarked upon a series of concerts and workshops, performing in Capetown, Port Elizabeth, Durban and Johannesburg. This album affords a glimpse into the exhilarating experience, one which Claude Deppa describes as "musically speaking, it was the tour of a lifetime."
Special discounted Bundle. Two of the most important and exciting free jazz reissues of 2026, together in a single bundle. Both belong to Charly Records' extraordinary ongoing audiophile initiative dedicated to BYG Records' legendary Jazz Actuel series - one of the single greatest bodies of avant-garde jazz documentation ever assembled - and both finally receive the presentation they have always deserved, fully restored and remastered from the original BYG master tapes.
Jacques Coursil's Black S…
The Outskirts came together as a working band during bassist Ingebrigt Håker Flaten’s three-year stint as a Chicagoan from 2005-2008. They played regularly at all of the working venues for improvised music in Chicago at that time, including The Hungry Brain, The Velvet Lounge, The Hideout, and Elastic. They even made a live recording in April 2009 that they were eager to release. But unfortunately, the multi-track audio files were lost in a hard drive mishap, leaving only a barely usable rough m…
On Live at Hachioji Alone, Shudan Sokai document Tokyo free jazz at the moment it moves to the city’s western margins: exuberant quartet music where loft‑sharpened fire, song forms and nursery‑rhyme mischief collide in a tiny Hachioji club.