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The South African response to Chick Corea’s Return to Forever and Miles’ On the Corner. A defining musical statement in South Africa’s jazz canon – pinpointing the moment of social and musical ferment in which the country’s terms of engagement with jazz were irreversibly changed. Forged when township kids were facing down bullets, this is an electric mulberry funk – slick, intense and complex.
Highly recommended, a true Revelation! After a long hiatus since the homonymous 2006 release on Schema Records, The Invisible Session is back with Echoes Of Africa to be released on the newly-launched Space Echo label. Initiated in 2006 by Schema Records’ co-founder and musician Luciano Cantone, The Invisible Session’s influences are rooted in Black music. Written in collaboration with trombonist and multi-instrumentalist Gianluca Petrella, and with lyrics by poet, rapper, and MC Martin Thomas P…
** 2021 Stock ** Don’t let the date fool you, released back in 1983 this modal to slightly free jazz outfit from California takes you on a journey back to the late 60s and very early 70s, into the spiritual realms of greats like John Coltrane, Pharoah Sanders, John McLaughlin and Miles Davis among others. A soul jazz treasure from the LA scene of the early 80s – a fantastic record that I rank with the best Strata East sides of the time! The group's led by alto saxophonist Dadisi Komolafe, and fe…
678 Records presents Exit 1971 by Ian Carr's Nucleus. Recorded on friday june 11 1971 in a small club called the Exit in Rotterdam The Netherlands. Amazing and unknown performance from legendary UK jazz prog fusion rockers Nucleus led by trumpet player Ian Carr. A rare set as regular guitarist Chris Spedding who was absent for unknow reasons was not replaced by another guitarist (often Ray Russell) but by a second keyboard player: Hywel Thomas.
Ian carr -TrumpetBrian Smith - tenor sax. soprano s…
** 2021 Stock ** Primarily known as a conductor and composer than a performer, Vic Lewis was an important figure in British jazz from the early 1940's onwards. Born in North London July 29th, 1919, he started out as a rhythm guitarist (playing at three years old!) and also held the occasional cornet and trombone. His debut recording was in 1938 on a New York session featuring Eddie Condon, Pee Wee Russell and Bobby Hackett. During World War Two Lewis served in the Royal Air force and formed a ba…
First ever international reissue of one of the most sought-after albums from the Black Fire catalogue, Lon Moshe & Southern Freedom Arkestra’s life-affirming ‘Love Is Where The Spirit Lies’ from 1977. “Lon was creating his own path in his music life at this time,” remembers Black Fire’s Plunky Branch. “We had met in San Francisco and he had become an original member of JuJu during the early ‘70s. He then wanted to pursue his own music, primarily in jazz; he was an avant-gardist and loved Tribe, …
** In process of Stocking ** The tape of the very first Fela Ransome Kuti recording session has languished in a series of dusty cupboards and damp basements for 60 years. It’s a miracle that it has survived in such fine condition. The original Melodisc single, comprising side A of this release, was for long thought lost until a copy of the session acetate turned up and was reissued as part of the superb Soundway compilation Highlife on the Move (2014). However the two tracks on side B of this al…
** In process of Stocking. 2021 Stock ** Cadillac presents Night Time Is The Right Time - 60s' Soho Sounds by Dudu Pukwana & Bob Stuckey. Recorded at the legendary Ronnie Scott's Old Place, Gerrard Street, Soho, 1967/68 - Recordings from the artists' archives. These rare recordings feature the great South African altoist Dudu Pukwana in a combo with some of the key young players on the 60s London scene at the time and playing more like a young Jackie McLean than the free player of the Brotherhoo…
** In process of Stocking. 2021 Stock ** John Fordham It would make an absorbing blindfold test to present a panel of interested listeners with a track from this disc and one from the same pianist's Little Klunk trio session for Decca, 40 years ago, and invite them to decide which one's played by the 71 year-old. Not that the early record didn't sound as fresh, witty and jostling with clamorous harmonies and sidelong melody as Tracey has done for most of his life, but that the later one is, mira…
** In process of Stocking. 2021 Stock ** Cadillac presents Don't Worry 'Bout Me by Bobby Wellins Quartet. Recorded At – The Vortex Jazz Club, Stoke Newington, London 16 Feb 1996. Tenor Saxophone, Bobby Wellins, Piano – Graham Harvey, Bass – Alec Dankworth, Drums – Martin Drew, Engineer, Mixed By – Dave Bernez, Mixed By – Victor Schonfield, Dave Bernez, Bobby Wellins, Producer – John Jack for Cadillac Music & Publishing with financial assistance from Shirley Thompson, Photos by Kent Matthews and …
Cadillac presents For Heaven's Sake by The New Stan Tracey Quartet. Recorded in Wembley, 14 September 1995. Engineered and mixed 3 October 1995. The opportunity to present this first recording by the New Stan Tracey Quartet has been an event of great importance to me for a number of reasons. It perfectly fulfils the motivation for the Cadillac Label's creation and continuance since 1973, to wit the documentation and dissemination worldwide of unique moments of creative music making by artists wi…
Cadillac presents The Crane River Jazz Band. John Jack reissued this album in 1996 as part of a projected series in honour of his friend and mentor Doug Dobell. This compilation brings together rare live and studio recordings from the early 1950s and includes extensive notes from Bill Colyer and Pat Hawes and rare photos from the Pat Hawes archive. This is the first time the album has been made digitally available.
Instruments [Suitcase], Liner Notes – Bill Colyer, Executive-Producer [Assistant]…
Cadillac presents The Real Ken Colyer by Ken Colyer's Jazzmen featuring Pat Hawes, recorded live at The White Horse, Willesden, London, February 27, 1964. John Jack reissued this album in 2000 as part of a projected reissue of a number of 77 albums in honour of his friend and mentor Doug Dobell. Extra takes were added from the original session acetate. This is the first time the album has been made digitally available. Ken Colyer's life and musical career have been well documented, but many youn…
** In process of Stocking. 2021 Stock ** Cadillac presents The Last Night At The Old Place by Mike Westbrook Concert Band, recorded at Ronnie Scott’s Old Place 25 May 1968. Exactly 50 years on, a unique event featuring the music of the most exciting British jazz group of its time in full swing, released for the first time. Remembering John Jack Mike Osborne, Harry Miller, Paul Rutherford. So many good things were contained within the Mike Westbrook Concert Band of 1968 that it’s hard to know wh…
The Seventies should be acknowledged as a landmark period in creative music making in Britain and a potent influence throughout Europe. Whilst not economic paradise there was quite a bit of public funding beginning to come to jazz but the most important support was (and still is) the networks of dedicated Individuals throughout the country that provided unstinting support and platforms for the artists. A prime mover amongst these was the group of people in the Midlands that in 1976 came together…
** In process of Stocking. 2021 Stock ** Cadillac presents The London Concert by David Murray. Remastered from the original 2LP set (released in 1979) and including 2 previously unreleased tracks, Nairobia and Flowers For Albert (and reuniting the two halves of Murray’s Steps…). Recorded live at the Collegiate Theatre, London, England on August 11, 1978.
Tenor Saxophone – David Murray, Cornet – Lawrence 'Butch' Morris, Piano – Curtis Clark, Bass – Brian Smith, Drums – Clifford Jarvis.
Design [Or…
Newly discovered recording of two British Jazz Legends gets a welcome first release! This double album consists of, for the first time ever on CD, the Stan Tracey solo recording Live at Wigmore Hall, made for Cadillac Records in 1974. The re-release of this set is valuable enough in itself, but added golddust comes in the shape of the additional material - the previously unreleased second half of the evening - a duo recording with alto saxist Mike Osborne. Two of the greats of the English jazz s…
** In process of Stocking ** For many years Evan Parker, one of the greatest post-Coltrane saxophonists, has played a monthly gig at the London club The Vortex. These gigs in part illustrate Evan’s close ties with the fragile ecosystem of clubs that support the jazz world; the small venues that allow an intimate and powerful connection between the artist and audience that is at the heart of jazz creativity. Evan called these events his ‘jazz’ gigs, the knowing hyphenation an indication of the pr…
That William Parker is a bassist, composer and bandleader of extraordinary spirit and imaginative drive is common knowledge among any with an interest in the progressive jazz / any music scene of the past 25 years and more. What's become increasingly apparent, though, is Parker's stature as a visionary of sound and song -- an artist of melody and poetry who works beyond category, to use the Ellingtonian phrase. The latest multi-disc boxed set from Centering Records/AUM Fidelity devoted to Parker…
** 2021 Stock ** Those artists that have the courage to bare themselves are often warned to "brace up." Since few things in improvised music are considered as dangerous as allowing space to others. Someone might easily grab all of that space and position themselves as ringleader, in the contest that a concert sometimes is. The Seppe Gebruers, Hugo Antunes and Paul Lovens trio are definitely not at each other's throats, though. The title of their 2018 album recorded 2016, The Room: Time & Space, …