On Live at Hachioji Alone, Shudan Sokai document Tokyo free jazz at the moment it moves to the city’s western margins: exuberant quartet music where loft‑sharpened fire, song forms and nursery‑rhyme mischief collide in a tiny Hachioji club.
**Mad puppet Limited Edition 666 copies with Red marble Vinyl pus Insert and Mad puppet Mask!** Deep Red / Profondo Rosso the incredible existential and atmospheric soundtrack experience of Dario Argento's films comes from the merging of gorgeously c…
"Dream of the Egg" is the debut solo album by Tomo Katsurada, known for his work with the Japanese psychedelic band Kikagaku Moyo. This project is a unique fusion of music and visual art, inspired by the Japanese 1920s children's book “Yume No Tamago…
A shiver of mischievous vocal snippets, disorienting rhythms and collapsing sonic architectures, upsammy and Valentina Magaletti’s first collaborative album prioritizes motion, modulation and variance. The seeds of ‘Seismo’ were sown following a comm…
We are marking the return of Cabaret Voltaire with the latest Electronic Sound cover story and we're combining the magazine with a green vinyl Cabs seven-inch offering brilliant live versions of 'Nag Nag Nag' and 'Spies In The Wires'. This is a limit…
On Landlocked, Mo'ong Pribadi and Sholto Dobie build a clattering, breathing machine‑folk from self‑made pipes, horns and percussive junk, where air compressors and human lungs mingle into an uncanny music of phasing clicks, drones and phantom tunes.
On Attacco morbido, ATMO (Leila Hassan and Elia Buletti) let soft drum‑machine grids, quietly glowing keyboards and voice‑led fragments drift together, where programmed pulse and hand‑played percussion blur into intimate, half‑dreamt songs.
On Taillis, Roxane Métayer and Charles Dubois cultivate a sparse, alive thicket of sound where violin, prepared drums and resonant objects trade roles, letting melody, pulse and texture quietly braid into fragile, shifting song‑forms.
Schatterau’s third album, »Wir gingen durch leere Stunden« (We went through empty hours), sees the German duo blossoms with beauty and sophistication through a broad creative language. This opus, presented in the form of vivid auditory tableaux vivan…
These stunning recordings combine the great strengths of Pauline Oliveros on her Roland V-Accordion, Issui Minegishi; Ichigenkin master and great-great granddaughter of the founder of the Seikyodo Ichigenkin tradition and Miya Masaoka on her 21 strin…
A rhythm-driven, analog-leaning record built from hypnotic basslines, warm synth textures, and layered percussion, "Simulacra" is the debut LP from Venetian bassist and producer Eric Demuro, a fully realized studio statement that brings his compositi…
This compilation brings together eight tracks by Yassine Nana and his group, recorded between 1984 and 1989, during a key moment in Mauritania’s musical history. A central figure of one of the country’s most respected musical families, Yassine stands…
Who was Antoine Dougbé? Even the most dedicated crate-digger might go their whole life without stumbling across any of the three LPs he released in the late 1970s and early ’80s. Yet all the musicians who happened to cross paths with him remember him…
*2026 repress* Lilith present a reissue of Os Mutantes' self-titled debut, originally released in 1968. With the release of their debut LP in 1968, Os Mutantes cracked the already red hot Tropicalia scene wide open. Fusing traditional Brazilian music…
Inspired by the ancient Greek concept of To Pan Eon — “the All, the Eternal” — German drone transcendentalists Inade and Troum unite for an immersive four-track 10” EP that explores the infinite cycles of mind and matter. Having admired and followed …
Analog Tara’s Life of the Mother is a sonic meditation on the depth, expansiveness, complexity, and power that this phrase holds. This album is made from layers of generative processes and interactions with them. Analog Tara uses a Zillion sequencer …
Vologne debut album tells stories about loss, existence and oppression...when lost illusions turned into black rage. To the restless and misunderstood people who enjoy another kind of beauty.
Acclaimed musicians Nitai Hershkovits and Daniel Dor will release their highly anticipated album, “The Garden Suite”. Following their previous collaboration on Daniel Dor’s debut album, “Four Petals”, this new project sees the duo exploring uncharted…
“Found & Found” - the second album from Nitai Hershkovits and Daniel Dor grew out of pure curiosity. “There was more to say, more to explore,” says Dor. Expanding from the synth-only palette of 2024’s “The Garden Suite,” these tracks include guitar a…
These songs are the first five compositions made by Hands. It's a live recording from their first gig at Råhuset in Copenhagen on october 8th. The digital cover art is a still from the Tim Burton film Edward Scissorhands, with Johnny Depp playing the…
*2026 stock. 30 copies limited edition* Dry, mostly unprocessed recordings of feedback trials with electric guitar, amps, mics and speakers.
"When I was in 7th grade, my friends and I started spending our long lunch breaks walking to the nearest supe…
*2026 stock* Ad old men but not down-trodden paths when the areas are only popular & sought after by the still few. For many, there’s a Milky Way between pop & this music; for fewer, it’s like standing on either side of a hybrid ant. The guitar (the …
*40 copies limited edition* ‘180’ is a collection of solo improvisations with pedal steel, clarinet, casio mt-140, electric guitar & computer. soundscapes & compositions made in real time with use of loopers, effects & granular processing. Made in my…
*2026 stock. 300 copies limited edition* "All My Rages" is Astrid Helena Frej Møller’s debut album. nine intense and personal compositions, inviting both outbursts of ecstasy and sensual introverted experiences. The songs revolve around the theme of …
*2026 stock. 300 copies limited edition* ‘Passage’ is the second release in a series of ambient recordings by Magnus Munk Tækker and is a collection of musical pieces made between august 2023 and march 2024. The record reflects on the passage of time…
On Ola Tunji, Ola Tunji channel a luminous strain of spiritual and free jazz: collective meditations where Ornella Noulet’s fierce, tender saxophone rides a young quintet’s searching interplay toward something like secular devotion.
In Iannis Xenakis's Persepolis, Dr. Aram Yardumian situates the composer’s monumental electroacoustic piece amid wartime biography, architectural practice and Iranian state spectacle, tracing how one work came to shadow both the Shiraz Festival and t…
In BBC Radiophonic Workshop – A Retrospective, writer William L. Weir recounts how a small, overstretched BBC unit accidentally invented the sound of the future, tracing its tape‑loop alchemy from children’s shows to the DNA of electronica and ambien…
In The Sound of the Machine, former Kraftwerk member Karl Bartos offers a wry, detailed memoir of life inside and beyond Kling Klang, tracing how post‑war childhood, pop dreams and classroom work converged in some of electronic music’s most enduring …
In Futuromania, critic Simon Reynolds assembles essays and interviews into a time‑spanning narrative of machine music, tracing how electronic pop, from Moroder to Burial, has channelled science‑fiction fantasies and anxieties into new futures for sou…
In Ukrainian Field Notes, Gianmarco Del Re uses more than 300 interviews to trace how war reshapes listening, following Ukrainian musicians as they compose amid sirens, shelters and displacement while forging new local and diasporic sonic communities…
In La ragazza e il generale, Ennio Morricone threads anti‑war irony through bittersweet melodies and marching figures, mixing folk‑tinged themes, choral snatches and tense orchestration into a score where tenderness and absurdity share the same battl…
On Danger: Diabolik, Ennio Morricone weaponises pop, jazz and electronics into a hyper‑stylised heist engine: fuzz guitars, wordless vocals and mod orchestration turning Mario Bava’s comic‑book caper into a delirious, late‑60s sonic hallucination.
In Thrilling, Ennio Morricone’s widescreen sense of drama condenses into a tightly wound suite of themes: tense strings, ghostly choirs and razor‑edged rhythm figures that turn suspense into something almost voluptuously atmospheric.
In Cosmic Music, Andy Beta traces Alice Coltrane’s journey from Detroit church pews to avant‑garde bandstands and ashram altars, revealing a visionary composer, bandleader and spiritual teacher whose work radically reshaped the possibilities of Black…
On They Came Like Swallows – Seven Requiems for the Children of Gaza, Bonner Kramer and Thurston Moore channel decades of noise, songcraft and studio sorcery into seven slow‑burning laments, where volcanic drones, grief‑stricken melody and a haunted …
Originally released in 1968 on Reprise Records, Release Of An Oath is the fourth studio album by The Electric Prunes and a radical departure from their earlier garage-psychedelic sound. The album was fully composed and arranged by David Axelrod, draw…
On Istikhbars And Improvisations, Mustapha Skandrani turns solo piano into a bridge across the Mediterranean, translating Arabo‑Andalusian vocal modes into crystalline keyboard meditations that move like a modal Goldberg from Algiers to Paris and bac…