New Arrivals

Reconfiguring the laments from their debut album, Old Saw distill a wilted and hollow reflection from their original recordings. Lines freshly traced, erased, and reassembled from cassette and reel-to-reel machines, presented here like new writing on an old postcard.

*2024 stock* "Blanche Lafuente, Jeanne Guien, Nina Garcia, Thomas Dunoyer de Segonzac: no noise quartet post no post no wave no punk post noise post mama post everything: French chanson... A crawling bass, shredding drums, a lacerating scalpel-guitar, hijacked tape loops, bits of agit-pop poetry carried by chanted, melodramatic vocals." - le non_jazz

*2024 stock* Recorded by Bertrand Fraysse, at La Mami . Mastered by Manuel Duval, Grange-cavale. Printed by Bureau Falaise, Brest, with Lola and Yoko. Bonne Humeur Provisoire: Ivan Martin, Gaël Gittard, Mathieu Goulin. Labels: Animal Biscuit, La république des Granges, Fougère, Becoq, Agraf prod, Tandori.

"The long-standing duo of German multi-reedist & brass player Udo Schindler and drummer Eric Zwang Eriksson are joined by percussionist Erwin Rehling (HAMMERLING) for the 4-part free and eclectically authoritative improvisatory work "Ritual Sound Exposure", recorded live at the music venue and bookstore BASIS_Klangraum at the Munich Community Arts Center." - SquidCo.com

"An extended improvisation captured in 2023 at ASIS_Klangraum in MUCCA & dasvinzenz (Munich) from the trio of long-time collaborators Eric Zwang Eriksson on drums and Udo Schindler on bass clarinet, cornet & Tubax (an Eb contrabass saxophone) with guitarist Andreas Willers of Grid Mesh, for an evolving and exploratory work of deep reflection and extreme catharsis." - SquidCo.com

"Experimental chamber music from the German trio of Udo Schindler on tenor saxophone, bass saxophone & cornet, Eric Zwang Eriksson on percussion and Sebastiano Tramontana on trombone & voice, performing at BASIS_Klangraum in MUCCA, Munich, the title translating to "singing without words" from the poetry cycle "Il taccuino del vecchio" by Guiseppe Ungaretti." - SquidCo.com

"Unique voicing through the orchestration of saxophones, basset horn, glissotar (a modern continuous pitch wind instrument) and vibraphone, heard in this recording at the international artist house Villa Waldberta, in Feldafing-Munich, Germany, for seven recordings that blend free jazz forms with chamber jazz approaches with remarkable sophistication and composure." - SquidCo.com

"The quartet of Udo Schindler on reeds, Ernesto Rodrigues on viola, Guilherme Rodrigues on cello and Nuno Torres on saxophone are heard in Munich, first in a wildly interactive live performance at Schindler's Salon successor: BASIS_Soundscape at MUCCA; then live in the studio for 7 improvisations with track titles borrowed from and under the influence of the poetry of Allen Ginsberg." - SquidCo.com

"Reedist Udo Schindler continues his exploration into the double bass and low-tone reed instruments, here on bass & contrabass clarinets contrasted only with his soprano saxophone, in a 2022 live recording from MUCCA_Kommandozentrate in Munich of the five-part improvisation "Hybride Synergetic" in a trio with double bassists Peter Jacquemyn and Georg Karger."  SquidCo.com

"Quoting Danish painter & sculptor Asgar Jorn - "To get anywhere, one must choose one's mistakes. I chose experimental acts." - the quartet of Udo Schindler on alto sax, bass & double bass clarinets & cornet, Eric Zwang Eriksson on drums, Ardhi Engl on self-invented instruments and Nikolaus Neuser on trumpet, are heard live at Munich's FMZ for 3 masterfully risk-taking sound poems." - SquidCo.com

*2024 stock* Recorded and mixed by Manuel Duval at the Studio de la Grange Cavale in 2020-2021Mastered by Camille JamainText "Faire les dents repousser" by Bise LolikowskaProduction : In Paradisum, Murailles Music & La République des Granges

*2024 stock* Dwarf Lift Dwarf is a two-headed cerberus with crumpled masks of celestial rascals. His chirps sound like the call of a freshly deconditioned post-Hawaiian pizza. One mouthful leading to another, creepers and castrated quarterbacks arch perilously over putrid swamps where the spoils of a lucid duty-free tourist languish. The intentions are clear: to emerge virtuous from the winter of 2020, accompanied by the priest of priests Flavio Bagnasco le Cremovo, aka Cremyeuse, on the double-…

Repress of the stunning debut from Moin - experimental art rock/post-punk group made up of both Raime members and percussionist Valentina Magaletti. A serendipitous conversation brought the project to life. Moot! allowed the group to re-appreciate the recording process, using a combination of live recording and studio techniques. The album spans psych, alternative rock and post-punk mixed with their signature electronics and sampling practice. The record was made as an experiment, to be enjoyed,…

LP, 50th Anniversary Edition. 180G "Pearl / Sunrise" Colour Vinyl. Original 1973 Vinyl Sleeve Reproduction. Iconic Studio Photography as 4 Fold Poster feat. Manuel Göttsching and Rosi Müller during Recording Sessions. Original "The Fairy Dance" Music and "Schizo" Composition Sheets handwritten by . We are thrilled to announce the highly anticipated re-issue of Ash Ra Tempel's legendary 5th Studio Album "Starring Rosi" in our "50th Anniversary Edition". Originally released in 1973, this seminal w…

*Limited to 100 copies* "On the solo bagpipe release "Air Drain" Henry Birdsey (Half of Tongue Depressor) creates deep, haunting pieces that entrance the listener. Simple forms that evolve with breath and time."

*Limited to 50 copies* Four tone studies - each an individual note for trombone, finding (un)resonant locations of unique tonal and physical resistance.

*Limited to 50 copies* "Eighth release in the Solo Horn series. Andrew Weathers works with the resonance of a movie theater lobby in Santa Fe, NM." - Sound Holes

Deluxe reissue edition. Restoration and digital transfer from original analogue tapes. 2LP - gatefold sleeve with LP size insert - 180g premium vinyl cut and pressed at Pallas in Germany. In recent times, a search of the Red Records archive led to the discovery of two quarter-inch tapes, believed to be blank. Upon closer examination, a single Sphere track was discovered on each of the reels. A remarkable discovery since, incredibly for such an important jazz group, the official recording legacy …

*Limited to 70 copies* "Electric Shahi Baaja and Gaz recordings from southern France. Pushing out towards the reaches of stringed-instrument technique. Playing with structure and typical/a-typical sound. Based in tradition processed to confuse." - Sound Holes

*Limited to 50 copies* Debut release by Omaha, NE based free improvising duo, Smith & Jessen.

*Limited to 100 copies* "This is the good stuff. Metal objects and lap steel guitar. Inhale deeply" - Sound Holes

*Limited to 100 copies* "Al Jones and Zach Rowden played a series of gigs down the west coast of Canada & the US last year. Here are a couple of those tape mangled sets." - Sound Holes

*Limited to 60 hand-numbered copies* "Ali Robertson used to be an improviser but he's not anymore. Ask him for the score for this tape so that you can play along at home." - Sound Holes

*Limited to 100 hand-numbered copies* "This is the first recording in 10 years after a hiatus of activities asBurried Machine, and also be the first release under my real name, Shin Chida. This is a collaboration release with Tom Karlsson who is a Swedish artist and also experimental musician, for the second time since my last release as Burried Machine in 2013, Stoned Mirror." - Shin Chida

The second part of Matador’s reissues of the essential early records by Texas’s Butthole Surfers continues with three of their most insane slabs -- 1985’s ‘Cream Corn from the Socket of Davis,’ 1987’s ‘Locust Abortion Technician’ and 1988’s ‘Hairway to Steven.’ The period during which these records were first issued parallels the Buttholes’ transition from being weirdo Texas outcasts to becoming internationally recognized smut-kings of the American underground. In 1985 they were still the sole p…

William Parker - double bassHugo Costa - alto saxophone Philipp Ernsting - drums Recorded at Codarts, Rotterdam, October 11th, 2023 by Philipp ErnstingMixed and mastered by Arūnas Zujus at MAMAstudiosCover art by Martynas IvinskasPhoto of Hugo Costa by Rui SilvaPhoto of William Parker by Peter Gannushkin / downtownmusic.netPhoto of Philipp Ernsting by Florian CramerDesign by Danas Mikailionis

Augustin Soulard is a French composer, sound artist and sound engineer born in 1992. His practice is grounded in experiments in modular synthesis, computer music, sound design and live performance. Trained in algorithmic music and computer composition, Soulard studied with Yvan Etienne and Bastien Gallet. He later met Fransisco Ruiz de Infante and became a member of « Blue Sky ». His research focuses on diverse modes of sonic phenomena, the ambiguity between the synthetic and the organic, and me…

"Rubbish Music embody the elevating and transformative action of imaginative involvement with discarded materials. In the process they give audible expression to our ability to resist pessimistic resignation and to realise creative redeployment. Long may they recycle!” — The Wire Persistence of Sound presents the second album by Rubbish Music (Kate Carr and Iain Chambers), the duo upcycling waste into immersive electroacoustic music. “As we go about our daily lives, malodorous monsters are const…

Angelo Bignamini is a musician and sound artist from Italy. His musical research focuses its attention on the relationship between sound and its deterioration. For this purpose he uses analogue devices (especially tape recorders and feedback) as the main tools for manipulating digital sound. He recently returned to the acoustic guitar as an implement for inner investigation through improvisation on open tunings. His works are published by independent labels all around the world. Angelo Bignamini…

De L’Angle Mort Trio is Claire Bergerault, Patrick Charbonnier & Lionel Marchetti. The three musicians collaborate for the first time as a trio. Their music explores new aspects of electroacoustic music, combining improvisational musical techniques with live electronics and dance music forms. “Aigue – Marine” consists of three compositions based on voice, electronics, accordion, and rhythmic elements. Claire Bergerault, Patrick Charbonnier & Lionel Marchetti improvise in a spontaneous way, creat…

"I believe that the destructive element in art is neglected too much." - Piet Mondrian

"Drawing on a sound poem from French poet Stéphane Malarmé published in 1875, pianist Michel Wintsch and multi-reedist Udo Schindler on bass clarinet and alto saxophone tubax (a modified contrabass saxophone) perform five expressive and assertive improvisations with titles "borrowed from Stéphane Malarmé, who sees his texts as instruments." - SquidCo.com

"Confidently forceful German free improvisation with an eccentric approach, from multi-instrumentalist Udo Schindler on clarinets, cornet & tuba and artist & improviser Etienne Rolin on basset horn, Glissotar (a continuous wind instrument) & a Bansuri flute, as they improvise over Schindler's poem (jetzt/now) from his cycle frequenz schaukelt / frequency swings." - SquidCo.com

"Lately I’m seeing that it would be nice to turn one’s thoughts inside-out, which is possible for me, because I don’t compose in a straight line. I always compose around the periphery, you know." - David TudorUdo Schindler, b-flat, bass & double bass clarinets, cornet. Werner Dafeldecker, double bass.Udo Schindler plays a bflat-clarinet mod.3000 by Seggelke Klarinetten, a Leblanc metal doublebass clarinet modified till low C by Bruno Waltersbacher (& Benedikt Eppelsheim†) with a mouthpiece by Ma…

Audio & video live recordings November 26th, 2023 at BASIS_Klangraum at MUCCA & dasvinzenz (Munich) by Udo Schindler (arch-musik). Mix & editing by Thoma Lehn. Music by Schindler & Lehn (GEMA). Cover photo by Udo Schindler. Gaphic design by Udo Schindler. Produced by Udo Schindler/arch-musik & Thomas Lehn. Udo Schindler plays a bflat-clarinet mod.3000 by Seggelke Klarinetten, a Leblanc metal doublebass clarinet modified till low C by Bruno Waltersbacher (& Benedikt Eppelsheim†) with a mouthpiece…

Live rec. at April 18th, 2024 by Udo Schindler at StudioUS / Krailling-Munich. Mix by Wolfgang Obrecht / Tonstudio RichArt. Cover photo by Udo Schindler. All compositions by Udo Schindler (GEMA), NOID (SKM). Udo Schindler plays a bflat-clarinet mod.3000 by Seggelke Klarinetten, a Leblanc metal doublebass clarinet modified till low C by Bruno Waltersbacher (& Benedikt Eppelsheim†) with a mouthpiece by Max Geller & use a bass clarinet heavy neck by Martin Suter (Blashaus Luzern)

"... it's not about cleaning the music from the non-music or trying to destroy all disturbing noises, but to perceive the music as such, which exists in the midst of the noise of life. The more open the ear is to everything audible, the more strongly the music radiates its speciality. Because a musical instrument has a material body, its sound cannot be frictionless and clean. ..." - From Portrait of a Spinning Top / Portrait eines Kreisels by Yoku Tawada (Berlin) Udo Schindler plays a bflat-cla…

A founder member of Soft Machine, Kevin embarked on a solo career in 1969, signing to EMI’s Harvest label and recording the album ‘JOY OF A TOY’ the same year. It is a mark of Kevin’s stature that his recordings during this period would feature contributions from notable musicians such as arranger and keyboard player David Bedford, Robert Wyatt, Syd Barrett, Mike Oldfield, Lol Coxhill, Steve Hillage, Archie Legget and more.  This boxed set includes all of the surviving BBC sessions and In Concer…

Marionette presents 'dessus oben alto up', the first collaborative recording by Andrea Belfi and Jules Reidy. Hailing from different ends of the globe (Australia and Italy) but both longtime residents of Berlin, Reidy and Belfi’s approaches have much in common, bringing together compositional precision and electroacoustic rigour with improvisation freedom, the immediate gratifications of rhythmic pulse, and an overtly lyrical sensibility. Working together during a residency at the sound studio o…

Dark Entries calls on Philadelphia experimental duo The Ghostwriters to resurrect their 1981 LP of minimalist mayhem, Objects In Mirrors Are Closer Than They Appear. The late Buchla maestro Charles Cohen and multi-instrumentalist Jeff Cain joined up in 1971 to craft electroacoustic chaos as Anomali, later renaming themselves The Ghostwriters. Their collaborations with choreographers and visual media artists led to their singular style, straddling improvisation and composition, the oneiric and th…