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"Curington obliterates junk he’s pulled from the internet to create a razor-edged hall of mirrors which Yol’s rants alternately smash through and get consumed by. Curington’s production is completely at one with Yol’s vocal performances, catapulting them into a more frenzied, harrowed place than I’ve heard them go before. The pair conjure absurdity and violence in equal measure. Channeling the ugly feelings of ugly times." - Daryl Worthington for Spool's Out in The Quietus"Everything is arranged…
Teasel is the duo of Gwilly Edmondez (voice) and John Garner (violin) that began playing in 2017. From around 2022 onwards they have focused on just the raw pairing of voice and violin without added electronics and accoutrements. Untreated articulations of air cut with the gaspings of gut in both directions.DREMPT comes from a series of sessions that take these two sound sources as the entry point to an adventure in instantaneous-simultaneous autobiography and its escape from cold hits.
Circling guitar lines; the rise of fall of delicate bass; deep, breathy horns: sonic elements that exist in a state of slow, perpetual motion, like ideas sprouting from some kind of cognitive compost. With wonder and charm, G. S. Schray's new solo album, Whispered Something Good, evokes a realm of new growth while offering a fitting soundtrack for its exploration, as if tailor made for both the daydreamer and silly adventurer. We start in the darkness of "Unlit Center" with elliptical phrases of…
Air is the central element in Antonina Nowacka's third solo album Sylphine Soporifera. The title names an imaginary species and the land they inhabit, inspired by the unreal desert landscape of Paracas and the undulating tree-less hills of the Outer Hebrides, and comes from the writings of Rudolf Steiner, who describes creatures called Sylphs as the spirits of the air, and the Latin word sopor which means deep sleep. As with all her releases, Nowacka's other-worldly vocals coming as if from beyo…
** 333 copies, one-time pressing ** Pan Afrikan Peoples Arkestra in concert at the Immanuel United Church of Christ - September 30, 1979. This is the seventh concert that Tom Albach recorded at Immanuel United Church of Christ. A wild and beautiful performance from beginning to end. Opening with an angelic take of Coltrane’s ‘Equinox’ which turns into a Coltrane medley, this recording is obviously a special one from the start… the existence of an unheard Sabir Mateen composition from 1979 (‘A C…
** 333 copies, one-time pressing ** Pan Afrikan Peoples Arkestra in concert at the Immanuel United Church of Christ - March 25, 1979. This is the third concert that Tom Albach recorded at Immanuel United Church of Christ. This recording finds the Arkestra on new feet following the departure of bandleader Jesse Sharps. Featuring two of Jesse’s classics, including a totally different take on ‘Mykowski’s’, and the now iconic live version of ‘Desert Fairy Princess’, this concert also marks the debu…
** 333 copies, one-time pressing ** Pan Afrikan Peoples Arkestra in concert at the Immanuel United Church of Christ - April 29, 1979. This is the fourth concert that Tom Albach recorded at Immanuel United Church of Christ. Featuring fiery takes of ‘Village Dance’ and ‘Mykowski’s First Fifth’, this concert also marks the only known recording of Tapscott’s ‘Song of Emanon’. Rounded out with the Jesse Sharps tune ‘Sea Wife’ and Tapscott’s homage to David Bryant ‘Dee Bee’s Dance’, this recording ma…
A duo of irony, smoke, and mirrors, computer musician Tom Mudd and percussionist/violist Áron Porteleki operate at either side of the same see-saw, teetering between realms of digital and tangible soundscapes. Mudd's artistic voyage is anchored in the realm of physical modelling synthesis, an exploration of the nuanced interplay between software and improvised music, delving deep into the multifaceted realms of algorithmic composition and digital sonic artistry. Meanwhile, Porteleki's expansive…
Slovakian producer Monika Subrtova presents her first solo LP ‘Toon’ - a collection of chilly visions drawing on influences from 90s Electronica, Techno and film composition. Until recently, the majority of Subrtova’s work has been released and performed alongside Daniel Kordik under their raucous project Jamka. Whether working collaboratively or alone - Subrtova adopts the spirit of modular synthesis, allowing music to unfurl naturally through presence with the machines and progressive paramete…
Tip! "I just released a new album as my solo project, Agencement. This is a follow-up album to 'Six Juxtaposed Works', which was released in 2017 on the Copenhagen label Tochnit Aleph. It's been about 35 years since I produced 'vinyl' by myself, so it's very emotional, although since the 1990s, it has become difficult to manufacture vinyl LPs in Japan and there were no channels to outsource overseas because I was disappointed in the situation. Musically, I think it's a further step in the direct…
Joining their newly launched Luminessence audiophile vinyl-reissue series, the legendary imprint, ECM, digs deep into their own vaults and comes up with an absolute gem: the guitarist John Abercrombie, the bassist Dave Holland, and the drummer Jack DeJohnette’s groundbreaking 1975 LP “Gateway”. Rooted in approaches drawn from free jazz and unquestionably springing from both Holland and DeJohnette’s time working in Miles Davis’ electric fusion band at the end of the 1960s and early '70s, it’s a r…
“Destined to go down in history as a jazz classic” was the verdict with which The Guardian greeted this album on its release in 1997, saying, “Wheeler’s compositions and four of the world’s greatest improvisers make for a tranquil set that rewards with every listening. This is beautiful, golden music.” Angel Song is among the apexes of the label’s catalogue, uniting four master-improvisers – each with a unique artistic identity – in an intimate, drummer-less quartet session. Kenny Wheeler is the…
*200 copies limited edition* Second opus from MZ 412 co-founder Jouni Ollila. Ulvtharm is painting his world as a sprawling, post-apocalyptic industrial wasteland, where humanity clings to survival in the shadows of monolithic factories and decaying cities. Skies choked with ash, and a sun that seldom breaks through the omnipresent smog. Within this landscape, the Seven Uthras exist not as beings of benevolence, but as ancient, god-like entities that emanate from the darkest depths of the earth,…
*100 copies limited edition* The latest album from one of Sweden's most iconic ambient acts. "Bathe In Black Light" is a haunting ode to the night, to the darkness that is not blindness, to the intense tranquility and boundless inner wilderness of the void. Watch the sparkles glisten in the night, bathe in black light, for there is no light without darkness.Double Vinyl Edition in gatefold sleeve, matt lamination. 7 Tracks. Running time 55 minutes. 100 copies in Marbled grey & back.
Reading Group is thrilled to present our second collaboration with the magisterial composer Carman Moore. Following the 2020 release of his gorgeous chamber soundtrack to the film "Personal Problems" (1980), "Soul Musings" is a double-CD representing Carman's innerly composerly life of the last several decades. Consisting mostly of sketched ideas, meditations, and improvisations on synthesizer or piano, this record is both an intimate portrait of the artist at home as well as spiritual gift. Dis…
*100 copies limited edition* Reading Group, in collaboration with Braddock, PA-based imprint Huner Francis, is pleased to present "Spatial Data Management (Original Score)" by Ulla E. Straus and John Andrew Wilhite, a beautiful score to an equally beautiful film by Philadelphia-based artist Greyory Blake. The score to Spatial Data Management (2021) is a contemplative and referential ambient work. It provides the backdrop for the essay film’s exploration of how stolen value and the contemporary p…
Restock due soon! Edition of 500 copies. Shane Parish is a member of the Bill Orcutt Quartet and Tzadik Recording Artist. Solo guitar arrangements of various jazz /avant garde/electronic/etc. tunes. Imagine: It’s sometime in the back half of the 19th century, America. You’re sitting in the parlor of your mansion, or in the only room of your shack; things are dusty and smell like sweat and hair, no matter how wealthy you may be. You don’t own a phonograph, and you don’t know who Tony Hawk is, but…
"We wrote “Accept When” between 2022 and 2023, after a long, beautiful period improvising together intimately in the safety of a friend’s practice space. Our friendship, the quality of attention that colored the light of that and all our other practice spaces, became the basis for our activity and growth as songwriters and our relationship as improvisers. Friendship, how we relate to each other, is our nucleus: the central and essential part of our movement; the positively charged central core o…