Experimental / Free Improvisation

The trio of Luciana Bass, Ezequiel Jaime, and Federico Isasti brings together three distinctive voices from Argentina's adventurous improvised music scene. Centered on Bass’s expressive sonic palette, their music is both volatile yet deeply attentive, fueled by Jaime’s exploratory playing and Isasti’s highly responsive drumming. They move freely between sparse textures and intricate collective energy. This release documents a trio deeply attuned to one another, forging form and intensity in the …

On Distractions for Trumpet & Ajaeng two radically distinct instrumental traditions converge in a study of texture, fragility, and focus. Kelley’s whisper-quiet trumpet tones and microscopic bursts of air intertwine with Kim’s bowed ajaeng, its coarse, resonant grain stretching and splintering in real time. The result is a taut, immersive dialogue that transforms subtle gestures into seismic events and invites listeners into a heightened space of deep listening and unpredictable detail.

Yara Asmar’s new album, “everyone I love is sleeping and I love them so so much”, presents 11 pieces recorded over the past year between the small town of Alfred in upstate New York and Beirut. These sometimes fragile and tentative sound sketches reflect the times as Yara steps out, as if onto ice, into a new life on a new continent. She works with unfamiliar instruments, new materials and new sounds to build on her intimate style; homemade mechanical music boxes and a personal archive of family…

"Another window opens - and with it, another singular mystery of modern impressionism joins the catalogue of Les Disques Omnison. Classicaly trained yet reshaped by Paris experimental and improvisation scene, Jeanne Gorisse pushes her "bass" practice further on her second solo album, a follow-up to her 2024 debut "Immersion Libre". Alongside the double bass, she explores bowed electric bass, and re-records herself to tape on several tracks; creating an intimate dialogue between the acoustic and …

2010 release ** The installment on the Hijokaidan DVD live series, this is an early performance shot in 1981.

Aura captures the unmatched synergy between two of AMM's core figures, percussionist Eddie Prévost and pianist John Tilbury, who also explores the harpsichord in this release. Recorded in the acoustically rich setting of The Sibelius Museum in Turku, Finland, this album offers a meditative, deeply intimate experience through extended improvisations that emphasize AMM's ethos of creating expansive, ambient soundscapes. With Prévost's textural percussive approach and Tilbury's subtle, evolving cho…

'Making a journey to a Bright Nowhere' series - marking Eddie Prévost's 80th birthday. Volume 4 - Cafe OTO 30th July 2022

*In process of stocking* Quartet, the masterful grouping of Rachel Musson on tenor sax, NO Moore on electric guitar, Olie Brice on double bass and Eddie Prévost on drums, an improvising ensemble of wonderfully unpredictable momentum, from passages of quiet introspection to thunderous density, but always with attentive listening and imaginative responses, heard in this spectacular 2021 concert at Iklektic.

Recorded at a concert in London, September 1984, this supersession brings AMM stalwarts Keith Rowe and Eddie Prevost together with saxophonist Evan Parker and bassist Barry Guy for an amazingly diverse and cohesive long improvisation. "Eddie Prévost is not only a highly articulate percussionist but also a stimulating writer, writing for example his occasional contributions to The Write Place or his examnation and critical reactions to The Ganelin Trio in Wire 7. This CD release from Prévos…

Matchless Recordings presents a live concert by Eddie Prévost and John Tilbury recorded at Gateway Studios, Kingston-upon-Thames, England on the 6th of January, 2004. The album includes eight tracks performed by John Tilbury - piano, prepared piano and organ and Eddie Prévost - stringled barrel, tam-tam, percussion. "Some of their music is delicate and pointillistic with wide spaces between sounds, but there are also rich, thick webs and, as indicated, Cage/Kleeube Goldberg thunkity-thunk machin…

Matchless Recordings presents a live concert by Evan Parker and John Tilbury recorded at Gateway Studios, Kingston-upon-Thames, England on Monday 3rd August 1998. The album includes three tracks performed by Evan Parker - tenor & soprano saxophones and John Tilbury - piano. "These musicians have chosen to eschew the given media of jazz, from whence Evan Parker received much of his initial inspiration, and the classical world from which John Tilbury received his early and formative training, in o…

*300 copies limited edition* SOL OP is based on a collective composition for unconventional pipe organs made by the three Danish composers and musicians Jonas Olesen, Anders Lauge Meldgaard and Sandra Boss. On three mobile, midified and modified pipe organs,the trio has constructed a musical universe inhabited by animals, humans and machines. SOL OP is based upon an exploration of the organs' more alternative sonic features. Incorporating the full instrument in the compositions – including the a…

Mitsuru Tabata began his musical career in 1982. Since then, he has played a key role in many of Japan’s most influential underground and experimental groups, including Noizunzuri, Boredoms, Leningrad Blues Machine, YBO2, Zeni Geva, Acid Mothers Temple, and Gaseneta, as well as projects related to tributes to The Stalin centered around Jun Inui. Alongside his work in these seminal bands, he has toured internationally, participated in numerous collaborative sessions, and released a series of home…

This album is a collection of 20 solo guitar and turntable improvisations performed and recorded by Otomo Yoshihide in his home studio in March 2023. Otomo has released solo guitar and turntable works in various forms in the past, but this is the first time he has recorded an entirely improvised studio performance. This will also be the first time that Otomo himself has illustrated the jacket.

Lummer is the Swedish name for the now protected family of vascular plants (Clubmoss/Lycopodiaceae). Lummer grows slowly and the spores with which it reproduces can take 12—20 years to develop. These spores, known as Nikt in Swedish, were once ground into an extremely flammable light yellow “old woman’s gunpowder” that was used for early theatrical pyrotechnics. Volatile and explosive, Lummernikt requires careful handling. There is something of the small scale dangerous in Finn Loxbo’s Lummernik…

LP pressed at RTI. Tip-on jacket printed at Stoughton Printing Co. Atrás del Cosmos have been called Mexico’s first free jazz ensemble. Founded in 1975 by pianist Ana Ruiz, saxophonist Henry West, and percussionist Evry Mann, the trio soon became a central force in Mexico City’s creative arts community, mentoring a generation of improvisers, incorporating a revolving cast of artists into their immersive happenings, and sustaining a scene through their legendary weekly performances at El Galeón t…

Barre Phillips was the first musician to record an album of solo double bass, back in 1968, and he has always been an absolute master of the solo idiom.  In March 2017, Barre recorded what he says will be his last solo album, the final chapter of his “Journal Violone”: it is a beautiful and moving musical statement.  All the qualities we associate with Barre’s playing are here in abundance – questing adventurousness, melodic invention, textural richness, developmental logic, and deep soulfulness…

Never-before-released 1981 live recordings by Alterations, the great British free-improv quartet of David Toop, Peter Cusack, Steve Beresford and Terry Day. Hundreds of instruments cover the floor; the music reacts to room, noise and audience alike. Playful and rigorous at once. From Sub Rosa's SubLogos series. LP.

Black Tape II is only the second widely available release by Ohkami No Jikan (The Time of the Wolf), one of the more esoteric groups of the 1990’s Tokyo underground. Recorded in 1992, it illuminates a largely undocumented facet of Nanjo Asahito’s psychedelic cosmology, distinct form his better known work with High Rise, Musica Transonic and Toho Sara. Aside from a handful of limited, handmade cassettes and CD-Rs on his La Musica label, there’s only been one Ohkami No Jikan album, Mort Nuit, that…

Futuro Ancestrale, the ensemble around saxophonist, composer, and multi-instrumentalist Giuseppe Doronzo, was born from the idea to combine contemporary improvisation and non-western music traditions. In Elsewhen, electronics play a central role along with ancestral instruments borrowed from Chinese, Albanian or Chadian traditions. Doronzo's concept of convoking those sounds and cultures in the same musical space is a way to celebrate, and to create a vibrant dialogue between histories.

*200 copies limited edition* "Once upon a time, Lol Coxhill and Veryan Weston shared a home in a grand neoclassical mansion from the Regency era, located in the garden city of Welwyn Garden City, about 40 km north of London. That mansion was Digswell House, which at the time was run as a space for young artists to live and work. It wasn't just musicians—painters and sculptors gathered there too. Lol moved into Digswell House in 1976 and lived under the same roof as the already-resident Veryan fo…

Long-form duo work between Balázs Pándi (percussion) and Jon Wesseltoft (electronics), shaped as an open landscape of contrasts articulating space in both time and depth. The two players alternately trade and merge their instrumental identities, generating zones of improvised openness alongside densely constructed electroacoustic narrative. The vocabulary moves between quiet, ritually framed rhythmic space and saturated information, held as deliberate counterweights.

Second volume in the IT DEEL project. The Kleefstra Bros invited Norwegian duo Streifenjunko (Eivind Lønning on trumpet/electronics, Espen Reinertsen on sax/electronics) into the Thomaskerk in Katlijk, composing between improv, jazz and sound art. Streifenjunko brought field recordings from the forests around Oslo, brought into dialogue with the Frisian forests around the church and Jan Kleefstra's Frisian-language spoken word. A meditation on how we treat our local forests.

'This is a powerful live recording without any arrangement by Japanese independent music icon Keiji Haino, who has been active in avant-garde activities straddling rock and free music in the underground realm since the 1970s, and Musqis, a performance group with an indefinite number of members led by multi-instrumentalist Hidenori Noguchi. Keiji Haino has been active since the 1970s, playing voice, guitar, hurdy-gurdy, polygonora, and various other instruments in solo performances and in bands su…

*200 copies limited edition* Born in Tokyo in 1959, shibatetsu has been active as a piano and melodica player since the 1980s. In recent years he has also been engaged in performances using electronics. Masamichi Kinoshita, born in Ono, Fukui Prefecture in 1969, is a Tokyo-based composer of contemporary classical music who also regularly performs high-volume electronic noise improvisation. Over the past few years, shibatetsu has presented a concert series featuring electronics, titled "shibatets…

*200 copies limited edition* Born in 1954, Katsura Yamauchi is a saxophone player based in Oita, Japan. Since he began performing in earnest in the early 2000s, he has been touring and expanding his distinctive musical activities in Japan, Europe, North America and Asia. Koto player Kohsetsu Imanishi has an active career inside and outside Japan, performing music of various genres including classical Japanese music, improvisation and contemporary classical music. In addition to performing as a s…

A leading saxophonist on the Japanese improvised music scene, Junji Hirose also gives performances using self-made analog noise instruments. It was in the 1980s that Hirose started presenting noise performances on his SSI (self-made sound instrument), made of various everyday objects. Over the years he continually modified the instrument, for each version attaching a different number to the name SSI. On the Hitorri label, Hirose has released the CDs "SSI-4" (hitorri-997 / 2013), "SSI-5" (hitorri…

*250 copies lmited edition* Bryan Eubanks (born in 1977) is a Berlin-based American musician who performs using soprano saxophone, electronics and computers. Gert-Jan Prins (born in 1961) is an Amsterdam-based musician whose performances make use of electronic noise and percussion. Both are well known on the international improvised music scene and carry out wide-ranging musical activities, including composition and sound installations in addition to improvisation. No-input mixing board player T…

*250 copies limited edition* Three Chinese musicians performed at Ftarri, Tokyo, on January 2, 2024. Li Song is a computer programmer and musician who lives in London. Zhao Cong and Zhu Wenbo are experimental/improvisational musicians based in Beijing. This album is made up of two performances (each over 30 minutes): "The Invisible Tangerine," a duo by Zhao Cong and Li Song, and "Three Lines," a trio by Li Song, Zhao Cong and Zhu Wenbo. The compelling feature of "The Invisible Tangerine" is the …

*200 copies limited edition* Gintė Preisaitė is an up-and-coming pianist from Lithuania. Currently based in Copenhagen, she is active on the improvised/experimental music scene, using electronics and vocals in her performances in addition to piano. During a visit to Japan in September 2024, she performed at Ftarri, Tokyo, on the 23rd in a duo with no-input mixing board player Toshimaru Nakamura. An internationally active musician known for improvised performances using mixer feedback, Nakamura h…

*200 copies limited edition* French musician Bruno Duplant, who uses both analog and digital instruments in his performances, has produced a succession of excellent solo and collaborative works and released many recordings on numerous labels including Ftarri. Pierre Gerard is a Belgian improviser and composer. Like Duplant, he makes wide-ranging and skillful use of various instruments, including guitar, piano and electronics, and has presented many works on Ftarri and other improvised/experiment…

Seijiro Murayama is a Paris-based drummer, percussionist, improviser and composer. It was in 2009 that he first released CDs on the Ftarri labels Hitorri, Ftarri and Meena. He has since released over ten CDs of performances in solo, duo, trio and quartet formations. "Uchidome," Murayama’s fifth solo album from the Hitorri label, consists of three tracks recorded in France in January 2025. All his drum solo albums are outstanding, and this CD, with its unique and inimitable performances, is no ex…

*300 copies limited edition* The incomparable voice performer Tenko has been performing energetically inside and outside Japan since the 1980s. Satoko Fujii has been engaged in successful activities as a jazz pianist, composer and big band leader since the 1990s. Toshimaru Nakamura, who was a central figure of the so-called Onkyo movement on the cutting edge of the improvised music scene from the end of the 1990s to the early 2000s, is the pioneer of mixer feedback noise performance. Ten-Toh-Mar…

*300 copies limited edition* Pianist Fumi Endo, alto saxophone player Kanon Aonami and Tokyo-based British guitarist Sean Colum have performed together several times in duo and trio formats at Ftarri, Tokyo. The year 2023 saw the release of "Kanon Aonami Composed Works" (meenna-954), an album consisting of duo and trio performances by these three musicians. On January 3, 2024, Taku Sugimoto, a guitarist/composer renowned on the international improvised/experimental music scene, joined the three …

*250 copies limited edition* Lucio Capece is an Argentinian composer and improviser based in Berlin. His highly creative activities have been a focus of worldwide attention. Takako Suzuki is a Japanese dancer living in Berlin. A founding member of the dance company Sasha Waltz and Guests, she has performed in international festivals since the 1990s and carries out numerous collaborations with musicians. Masahide Tokunaga is a Tokyo-based alto saxophone player with a distinctive performance style…

This is Otomo Yoshihide's second guitar solo release on doubtmusic. The concept of this work, however, is complely different from that of the first. Here, feedback sound issues from two amplifiers, each connected to one of two guitars placed on a tabletop. Due to this stereo effect, the feedback mutually interferes, producing beatlike fluctuations, creating black holes into which the sound suddenly disappears, sounding completely different depending on the position of the ears, creating the illu…

** 2021 Stock ** Meeting at GOK Sound studio in Kichijoji, Japan in front of a small audience, Swedish baritone saxophonist Mats Gustafsson (The Thing, Fire!) also performing on flutephone and live electronics, and Otomo Yoshihide (Ground-Zero, Regenorchester) performing on guitar, turntable and banjo, recorded these eight amazing improvisations of unusual and unique attitudes and timing. After 2 years it materialized on CD work at all. Mats Gustafsson's strongest baritone saxophone, self-made i…

Danish experimental rock band Echo, Bravo presents "Glasfisk", a powerful new album that explores the space between chaos and clarity. Blending raw energy, poetic lyricism in danish, and adventurous improvisation, the record showcases the band's distinctive sound at its most focused and compelling.Across eight immersive tracks, "Glasfisk" moves effortlessly between intimate moments and explosive sonic landscapes, drawing listeners into a world where melody, noise, and emotion collide. Bold, unpr…

Scale, addresses issues of observation, embodied transferences, telepathy and duration employing swipes, knocks, resonators and hypnotic patternings on the acoustic harp with the less controllable sounds of radio waves, homemade synths and feedback. Inspired by the timings and sensations of natural phenomena including daylight’s slow emergence at dawn and the pulsing ambiance of ocean currents. Nature as both utopic and disruptive. Attention is situated in an often luscious, contemplative sonic …

Shutsumin, the debut recording from the generation spanning duo of Japanese legend Otomo Yoshihide, toggling between guitar and turntables, and rising saxophonist Kei Matsumaru, a native of Papua New Guinea, who moved to Tokyo after studying jazz at the Berkelee College of Music in Boston, where he's become a close collaborator of Eiko Ishibashi in addition to leading his own genre-defying solo projects. Both musicians casually ignore lines between jazz, experimental music, and noise, fashioning…