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Ashtray Navigations's To Make A Fool picks up where the nerve-damaged exotica of 2015's A Shimmering Replica left off - acerbic "surf" guitar and synthetic salt-breeze fit for the Tropic of Yorkshire. Instant immersion in a potent, pungent psychedelia that feels equal parts cosmic and aquatic. What Phil Todd wrenches out of his instrument these days is a language unto itself - a helical, grieving howl, a (super)natural efflorescence, beyond earthly description - ur-rock and post-everything. Equa…
Jeanne Dielman present a reissue John Cage and Christian Wolff's self-titled album, originally released in 1963 on legendary Times Records. This album was an early showcase of both 20th century composers's experimental chops, and is highly regarded as some of their finest work. Cage's piece, which spans the whole of the first side, was originally composed in 1960, and like many of his pieces, would never be performed the same way twice. "My hope is that it forms a possible landscape on one …
"Mike Kelley performs ethereal melodies on the Alesis QS6.1 electric keyboard. Trip the light fantastic to 26 tracks including "Outer Rink Magnifique", "Vanginus", "Curling Flakes in Eternal Haze" and "Panting Mancini"."
LP version. Once again unveiling hidden treasures from his archive of tape loops, William Basinski releases three pieces made at his Brooklyn apartment during one night in 1982, adding a fourth composition (based on the same source material) made earlier this year. You can't help but wonder why this music, recorded so long ago, is only just surfacing. Was the world not ready for WIlliam Basinski in 1982, or was WIlliam Basinski simply not ready to hand himself over to an audience at that point? …
Mats Gustafsson plays slide, tenor, baritone, bass saxophones. Christof Kurzmann uses special ppooll software and voice, live processing. Recorded, mixed & mastered at Garnison 7, Vienna by Martin Siewert. Artwork by Jimmy Draht. Liner notes by Ken Vandermark. Limited vinyl edition of 300 with screen-printed covers. Ken Vandermark, from the liner notes: "On the surface, its fundamental components seem to come from the 20th century: the saxophone (invented in 1846, but not coming to the fore unti…
** Edition of 300 copies in silk-screened sleeve. ** Soibiast Anti-Culler was recorded in 1995 by the winterless north of New Zealand's Witcyst. Another monolithic skid mark serving of crackers plucked from the man's vast lifetime archive of sound making and beard. Witcyst makes his music with oceans of constant daily mutation. Machines get used upside down and back to front and inside out. Layers of string, tin foil and expired medicine are saved up to dazzle the eye. Parcels in the post come a…
** Edition of 300 copies ** A dogroll is a cheap giant sausage of bad meat to feed your pets. Teen-X-Ray came from Hamilton, New Zealand, which is known for agricultural innovation, frosts, fog and Taniwha in the Waikato river. Live cows with windows permanently inserted into their bodies for research live on the edge of town.
As Stefan "Smetal" Neville recalls: "Glen Frenzy asked me to join his new 'rock n roll' band Teen-X-Ray at a ska concert at the Hillcrest Tavern in Hamilton in 1993. He ha…
** Edition of 300 copies in a silk-screened sleeve. ** As reported by Stefan Neville: "Clayton 'CJA' Noone and Jon 'Sugar Jon' Arcus are some of my oldest and dearest friends. I've been listening to their band Armpit pouring out infinite sweat and toe jams for 20+ years and I still can't work out what Armpit even is. They are the wrongest band I've ever heard. We were all part of the same gang in early 1990s Hamilton, New Zealand. Armpit would always happen in rooms next door. They would keep me…
Last copies! ** Edition of 250 copies in incredible diorama-style hand-made sleeve. **One more top mysterious trace from the Little Skull legacy: Dean Brown's album Ubique (i.e. "everywhere" in Latin) marks the passing of time and people. This sense of loss is very present though the whole record; not getting around to saying the things we meant to say and making sense of the leftovers. Screaming calmly, Dean Brown's Little Skull has shrunk, even more, until his head is almost just sore meat - t…
Comes with a replica of the original book “Con-secuencias” from 1985. 180-gramme vinyl. Interacción was a duo formed in the early 80s in Madrid by Carmen L. Fernández de Velasco and Jose Luis Iruretagoyena , which worked in a multidisciplinary way with minimalist electronic music, image and texts through different methods , including amongst them Mail Art. Their works were distributed through channels parallel to the system such as sales by national and international mail and in the few spe…
Trost continues its Trost Jukebox Series of 7"s. Okkyung Lee - cello; Lasse Marhaug - electronics. Recorded at Lasse's studio in Oslo. No overdubs, minimal editing. Mastered by Martin Siewert. Artwork by Lasse Marhaug.
Paradigm Discs present a 40th anniversary vinyl reissue of Anal Magic And Rev. Dwight Frizzell's Beyond The Black Crack. It was originally released in mono, in an edition of 200 by Cavern Custom in 1976. Beyond the Black Crack was the concept of Reverend Dwight Frizzell, a musician, film maker, doctor of metaphysics and minister in the Universal Church of Life. Mentioned on the pivotal Nurse With Wound list, it remains a little known classic and one of the most unique listening experiences in mo…
Fourth album from the free-spirited power trio that should need no long introduction by now, apart from the significant fact that Frank Rosaly has taken over the drum stool from Paal Nilssen-Love. No mean feat, seeing how the hand-in-glove rhythm section of Nilssen-Love and Håker Flaten has graced a large number of recordings over the years and built a solid reputation as one of modern jazz and improv's most reliable units. That said, the Chicago-based drummer is doing a remarkable job in bo…
Recorded during a show at the Storyville jazz club in Molde in May 2012, this could very well be Bushman's Revenge's finest recorded effort during their 10 years as a band. Bringing new meaning to the concept of loose but tight, they blend the freedom of jazz with the energy of rock in the most convincing of ways as they race through numbers from all their previous four Rune Grammofon albums, taking no prisoners along the ride. Drummer Gard Nilsen and bassist Rune Nergaard are just as comfortabl…
Classic double live album from this free-spirited international trio, this time expanded with American sax player Mars Williams. Recorded live at Oslo's Café Mono and at the Nattjazz festival in Bergen, both in May 2011, this fully shows why new drummer Frank Rosaly can be considered the perfect partner to founders Raoul Björkenheim (guitar) and Ingebrigt Håker Flaten (bass), not to mention Williams, who fit in perfectly with only a minimum of rehearsals before these concerts. The interplay is …
Mental Experience present first ever reissue of AK Musick, originally released in 1972. Radical, freaked-out sound with hints of free-jazz, improv and avant-garde, AK Musick was an improv collective assembled by clarinetist Hans Kumpf to "make music in a very democratic way". The five players had a classical education but they were also influenced by avant-garde composers like Helmut Lachenmann and Johannes Fritsch. Their only album, AK Musick, was recorded at the famous Bauer Studios in just …
Formed in 2003, the Oslo-based trio Bushman's Revenge (named after a type of mouth-searing hot sauce) are upfront about their love for the progressive rock of Cream and Jimi Hendrix, the galactic jazz of Sun Ra, Ornette Coleman, Sonny Sharrock and Alice Coltrane, plus the raw power of Black Sabbath and The Pixies. Thou Shalt Boogie! is their sixth album for Rune Grammofon, a relationship that began with 2009's You Lost Me at Hello (RCD 2083CD/(RLP 3083LP). Its velvety, warm sound was captured a…
This is the fourth album from Bushman's Revenge, and their third on Rune Grammofon. It's no secret that the label has a soft spot for this fabulous group and would wish nothing less than world domination for them. What they do seems to be an almost lost art when it comes to making records. Basically, meaning great musicians playing together in a proper recording studio, interacting and playing off each other. The tracks are mostly first or second takes, there is no editing and just a coup…
This is the third album by Norway's Bushman's Revenge (Even Helte Hermansen, Gard Nilssen, Rune Nergaard). Like great records from Elephant9, Scorch Trio, Supersilent, In The Country, Spunk, Fire! and others, Jitterbug was recorded in the old fashioned way, meaning the musicians played together and interacted live in the studio with few or no overdubs. With classic recording studios closing down all over the world, this way of recording could indeed soon be a thing of the past, and the world …
This is the second full-length release by Norway's Bushman's Revenge (Even Helte Hermansen, Gard Nilssen, Rune Nergaard). You Lost Me At Hello shows a distinct development from their debut Cowboy Music (Jazzaway, 2007). Founded by Hermansen and Nilssen in 2003 in their hometown of Skien, a couple of hours from Oslo, the trio aim to combine the jazz/improv background of the rhythm section with the rock/metal background of leader, composer and guitarist Hermansen to create their own expressive…