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EXTNDDNTWRK is the enduring solo project of Andrew Fearn, who is more commonly recognised as one half of Sleaford Mods. While akin to his role in his main group with respect to primarily working with electronic sounds, samples and rhythms, EXTNDDNTWRK is a far more mannered affair whose approach is concerned with atmospherics, occasional tempered beats perfect for a late night drive along a deserted motorway, near-ambient swerves into neo-minimalism, crisp melodies and big grooves swollen with t…
Ukrainian bassist, electronic musician and composer Sergey Senchuk, aka Tungu, collaborates remotely with 15 highlyregarded avant-garde musicians from around the world onthis astonishing, unclassifiable record. Guests include NoëlAkchoté, John Bisset, Lawrence Casserley, JacekChmiel, Phil Durrant, Wayne Grim, Ayumi Ishito, PakYan Lau, Lucia Margorani, Phil Minton, Lara Suss,Kazuhisa Uchihashi, Gebhard Ullmann, Sabine Vogel,and Sylvia Wysocka.
The third volume of duos between indefatigable tenorsaxophonist Ivo Perelman and adventurous trumpeter NateWooley is their most intimate encounter to date. Beginningwith mournful, almost undersea drones, it moves through avariety of subtly shifting moods, combining old-school jazzromanticism with the kind of nearly telepathic interaction thatonly a long-term creative relationship can inspire. Anyonewho’s enjoyed the first two volumes of this brilliant series willfind this latest dispatch to be a…
K.W. Cahill records and plays electric guitars, lap steel, melodica and karimbas on May to June 2025 time. Mastered by Andrew Weathers.
We're all sitting here and no one's listening. We're just talking over each other while the world spins out of control. Who are you gonna believe if the walls were gone? If everything turned up empty fields? Us just standing around looking at each other and nothing blocking us or protecting us from each other or from ourselves. I'm at war with myself first. Let …
A lucky restock of one of the most important archival releases in experimental music: "Apollo and Marsyas: Het Apollohuis 1980-1997, an Anthology of New Music Concepts" - a stunning double CD documenting nearly two decades of radical sound art and experimental performance. Het Apollohuis in Eindhoven was one of Europe's most vital centers for avant-garde music, and this anthology captures the extraordinary scope of programming curated by Paul Panhuysen from 1980 through 1997. From over 500 perfo…
*18 copies limited edition* Reprint of a long-unknown title from an obscure Italian project from the mid-ninenties. This project is related to Cazzodio, Lupo Di Ghiaccio, and Naxal Protocol. Angry, violent, hateful industrial, out from a morgue!
*24 copies limited edition* Harsh noise, tense and violent from Italy. The theme is based on the crime story of the Japanese model and pin-up Azumi Muto, killed by her brother...
*48 copies limited edition* This mini recollects all the tracks made by this Italian project in 2019 and appeared in different tapes. Dark power electronics that reminds to Brighter Death Now: get ready to dig a grave! Usual funerary packaging from IOF
*48 copies limited edition*Completely handmade packaging.The packaging is composed of a black embossed cardboard box (250 grams thick) measuring 9x11 cm.The box, which has a sticker on the front, is closed with a cord worked to reproduce a BDSM-style knot (wrist roll + slip not = impossible escape).A double black satin ribbon is knotted on the cord that holds two black metal shoes with high heels.Inside the box there are:- the cd-r contained in a black embossed cardboard envelope (250 grams thic…
*Limited edition 36 copies*Completely handmade packaging.The packaging is composed of a gatefold cover printed on cardboard (thickness 200 grams) measuring 11x9.5 cm. closed.The cover is closed with a black satin ribbon that holds a slip printed on polyester.Inside the two doors of the folded cover there are:- two inserts printed on paper of thickness 200 grams- printed cd-r
2025 stock "Live at The Library Theatre '83" captures the legendary Nico, former member of The Velvet Underground, in a raw and intimate live performance at Manchester’s Library Theatre in 1983. This release, issued by Culture Factory and Cherry Red Records, marks the first time this concert has been available on vinyl, presented as a limited edition for Record Store Day.
2025 stock Limited to 2000 copies. Having appeared in La Dolca Vita before joining The Velvet Underground in New York in the mid-‘60s, Nico seemed to be at the epicentre of all that was cool in the ‘60s. And she continued that trend by relocating to Manchester in the ‘80s for a career renaissance before her death in 1988. This record immortalises her performance at The Hacienda, Manchester, in 1983. This deluxe package includes an OBI strip, single album jacket, printed inner sleeve, record labe…
One of the most revered, reviled and talked about records in all Australian music history (I’m) Stranded, by The Saints, finally gets the box set treatment.
A joint collaboration between long standing L.A garage label In The Red, Universal Music Australia and spearheaded by Feel Presents and Saints founder Ed Kuepper, the deluxe edition of (I’m) Stranded will feature 4 x vinyl long players or 4CD set covering all the band’s studio and live recordings from 1976 thru 1977 and includes;
The iconic …
2025 stock German conceptualist Ditterich von Euler-Donnersperg—alias the polymath Uli Rehberg—returns with "Der Kleine Fritz In Klopstockland," a release as enigmatic as its creator and as cryptic as the label that hosts it, the fabled Walter Ulbricht Schallfolien. As with much of Rehberg’s output, the boundaries between sound art, musique concrète, and dadaist narrative dissolve into a singularly strange proto-surrealist zone.
"Der Kleine Fritz In Klopstockland" oscillates between spoken …
2025 Stock. In the shadowy interstices of avant-garde performance and sonic extremity, Faust. Eros. Tod. stands as one of Diamanda Galás’s most elusive and mythic recordings. Circulating as a rare bootleg, this live album—captured in the early 1980s and released unofficially in 1988—offers a raw, unfiltered glimpse into Galás’s early explorations of the voice as a weapon, an invocation, and a lament.
Faust. Eros. Tod. is not a conventional album, but a document of ritualistic performance. Galás’…
2025 Stock. There’s a certain feral, mischievous wit that has long defined the output of Walter Ulbricht Schallfolien, and "Der Fluss In Der Truhe," the collaborative release from Ditterich von Euler-Donnersperg and Column One, is no exception. Far removed from the polite boundaries of genre, the record unfolds as a cryptic exchange between two of Germany’s most enigmatic sound art congregations.
On Side A, Ditterich von Euler-Donnersperg (aka Uli Rehberg) weaves together fractured field re…
2025 stock Tris Vonna-Michell's latest artist's record/book is constructed around two works, Capitol Complex (2012-2014) and Ulterior Vistas (2012-2013), both of which are encapsulated on a ten-inch vinyl record. The spoken-word compositions are enclosed within a gatefold design and accompanied by the Capitol Complex manuscript as a booklet insert and a bound series of Ulterior Vistas photographic montages.
The Capitol Complex (Side A) recording pans between improvised spoken word and musical co…
We Jazz Magazine announces the release of Issue 15, "Forfolks," a stunning 128-page exploration of contemporary jazz's most innovative and boundary-pushing artists. This meticulously crafted summer 2025 edition positions itself as an essential document for serious collectors and adventurous listeners navigating the complex terrain of modern improvised music.
At the heart of this issue lies an in-depth examination of Jeff Parker, the visionary guitarist whose work bridges experimental electronics…
Tip! Tip! Tip! This work consists of sound and a collection of AI-generated images. The image collection is a compilation of AI-generated images used in a projection at the Merzbow Free Noise concert held on January 6, 2025, at WWW in Shibuya, Tokyo. The use of such visuals in Merzbow is rare in recent years, and of course, the use of AI-generated images in a live performance is a first.
The concert was divided into two parts, and one of the rehearsal recordings of the songs performed in the fir…