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Jürg Frey’s unique compositional approach places him at the cutting edge of contemporary classical music while simultaneously maintaining a touch of impressionistic/romantic aesthetics in its roots. Since the late 90's, Frey started to work with 'lis…
Swiss composer and cellist Stefan Thut composed ‘about’ in 2017 for the sextet of Ryoko Akama (electronics), Stephen Chase (guitar), Eleanor Cully (piano), Patrick Farmer (metal percussion), lo wie (tingsha), and Thut (cello). The six musicians have …
Four pieces for flute and voice composed between 1985-2018 by Mary Jane Leach, a pivotal part of NYC’s pioneering avant-garde community since the 1970s and an active member of the legendary DownTown Ensemble, working alongside peers including Arthur …
Cold Spring Records present a reissue of Krzysztof Penderecki's Kosmogonia, originally released in 1974. Unnerving, intense, bloodcurdling, sinister, dramatic -- the music of Kosmogonia features Penderecki's famous, unorthodox instrumental techniques…
Sofa is proud to present this new collaboration with the labels own Ingar Zach together with the critically acclaimed contemporary ensemble Speak Percussion from Melbourne, Australia. Eugene Ughetti and Matthias Schack-Arnott in Speak Percussion invi…
**Co-produced by David Sylvian and Yuko Zama, artwork by David Sylvian** The Berlin-based Bulgarian violinist Biliana Voutchkova and German clarinetist Michael Thieke have worked together intensely within both compositional and improvisational duo an…
By any standards and from several directions, Hotel America is demanding work. It’s a five-movement piece stretching to 76-minutes. Composer Szilárd Mezei conducts an ensemble of 15 musicians and three actor/singers and employs musical methodologies …
** Edition of 250 screen-printed canvas carriers, with a signed and sealed Certificate of Absurdity from Robert Cox ** Freedom To Spend’s first catalog wide deep dive into an artist’s career focuses on four albums from Rimarimba, beginning with 1983’…
The intense individuality of Morton Feldman's (1926?1987) art and its 'painterly' aspect have tended to push his rich output of works into a zone all of their own, surrounded by a moat of stillness. This recording attempts the reverse process -- to b…
This recording is the first ever devoted to the orchestral music of Christian Wolff (b. 1934) and thus documents a little-known aspect of his wide-ranging work. John, David (1998) introduces in its second part a prominent role for solo percussionist,…
On the Creel Pone short-list for easily as long as #200's William S. Fischer title, this 1973 compilation of music, all composed at York University's Electronic Music Studio during the late 60s & early 70s has been a real white whale for ages & ages,…
Hardback cover edition, 1070 pages (!) Cornelius Cardew was a musician of genius for whom Life and Art were as one. He was a radical, both artistically and politically, becoming a tireless activist and uncompromising Marxist-Leninist. Passion and ima…
The work of LA based music-maker John Krausbauer has so much to do with minimalism as with trance music as with soundart experimentation and "performance based" sound forms. And where, as he himself states, the "Trance-Psychedelia is the aim and goal…
Like his near contemporary Franco Donatoni, Aldo Clementi (b.1925) is an Italian composer who has had a very fruitful association with that most Italian of instruments, the guitar. Both Clementi and Donatoni shared similar paths in their compositiona…
Originally released in 2001 by the Dog W/A Bone label, this release features these 2 long pieces: For Samuel Beckett and The Turfan Fragments. Performed by: The Orchestra of the S.E.M. Ensemble, with Petr Kotik, conductor. For Samuel Beckett and The …
The third chapter in the Sufi Word's series. Jean-Luc Fafchamps
on the release: "The Sufi Letters is a vast project of 28 compositions
(for the 28 letters of the Arabic alphabet) undertaken in 2000 and still
ongoing. I am drawing inspiration from …
Landmark recording of John Cage's late work for two pianos, played by Mark Knoop and Philip Thomas. Uniquely for Cage's number pieces, Two2 doesn't use time brackets, so duration is open and left to the musicians' 'inner clock'. Previous recordings h…
Hot on the heels of his wonderful piece on the Early to Late CD released earlier this year, a new hour-long work for an ensemble of six musicians by Swedish composer Magnus Granberg. The piece borrows material from a song by Schubert, but transforms …
Just Asked whether he would describe his music as “Sound for the sake of sound,” James Tenney (1934–2006) replied, “It’s sound for the sake of perceptual insight—some kind of perceptual revelation.” This release aptly demonstrates Tenney’s deep explo…