We use cookies on our website to provide you with the best experience. Most of these are essential and already present.
We do require your explicit consent to save your cart and browsing history between visits. Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.

Experimental /

Orgelbuch
14 five-minute pieces from Eva-Maria Houben's 'Organ Book'. Eva-Maria Houben (organ).
Works for piano
Composer: Eva-Maria Houben. Performer: Eva-Maria Houben (piano). 'the sound of the piano decays. it cannot be sustained. I let it loose time and again. it appears by disappearing; starting to disappear just after the attack. in disappearing it begins to live, to change. the piano: an instrument, that allows me to hear how many ways sound can disappear. there seems to be no end to disappearance. I can hear, how listening becomes the awareness of fading sound.' 'Klavier' (2003). 'Drei chorle…
works for double bass
EVA-MARIA HOUBEN (born 1955) studied Music Education at Folkwang-Musikhochschule Essen and the organ with Gisbert Schneider. Following her exams she taught both German and Music Education at Secondary School. She received her doctorate and postdoctoral lecturing qualification in musicology and was called for lectures at Gerhard-Mercator-Universität Duisburg and Robert-Schumann-Hochschule Düsseldorf. Since 1993 she has been lecturing at Dortmund University`s “Institut für Musik und Musikwissensch…
Works for tromba marina
Composer: Eva-Maria Houben. Performer: Hans Eberhard Maldfeld (tromba marina). 'ein liederbuch' 13 songs Ð to be played in free order, all or in small groups, or just a single song. The tromba marina sings Ð and dances. It sings Ð and moves in varying tempi: andante sostenuto, allegro ma non troppo, adagio, allegretto moto, comodo, adagissimo, allegretto quasi andantino, molto moderato, largo... 'dreistzig' The tromba marina can be so many things. A kettledrum, a bass drum, percussion: ti…
Era of Manifestations
People of the North may have begun life as a satellite of Brooklyn avant-everything institution Oneida, but it’s increasingly difficult to view the project as anything less than a primary concern. From the raw garage krautrock of 2010’s Deep Tissue to the snarled wavelength scrambling of 2013’s Sub Contra, People of the North is where organist Bobby Matador and drummer John Kid Millions—joined, frequently, by Oneida guitarist Shahin Motia—go to really let their hair down.  Sightings bassi…
Skull Sessions
Mazurek finds a challenge irresistible, and this is one of his most exciting projects" – The Wire Skull Sessions combines two of Rob's groups: Sao Paulo Underground and Starlicker with additional personnel. The band is an international cast of masters, including drummer John Herndon (of Tortoise), vibraphonist Jason Adasiewicz and flutist Nicole Mitchell, (both DownBeat poll winners on their respective instruments), Guilherme Granado on keyboards and electronics, Carlos Issa on guitar and …
Navigating by Starlight
"Navigating by Starlight is the elegantly distended fourth LP by a New York band known for its fine taste in bourbon as well as its ability to explore strangely forested nooks of space. Composed of two side-long excursions of heavily bearded improv, this is what Bruce Dern should have been listening to throughout Douglas Trumbull's Silent Running. The first side is called 'Lovejoy Vapor Trail,' after the recently discovered comet said to be releasing enough alcohol to fill 500 bottles of G…
Saturday Night Fever
"Saturday Night Fever takes the concept of the movie of the same name and stretches the night a bit later, the fever a bit higher to the point where the party ends up blending into something much more sinister and wild. What starts out as a disco drumbeat with funky guitar swagger and melodic horns may slowly deteriorate into some sort of corroded ambient loop that eventually morphs into melodic horn samples. Basically every track is subverting its own gestures, carving out a narrative of …
Live at Lons Le Saulnier, 1974
A band formed in France, 1973, by English vibraphonist, guitarist and singer Robert Wood, together with Olivier Didier (ex-Herbe Rouge) on drums and Simon Wheatley on electric bass. Patrick Fontaine (ex-Ame Son and ex-Bananamoon Band) replaced Simon Wheatley a few months later. In 1974 Robert Wood & Woodlands played more than forty concerts in France. The LP offers a selection of the recordings that were made at those shows. This is a limited and numbered edition of 1.000 copies, Including postc…
Movin Gelatine Plates
2015 release. This album contains previously unreleased versions recorded between 1970 and 1978 by the legendary (slightly experimental) psych/prog unit Moving Gelatine Plates. Edition of 1.000 copies on clear pink vinyl (gelatine colour) in a deluxe gatefold sleeve with flyer, family tree and postcard. This album includes a 7-inch record facsimile of the original acetate made in December 1970 (one copy) only with unreleased versions of 'X25' and 'London Cab'. These first recordings of the band …
Almasty
Solo bass played and composed by Kasper T. Toeplitz. Layers of noise full of details like the voice of dead machines !“A purely formal présentation of Almasty would point that it is a composition for solo bass – electric bass, which implies a few electric/electronic machines around the string instrument, which change or modifiy its resonances somehow, but nothing more that what is seen those days around any electric instrument. And Almasty is also a solo composition, as it is recorded and presen…
Grand Tour
Tilbury left communist Poland in 1964 and his visits grew rare. He got involved with Cornelius Cardew’s Scrath Orchestra and the AMM; later he went on to become known for his performances of Morton Feldman’s compositions. Meanwhile Zygmunt Krauze, aside from his work in the Musical Workshop, grew to be his generation’s leading conceptual composer, mainly thanks to his reception of Wladyslaw Strzeminnski’s unism. The worlds of Krauze and Tilbury were separate, but adjacent.    The Musical Worksh…
plays Parallel Winter
Voice, guitar and zither by Richard Youngs. Composed, recorded, mixed and mastered by Richard Youngs.Motto of Populista Winter Triangle came about on 13th of December, 2014. It was a cold and windy day, a classic of pre-winter Warsaw, cold, wet, transparent yet at the same time grey, or perhaps mostly grey. It was also a day of the first Warsaw show of Richard Youngs in Komuna// Warszawa. Not fully by accident, there was a piano in the room, which made Richard propose performing 'ParallelWinter'…
Silent Night at the Crooked Forest
Ole-Henrik Moe, viola. Kari Ronnekleiv, violin. Sheriffs of Nothingness is a stringduo consisting of two of Norway's most distinguished artists in contemporary music: Ronnekleiv as a performer and Moe mostly as a composer. Moe and Ronnekleiv won the Norwegian Grammy for best contemporary album in 2007, and in 2011 Moe was nominated for the Nordic Council Music Award.Sheriffs of Nothingness interplay is remarkable. They move inside their music like one organism with all kinds of materials and pas…
Playing with a Dead Person
When you contacted me about the duos, I thought there is nothing more original than playing with a dead person […] which is curious because Derek Bailey is very much alive, especially when we hear his voice and I feel he's sort of sitting here, in the studio, and he's waiting for me and I'm waiting for him and we're not quite sure what's gonna happen. „Derek and I always wanted to do a duo recording together and we never quite managed that. Within the later years that we were trying to set somet…
Pianophonie
'Forte e piano' is one of Serocki's lesser known and acclaimed works, while 'Pianophonie' is considered his greatest masterpiece. However, it's worth remembering that 'Forte a piano' and 'Pianophonie' are interrelated. It's difficult to imagine the latter without the former. Serocki was born in Torun. He studied composition with Kazimierz Sikorski and piano with Stanislaw Szpinalski at the State Higher School of Music in Lódz and graduated in 1946. He continued in Paris, studying composition w…
Pieces of solitude
Natalie Sandtorv is releasing her debut solo album 'Pieces of Solitude' on the 20th of November. Using a voice with an organic interaction with electronics she expresses distinctive poetic sound art characterized by droning tension and intense abrupt parts. 'Pieces of Solitude' is about the many forms of loneliness in both a positive and negative sense, and is therefore particularly suitable as a solo album. The album is imbued by a dark and melancholy mood with occasional massive and intense se…
Melting into foreground
Henrik Munkeby Norstebo, trombone, half clarinet, electronics.Melting into foreground is the second solo album from trombone player Henrik Munkeby Norstebo, and his debut on the SOFA label. The first track is solo trombone. No effects. He is using the whole spectre of his instrument, from pure tones to noise and the barely audible, in an attempt to find the balance between the intuitive and the strictly constructed. About the second part, Henrik says that all the electronic sounds stems from one…
Solo Books
The 8th release on Silent Water's catalogue (although it shows the 009 number, but that's a story to be told another time) is Pak Yan Lau's magnificent solo effort Books. Divided in three parts, as the three different 10 vinyls that host them, it brings all the magic and true imaginative sonic world of Pak Yan, being it on the prepared piano (Book of Wood), on synths & electronics (Book of Star) or on toy pianos (Book of Toy).The purity and the very strong 'naif' commitment that we can hear on t…
Dread Live
Sunn O)))’s feedback architect Stephen O’Malley cranks the amps even louder on his solo vinyl LP Dread Live. This is an extended and extremely loud improvisation for solo guitar (though the colossal heaviness sounds like an army of guitarists). Relentless waves of heavy drones and squeals bombard the listener; the man has turned distortion into an artform.The minimalist electric guitar mantra Dread Live was performed at Studio Helmbreker in Haarlem, Netherlands, September 2013, and recorded…