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Excavating new sonic layers from archives and homemade instruments, Darrell DeVore extends his panoramic collage with More Songs of Civilization - the third volume of his highly personal, genre-scrambling series. This edition continues the kaleidosco…
Unearthed from decades of cassettes, live sessions, and scattershot archive, Darrell DeVore’s Another Song of Civilization expands his collage of experimental Americana, global chant, tape concrète, and found-instrument jazz. The album takes his free…
With a panoramic sweep spanning ancient chant, synth experiment and fractured jazz, Darrell DeVore crafts a heady multi-part journey in A Song of Civilization Up to Now. Homemade instruments, electronics and stuttering ensemble work animate an unpred…
CD Edition. In 1988, with America's AIDS death toll at 46,000 and antivirals still years away, Diamanda Galás released You Must Be Certain of the Devil, the final installment of her Masque of the Red Death trilogy. Her brother Philip had died of AIDS…
Melophobia spins tension out of spontaneous contact - Dave Tucker (guitar) and Pierpaolo Martino (double bass and electronics) improvise with sharp attention to rhythm, fracture, and digital manipulation, conjuring environments that threaten – and th…
Semiotic Drift is a living conversation - Maggie Nicols uses voice as a map to possibility, Matilda Rolfsson provides creaking, insistent percussion, and Mark Wastell frames everything in the deep resonance of amplified tam-tam. The work rides the ed…
Juno invites deep contemplation through slow-moving layers of sound - Barry Chabala’s guitar, David Forlano’s electronics, and Drew Gowran’s percussion work in unhurried mutual orbit, exploring patience, resonance, and negative space rather than tech…
Ensemble A is a turbulent meeting of three fiercely individual improvisers - Ignaz Schick harnesses live electronics and turntables, Anaïs Tuerlinckx dismembers and reinvents the piano, and Joachim Zoepf twists reeds into guttural shapes. The result …
Oneiric evokes drifting memories and waking dreams - an album created by Jane in Ether where recorders, piano, and violin/voice entwine in gauzy, tactile improvisations. Their music moves in soft spirals, trading clarity for a haze of overlapping ton…
Whistle and I’ll Come To You by Death and Vanilla is an evanescent, cinematic dream-pop companion to the cult 1968 BBC ghost story film. Through shimmering synths, vibraphone, and spectral loops, the Malmö trio crafts an atmospheric journey where hau…
The Last Sacrifice by Mike Lindsay—co-founder of Tunng and the creative force behind Lump—offers a meticulously crafted folk-horror soundtrack that doubles as a standalone listening experience. Written as the audio companion to Rupert Russell's sinis…
Howl by Daisy Rickman offers a luminous journey through Cornish and English folk, steeped in mythic sun worship, nocturnal dreamscapes, and meditative storytelling. Recorded and performed entirely by Rickman herself, this second album channels solita…
Big tip! This is it! Chicago spiritual jazz master Kahil El'Zabar delivers one of the most powerful live recordings in recent memory! Captured over two unforgettable nights at "mu" in London - July 15th & 16th, 2024 - this is music as ancient ritual,…
Bill Fontana investigates the physics of perception itself. Side A: tape collages where sound becomes both material and force. Side B: Wave Spiral for 5 Rin Gongs - a sidelong, 21-minute centerpiece where pure sine waves create interference patterns,…
Where to From marks the much-anticipated solo return of Hildur Guðnadóttir, a composer-collaborator equally versed in spectral pop, avant-garde, and soundtrack work. Reaching beyond her acclaimed film and TV scores, Guðnadóttir crafts nine intimately…
*We've managed to get a few copies of the 'Artist's Proof Edition' of this box set which include 4 CDs, a 154-page book, 16 full-color poster inserts, and a LP in screenprinted cover.* Charlotte Moorman answered her phone and people left messages. Be…
One and Many Flutes by Hannah Todt transforms steel tubes into a playful and subtly radical modular installation, offering airy, slow-motion explorations of sound through individually voiced mouth holes. The album foregrounds tactile resonance and fr…
West and East Baying by Oakland Reductionist Orchestra investigates the porous boundaries between acoustic improvisation and electronic sound, favoring the subtle friction and microdynamics of “lowercase” performance practice. Across two extended pie…
Seeing the Way the Mole Tunnels by James McKain, Damon Smith and Weasel Walter immerses listeners in an unmediated environment of spontaneous improvisation, where baritone saxophone, double bass and percussion fuse into a dense lattice of collision, …
Femme le soir immerses listeners in Betsy Jolas’s world of memory, inquisition, and fleeting radiance, performed by Anssi Karttunen (cello) and Nicolas Hodges (piano). These pieces unravel at the tempo of spoken thought, suspending lyrical lines in u…