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condition (record/cover): NM / NM Silver foil front, white back sleeve. Green labels. La Noire À Soixante / Granulométrie shifts attention toward rhythm and matter. The "quarter note at sixty" is a metronomic indication, sixty beats per minute, the human pulse at rest. Pierre Henry starts there to build structures that accelerate, decelerate, breathe.
"Granulométrie" comes from geology, the study of grain size in sediments. Henry treats sound as sediment, material to be sifted, screened, classified by texture. The Philips disc documents a composer who thinks music as materials science, physics of the perceptible. What Iannis Xenakis achieved through stochastic mathematics, Henry achieves through tactile intuition.
condition (record/cover): NM / NM
Silver foil front, white back sleeve. Green labels.
Silver front, white back, green labels. Sleeve variation: no price code on back upper right corner, no Philips logo on back lower right corner. Catalog number appears on front upper right corner with "Electronic" under Philips logo. Composition dates from the back cover: "La noire à soixante" (1961) "La noire à soixante + Granulométrie" (1962-1968) "Granulométrie" was realized in 1962. Recto : Procédé Héliophore 836.892 DSY on front sleeve, back sleeve and label.
| A | La Noire À Soixante | 23:53 | |
| B | La Noire À Soixante + Granulométrie | 24:55 |