Johann Sebastian Bach, Fred Thomas, Aisha Orazbayeva, Lucy Railton
Three Or One
FormatCDLabelECM New SeriesGenreComposition
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Three Or One hears Johann Sebastian Bach through 24 transcriptions by the British pianist Fred Thomas, for piano trio or piano alone. Most of the trio pieces come from the Orgelbüchlein, the organ chorale preludes that Thomas counts among Bach's "most concisely radical creations". With violinist Aisha Orazbayeva and cellist Lucy Railton, both better known in contemporary music, he turns organ music into chamber music without dressing it up. The album was his debut on ECM New Series.
The recordings were made in 2012 and 2018 at the University of Huddersfield, with Thomas as recording producer and Alex Bonney as recording and mixing engineer. Manfred Eicher, executive producer, chose from this material and threaded it into a new hour-long sequence. Thomas wanted to separate the voices that an organ in a church tends to blend, and to subvert the associations of the piano trio, a medium remote from Bach. He sees the trio's wide experience as "an incitement to creativity", and asks whether Bach would ever have played the same thing the same way twice.
Nineteen chorale settings are played by the trio, framed by two Schübler chorales, Ach bleib bei uns, Herr Jesu Christ at the start and Meine Seele erhebt den Herren at the close. The strings play long, sustained lines with little vibrato. In Ich ruf zu dir, Herr Jesu Christ the piano imitates an organ mutation stop, while the falling motif of Durch Adams Fall moves into pizzicato cello. At the centre Thomas plays alone: the Sinfonia from Cantata BWV 196 and four cantata arias, among them Wie furchtsam wankten meine Schritte from BWV 33.
In Gramophone, Jed Distler noted that the strings play "with perfect intonation and minimum vibrato", and suggested that the music will "quietly insinuate itself" over several hearings. Kurt Gottschalk wrote in Stereophile that the set had been sequenced into "a convincing, hour-long suite". Paul Riley in BBC Music Magazine found the results mesmerizing at times and called Thomas an illuminating, if idiosyncratic, Bachian.
This is the CD edition, ECM New Series 2640, released on 22 October 2021, with liner notes by Fred Thomas.
Release notes
Johann Sebastian Bach Organ chorale preludes, arias and sinfonias from cantatas transcribed for trio and solo piano by Fred Thomas. Recorded 2012/2018 University of Huddersfield, courtesy of Pierre-Alexandre Tremblay An ECM Production This album is dedicated to John Railton and Gloria Camilli ℗ © 2021 ECM Records GmbH, München
| 1 | Ach Bleib Bei Uns, Herr Jesu Christ, BWV 649 | 2:34 | |
| 2 | Herr, Christ, Der Ein'ge Gottes Sohn, BWV 601 | 1:59 | |
| 3 | Ich Ruf Zu Dir, Herr Jesu Christ, BWV 639 | 2:22 | |
| 4 | Durch Adams Fall Ist Ganz Verderbt, BWV 637 | 2:22 | |
| 5 | Erbarm Dich Mein, O Herre Gott, BWV 721 | 4:46 | |
| 6 | Sinfonia, From Cantata "Der Herr Denket An Uns" BWV 196 | 1:54 | |
| 7 | Alle Menschen Müssen Sterben, BWV 643 | 1:39 | |
| 8 | Der Tag, Der Ist So Freudenreich, BWV 605 | 1:15 | |
| 9 | Christe, Du Lamm Gottes, BWV 619 | 1:23 | |
| 10 | Liebster Jesu, Wir Sind Hier, BWV 633 | 3:48 | |
| 11 | Aria "Wie Zittern Und Wanken Der Sünder Gedanken", From Cantata "Herr, Gehe Nicht Ins Gericht Mit Deinem Knecht" BWV 105 | 4:59 | |
| 12 | Aria "Weichet Nur, Betrübte Schatten", From Cantata "Weichet Nur, Betrübte Schatten" BWV 202 | 2:51 | |
| 13 | Aria "Jesu, Meines Todes Tod", From Cantata "O Heil'ges Geist Und Wasserbad" BWV 165 | 2:09 | |
| 14 | Aria "Wie Furchtsam Wankten Meine Schritte", From Cantata "Allein Zu Dir, Herr Jesu Christ" BWV 33 | 3:58 | |
| 15 | Wenn Wir In Höchsten Nöten Sein, Partita III BWV Anh. II 78 | 0:54 | |
| 16 | Gelobet Seist Du, Jesu Christ, BWV 723 | 2:10 | |
| 17 | O Gott, Du Frommer Gott, Partita VIII BWV 767 | 3:09 | |
| 18 | O Lamm Gottes Unschuldig, BWV 618 | 4:11 | |
| 19 | Jesu, Meine Freude, BWV 610 | 2:59 | |
| 20 | Allein Gott In Der Höh Sei Ehr, BWV 711 | 2:30 | |
| 21 | In Dulci Jubilo, BWV 608 | 1:10 | |
| 22 | Gott, Durch Deine Güte, BWV 600 | 0:44 | |
| 23 | Das Alte Jahr Vergangen Ist, BWV 614 | 2:17 | |
| 24 | Meine Seele Erhebt Den Herren, BWV 648 | 3:04 |
- Sascha Kleis
- Design
- Elliott Parkin
- Engineer [Balance Engineer (Solos)]
- Pierre Alexandre Tremblay
- Engineer [Balance Engineer (Trios)]
- Rob Sutherland
- Engineer [Balance Engineer (Trios)]
- Alex Bonney
- Engineer [Recording And Mixing Engineer]
- Manfred Eicher
- Executive-Producer
- Fred Thomas
- Liner Notes [English], Piano (1 to 5, 7 to 10, 15 to 24), Piano [Solo Piano] (6, 11 to 14), Producer [Recording Producer], Transcription By [All Transcriptions By]
- Thomas Steinfeld
- Liner Notes [Translation (From English By)]
- Christoph Stickel
- Mastered By [Mastering]
- Manos Chatzikonstanzis
- Photography By [Cover Photo]
- Francis Fuego
- Photography By [Liner Photo (10)]
- Scarlett Casciello
- Photography By [Liner Photo (11)]
- Phelan Burgoyne
- Photography By [Liner Photo (9)]
- Aisha Orazbayeva
- Violin (1 to 5, 7 to 10, 15 to 24)
- Lucy Railton
- Violoncello (1 to 5, 7 to 10, 15 to 24)








































































