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The record can be considered a sort of farewell note to one of London’s most crucial venues for improvised music and sound art after its unexpected closure in late 2023 due to gentrification. John Butcher had previously collaborated with these three musicians in different contexts, but Unlockings documents a first-of-its-kind quartet line-up.
"I wanted a new combination, but made of players I’d worked with over the years" says Butcher. "Choosing is probably 75 % about the player and 25 % about t…
Saxophonist Omicil builds atmospheres then upends expectations in this free-jazz homage to Haiti’s successful 18th-century slave insurrection - The Guardian
*2024 stock* A collaboration between saxofonist Evan Parker and drummer John Stevens. Recorded on 8 June 1993 at Angel Studio, Islington, London Recorded direct to U-Matic master using Schoeps and Neumann microphones.
Remastered from the original analog tapes of the duet between Anthony Braxton and Gino Robair from sessions recorded on August 6th and October 9th 1987 at Cal State University, Hayward, California. This release includes all of the music from the original, limited-edition LP as well as extra tracks from the same sessions.
What becomes quickly apparent when the music ends is that the parts of the brain wired for multi-tasking and instant contextualization have been swamped by Masaoka and Braxton’s palette, their bold strokes and the vaulting arcs they form.
Creative music making is a matter of energy, heart, and trust, and when all three are present the music flies. A meeting of three old Chicago friends and collaborators, flutist Nicole Mitchell, drummer Hamid Drake, and bassist Harrison Bankhead, the Indigo Trio soars with the kind of spiritual energy that has inspired Great Black Music from its inception... Building a bridge between composition and improvisation, Bankhead, Drake, and Mitchell have created an inspiring album. With their spirit of…
Evan Parker and Matthew Shipp!Two (exceptional) musicians, two backgrounds, two approaches to music, two generations, an ocean between them: at the end, only one music, unique, outstanding, made of listening and respect of each other. The purpose is not to limit themselves to what they might have in common, but to expand the realm of possibility by assimilating in the moment what the other can bring.
"The long-standing duo of German multi-reedist & brass player Udo Schindler and drummer Eric Zwang Eriksson are joined by percussionist Erwin Rehling (HAMMERLING) for the 4-part free and eclectically authoritative improvisatory work "Ritual Sound Exposure", recorded live at the music venue and bookstore BASIS_Klangraum at the Munich Community Arts Center." - SquidCo.com
"An extended improvisation captured in 2023 at ASIS_Klangraum in MUCCA & dasvinzenz (Munich) from the trio of long-time collaborators Eric Zwang Eriksson on drums and Udo Schindler on bass clarinet, cornet & Tubax (an Eb contrabass saxophone) with guitarist Andreas Willers of Grid Mesh, for an evolving and exploratory work of deep reflection and extreme catharsis." - SquidCo.com
"Experimental chamber music from the German trio of Udo Schindler on tenor saxophone, bass saxophone & cornet, Eric Zwang Eriksson on percussion and Sebastiano Tramontana on trombone & voice, performing at BASIS_Klangraum in MUCCA, Munich, the title translating to "singing without words" from the poetry cycle "Il taccuino del vecchio" by Guiseppe Ungaretti." - SquidCo.com
"Unique voicing through the orchestration of saxophones, basset horn, glissotar (a modern continuous pitch wind instrument) and vibraphone, heard in this recording at the international artist house Villa Waldberta, in Feldafing-Munich, Germany, for seven recordings that blend free jazz forms with chamber jazz approaches with remarkable sophistication and composure." - SquidCo.com
"The quartet of Udo Schindler on reeds, Ernesto Rodrigues on viola, Guilherme Rodrigues on cello and Nuno Torres on saxophone are heard in Munich, first in a wildly interactive live performance at Schindler's Salon successor: BASIS_Soundscape at MUCCA; then live in the studio for 7 improvisations with track titles borrowed from and under the influence of the poetry of Allen Ginsberg." - SquidCo.com
"Reedist Udo Schindler continues his exploration into the double bass and low-tone reed instruments, here on bass & contrabass clarinets contrasted only with his soprano saxophone, in a 2022 live recording from MUCCA_Kommandozentrate in Munich of the five-part improvisation "Hybride Synergetic" in a trio with double bassists Peter Jacquemyn and Georg Karger." SquidCo.com
"Quoting Danish painter & sculptor Asgar Jorn - "To get anywhere, one must choose one's mistakes. I chose experimental acts." - the quartet of Udo Schindler on alto sax, bass & double bass clarinets & cornet, Eric Zwang Eriksson on drums, Ardhi Engl on self-invented instruments and Nikolaus Neuser on trumpet, are heard live at Munich's FMZ for 3 masterfully risk-taking sound poems." - SquidCo.com
William Parker - double bassHugo Costa - alto saxophone Philipp Ernsting - drums
Recorded at Codarts, Rotterdam, October 11th, 2023 by Philipp ErnstingMixed and mastered by Arūnas Zujus at MAMAstudiosCover art by Martynas IvinskasPhoto of Hugo Costa by Rui SilvaPhoto of William Parker by Peter Gannushkin / downtownmusic.netPhoto of Philipp Ernsting by Florian CramerDesign by Danas Mikailionis
"Innervoice is perfection filled with beauty, power and grace of the celestial blues where the changes are happening all the time; the tonic is love; the seventh is the absence of war; peace is the melody redefined moment to moment; all are guided by the inner voice" - William Parker
An extraordinary, previously unheard session by alto saxophonist Arthur Blythe originally recorded on July 6, 1976 in New York City, and performed in the expansive, unconfined environment of the loft jazz movement, delivering remarkable extended solos on alto saxophone. The minimalist ensemble comprises Juni Booth on bass, Steve Reid on drums, and Muhammad Abdullah on conga, devoid of piano or additional horns, allowing Blythe ample opportunity to showcase his improvisational skills. The initial…
"Drawing on a sound poem from French poet Stéphane Malarmé published in 1875, pianist Michel Wintsch and multi-reedist Udo Schindler on bass clarinet and alto saxophone tubax (a modified contrabass saxophone) perform five expressive and assertive improvisations with titles "borrowed from Stéphane Malarmé, who sees his texts as instruments." - SquidCo.com